21
" Compassion for human hurt, a humble sense of our impermanence, an absolute valuation of justice—all of our so-called virtues only trouble us and serve to bolster, not assuage, horror. In addition, these qualities are our least vital, the least in line with life. More often than not, they stand in the way of one’s rise in the welter of this world, which found its pace long ago and has not deviated from it since. The putative affirmations of life—each of them based on the propaganda of Tomorrow: reproduction, revolution in its widest sense, piety in any form you can name—are only affirmations of our desires. And, in fact, these affirmations affirm nothing but our penchant for self-torment, our mania to preserve a demented innocence in the face of gruesome facts.By means of supernatural horror we may evade, if momentarily, the horrific reprisals of affirmation. Every one of us, having been stolen from nonexistence, opens his eyes on the world and looks down the road at a few convulsions and a final obliteration. What a weird scenario. So why affirm anything, why make a pathetic virtue of a terrible necessity? We are destined to a fool’s fate that deserves to be mocked. And since there is no one else around to do the mocking, we will take on the job. So let us indulge in cruel pleasures against ourselves and our pretensions, let us delight in the Cosmic Macabre. At least we may send up a few bitter laughs into the cobwebbed corners of this crusty old universe.Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Admittedly, this is not a practice likely to find universal favor. True macabrists are as rare as poets and form a secret society by the bad-standing of their memberships elsewhere, some of their outside affiliations having been cancelled as early as birth. But those who have gotten a good whiff of other worlds and sampled a cuisine marginal to stable existence will not be able to stay themselves from the uncanny feast of horrors that has been laid out for them. They will loiter in moonlight, eyeing the entranceways to cemeteries, waiting for some propitious moment to crash the gates and see what is inside.Once and for all, let us speak the paradox aloud: “We have been force-fed for so long the shudders of a thousand graveyards that at last, seeking a macabre redemption, a salvation by horror, we willingly consume the terrors of the tomb…and find them to our liking. "
22
" Compassion for human hurt, a humble sense of our impermanence, an absolute valuation of justice—all of our so-called virtues only trouble us and serve to bolster, not assuage, horror. In addition, these qualities are our least vital, the least in line with life. More often than not, they stand in the way of one’s rise in the welter of this world, which found its pace long ago and has not deviated from it since. The putative affirmations of life—each of them based on the propaganda of Tomorrow: reproduction, revolution in its widest sense, piety in any form you can name—are only affirmations of our desires. And, in fact, these affirmations affirm nothing but our penchant for self-torment, our mania to preserve a demented innocence in the face of gruesome facts.
By means of supernatural horror we may evade, if momentarily, the horrific reprisals of affirmation. Every one of us, having been stolen from nonexistence, opens his eyes on the world and looks down the road at a few convulsions and a final obliteration. What a weird scenario. So why affirm anything, why make a pathetic virtue of a terrible necessity? We are destined to a fool’s fate that deserves to be mocked. And since there is no one else around to do the mocking, we will take on the job. So let us indulge in cruel pleasures against ourselves and our pretensions, let us delight in the Cosmic Macabre. At least we may send up a few bitter laughs into the cobwebbed corners of this crusty old universe. "
― Thomas Ligotti , Songs of a Dead Dreamer
27
" The two of them carefully stepped around the crime scene, picking up Nick’s arms, legs and organs, and brought them back to his head. They placed his extremities into position, and then pieced in the gorier bits, assembling a gruesome jigsaw puzzle. In a few moments, most of Nick’s body was in place.The healing process took about twenty minutes. Elphaba and John stood spellbound as they watched a bloody collection of body parts reintegrate into a human form. As Nick’s sinews, nerves, and muscle knit back into place, the gaping wound in Esperto’s body also closed, completing a few minutes before Nick’s healing. The panther form quickly shrank back to housecat just as Nick sat up. Esperto jumped in his lap and licked the remnants of blood off his "
30
" The woman had gasped beneath his heavy body. He rubbed against her, lubricated by the warm, sticky liquid, but as her body gradually grew cold, he felt as though they'd been glued together. She seemed to be see-sawing between agony and ecstasy, but finally Satake pressed his lips over hers to quiet the groans-of pain or pleasure-that were leaking from her mouth. He found the hole that he had made in her side and worked his finger deep into the opening. Blood was pumping from the wound, staining their sex a gruesome crimson. He wanted to get further inside, to melt into her. As he was about to come, he pulled his lips from her and she whispered in his ear: " I'm finished . . . finished." " I know," he'd said, and he could still hear the exact sound of his own voice. "
34
" Merik swiveled his wrists slowly. At night, the temple was too dark to see the blood dripping from his arms, pooling on the granite flagstones. He felt it falling, though. Just as he felt the new, burned flesh on his hands stretching beneath torn gloves.
