43
" You read all kinds of books and see all kinds of movies about the man who is obsessed and devoted, whose focus is a single solid beam, same as the lighthouse and that intense, too. It is Heathcliff with Catherine. It is a vampire with a passionate love stronger than death. We crave that kind of focus from someone else. We'd give anything to be that " loved." But that focus is not some soul-deep pinnacle of perfect devotion - it's only darkness and the tormented ghosts of darkness. It's strange, isn't it, to see a person's gaping emotional wounds, their gnawing needs, as our romance? We long for it, I don't know why, but when we have it, it is a knife at our throat on the banks of Greenlake. It is an unwanted power you'd do anything to be rid of. A power that becomes the ultimate powerlessness. "
48
" Say that you don’t love him!” Amarantha shrieked, and the blood on my hands became the blood of that rabbit—became the blood of what I had lost.
But I wouldn’t say it. Because loving Tamlin was the only thing I had left, the only thing I couldn’t sacrifice.
A path cleared through my red-and-black vision. I found Tamlin’s eyes—wide as he crawled toward Amarantha, watching me die, and unable to save me while his wound slowly healed, while she still gripped his power.
Amarantha had never intended for me to live, never intended to let him go.
“Amarantha, stop this,” Tamlin begged at her feet as he clutched the gaping wound in his chest. “Stop. I’m sorry—I’m sorry for what I said about Clythia all those years ago. Please. "
― Sarah J. Maas , A Court of Thorns and Roses (A Court of Thorns and Roses, #1)
50
" The two of them carefully stepped around the crime scene, picking up Nick’s arms, legs and organs, and brought them back to his head. They placed his extremities into position, and then pieced in the gorier bits, assembling a gruesome jigsaw puzzle. In a few moments, most of Nick’s body was in place.The healing process took about twenty minutes. Elphaba and John stood spellbound as they watched a bloody collection of body parts reintegrate into a human form. As Nick’s sinews, nerves, and muscle knit back into place, the gaping wound in Esperto’s body also closed, completing a few minutes before Nick’s healing. The panther form quickly shrank back to housecat just as Nick sat up. Esperto jumped in his lap and licked the remnants of blood off his "
58
" While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”“You don’t have to do this, Clary, it’s a trick—” (Simon)...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up....If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you. "
59
" I’m never going to be kissed.”
I open my eyes to see my brothers gaping at me like I’ve lost my mind.
“You don’t kiss boys,” says West. “Boys shouldn’t be anywhere near you. Guys only want one thing, Rach, and it ain’t conversation. I should know.” He waves off the subject in frustration, then shakes his head as he speaks again. “Why are we even talking about this? You aren’t seeing anyone.”
“Ah, hell,” mumbles Jack. “We’re having the sex talk with my baby sister.”
“Is she dating?” Gavin demands of West and Ethan. “She can’t be dating. Now we have to beat the snot out of some horny teenager. You should have told me this was going on.”
“Make them stop,” I whisper to Ethan. Along with the dread of speeches and vomiting, I’m also dying of embarrassment.
“She’s not dating!” West shudders as if spiders cover him. “That’s just sick, Rach. Don’t talk like that. Ever. Again.”
Gavin sends me a glare clearly meant to warn me off from kissing and dating boys before he heads for the main ballroom. "
― Katie McGarry , Crash into You (Pushing the Limits, #3)
60
" For Socrates, all virtues were forms of knowledge. To train someone to manage an account for Goldman Sachs is to educate him or her in a skill. To train them to debate stoic, existential, theological, and humanist ways of grappling with reality is to educate them in values and morals. A culture that does not grasp the vital interplay between morality and power, which mistakes management techniques for wisdom, which fails to understand that the measure of a civilization is its compassion, not its speed or ability to consume, condemns itself to death. Morality is the product of a civilization, but the elites know little of these traditions. They are products of a moral void. They lack clarity about themselves and their culture. They can fathom only their own personal troubles. They do not see their own bases or the causes of their own frustrations. They are blind to the gaping inadequacies in our economic, social, and political structure and do not grasp that these structures, which they have been taught to serve, must be radically modified or even abolished to stave off disaster. They have been rendered mute and ineffectual. “What we cannot speak about” Ludwig Wittgenstein warned “we must pass over in silence. "
― Chris Hedges , Empire of Illusion: The End of Literacy and the Triumph of Spectacle