Yet even as pain shivered through his body, he couldn’t help but think: Only a fool ignores Noden’s gifts. For if Merik looked at this case of mistaken identity from the just the right angle, it could in fact all be seen as boon.
The assassin in the night. The fire on the Jana. The attack of a Waterwitch in Pin’s Keep. Each event had led Merik here, to Noden’s temple. To a fresco of the god’s left hand.
To the Fury.
Twice now, he’d been mistaken for that monstrous demigod, and twice now, it had worked in Merik’s favor. So why not continue using the fear invoked from that name? Was Merik not doing the Fury’s work by bringing justice to the wronged and punishment to the wicked? It was clear that Nubrevnans needed Merik’s help, and his sister Vivia…Well, she was stil out there. Alive. Wretched.
So was it not Merik’s moral duty to keep her off the throne? And he could do that if he could just prove she had indeed tried to kill him—that it was she who’d purchased that prisoner from Vizer Linday, and she who’d sent the prisoner to kill Merik.
Yes. This was right. This was Noden’s will. It throbbed in Merik’s wounds. It shivered across his scalp and down his raw back.
Take the god’s gift. Become the Fury.
Merik rose, stiff but strong, from the temple floor, and with a new purpose in his movements, he tugged his hood, his sleeves, his gloves into place. Then he turned away from the Fury’s gruesome fresco and set out to bring justice to the wronged.
Punishment to the wicked. "
― Susan Dennard , Windwitch (The Witchlands, #2)
36
" If you’ve ever studied mortal age cartoons, you’ll remember this one. A coyote was always plotting the demise of a smirking long-necked bird. The coyote never succeeded; instead, his plans always backfired. He would blow up, or get shot, or splat from a ridiculous height.
And it was funny.
Because no matter how deadly his failure, he was always back in the next scene, as if there were a revival center just beyond the edge of the animation cell.
I’ve seen human foibles that have resulted in temporary maiming or momentary loss of life. People stumble into manholes, are hit by falling objects, trip into the paths of speeding vehicles.
And when it happens, people laugh, because no matter how gruesome the event, that person, just like the coyote, will be back in a day or two, as good as new, and no worse—or wiser—for the wear.
Immortality has turned us all into cartoons. "
― Neal Shusterman , Scythe (Arc of a Scythe, #1)
38
" I can remember when I was a bit of an ETA fan myself. It was in 1973, when a group of Basque militants assassinated Adm. Carrero Blanco. The admiral was a stone-faced secret police chief, personally groomed to be the successor to the decrepit Francisco Franco. His car blew up, killing only him and his chauffeur with a carefully planted charge, and not only was the world well rid of another fascist, but, more important, the whole scheme of extending Franco's rule was vaporized in the same instant. The dictator had to turn instead to Crown Prince Juan Carlos, who turned out to be the best Bourbon in history and who swiftly dismantled Franco's entire system. If this action was 'terrorism,' it had something to be said for it. Everyone I knew in Spain made a little holiday in their hearts when the gruesome admiral went sky-high. "
― Christopher Hitchens , Christopher Hitchens and His Critics: Terror, Iraq, and the Left
40
" Have a seat with me,” Caine said, hopping down from the wall. “How have you been, Taylor?”
“Life’s one big party,” she said.
He laughed appreciatively at her joke. “Things must be pretty bad for Edilio to send for me, huh?”
“Things are always pretty bad,” she said. “We’re at a new level of bad. I saw those bugs.”
Caine mustered all his sincerity. “I have to go and fight these creatures. But I don’t know much about them.”
Taylor told him what she knew. Caine felt some of his confidence drain away as she laid out the facts in gruesome detail and with complete conviction.
“Well, this should be fun,” Diana said dryly. “I’m so glad we came back. "
― Michael Grant , Plague (Gone, #4)
