82
" So now George has arrived. He is not nervous inthe least. As he gets out of his car, he feels an upsurge of energy, of eagerness for the play to begin. And he walks eagerly, with a springy step, along the gravel path past the Music Building toward the Department office. He is all actor now—an actor on his way up from the dressing room, hastening through the backstage world of props and lamps and stagehands to make his entrance. A veteran, calm and assured, he pauses for a well-measured moment in the doorway of the office and then, boldly, clearly, with the subtly modulated British intonation which his public demands of him, speaks his opening line: " Good morning!" And the three secretaries—each one of them a charming and accomplished actress in her own chosen style—recognize him instantly, without even a flicker of doubt, and reply " Good morning!" to him. (There is something religious here, like responses in church—a reaffirmation of faith in the basic American dogma that it is, always, a good morning. Good, despite the Russians and their rockets, and all the ills and worries of the flesh. For of course we know, don't we, that the Russians and the worries are not really real? They can be un-thought and made to vanish. And therefore the morning can be made to be good. Very well then, it is good.) "
89
" My heart seemed to stop. Garret paused, as if gathering his thoughts, or his courage, then took a deep breath. “I know I’ve made mistakes,” he continued, shaking his head. “But there’s still the chance for me to fix them. I shouldn’t have walked out that night.” His brow creased, a flicker of pain and regret going through his eyes. “Ember, I know you can’t feel what I do,” he said. “I get that. But…I want to be with you. And if that’s not possible, I’ll be content just to be close. Fighting Talon with you and Riley, helping people, saving other dragons from the Order-there is nothing I want more. And nowhere else I want to be. "
― Julie Kagawa , Soldier (Talon, #3)
90
" Woman lost (skin deep) like a damn fine thread in the fire
Woman of the world caught up in your black machinations
I was a woman who cried alone at night, who gave it all
away when she saw the good heart of the man inside
Woman caught standing up; her open parts are broken -
Someone's armour broke right through, it was you, you
For some reason I've been thinking about you, your light
Today, you poured out all the tension, the ego underground
Hibernating inside my heart. I was so close to it, to the flicker
Of love in a lonely street and I turned my head and walked
Away from the flame in your arms. As I put away the fun in
A house of fight I came across you and a mechanism in
My brain shifted chemically, walls caved in like the cadence
In your words and I was lost in the darkness. Even now in
Middle age I remember when desire was a popular drug
And everyone was selling it but I don't live to explore to be
Able to illuminate the proof of my existence, live to burn
Vicariously though the diamond mouth of sleeping stars.
From so much love, pictures of death arrived in black and
White photographs and you're perfect, you always were -
Illusions have no flaws; they're dangerous beings, smoke.
Could I take the moon back and still live with my great
Expectations of nostalgia, laughter, tears and suffering -
But they are all a part of me not the people of the stars,
Long dead videotape, the past has stained the symphony
Of my soul (like the wind through the trees) throughout
Me finding myself, my two left feet as a female poet
The warning was there of the noise of eternity, signs
That said, don't anger the sea, you have an ally in her.
When men grow cold listen to their stories and bask in
The glory of their genuine deaths, their winters, put
Them away so you can read them like the newspaper.
Once in a while you can go back to where you stood
In youth with your afternoon tea, the sun of God in our
Eyes - I am that kind of woman who lives in the past "
― Abigail George , Feeding The Beasts
91
" After driving 30-minutes East of Seattle, I expect to see a great bowling alley. But, as we pull into the parking lot, all I see are pot holes, a horse and Amish buggy, and no cars to speak of- broken down or otherwise. Even the building is in shambles, needs painted and looks a bit haunted. The old road sign reading- Flicker Lanes- is half-burnt out. Seeing the building's interior lights on, I'm reassured that the place is open- but then again, maybe they've been left on by mistake. " There's LOTS of NICE bowling alleys in SEATTLE," I said. " Why did we come ALL THIS WAY to go BOWLING?" " I take it that you've never BEEN here before." " I don't think ANYONE HAS. I don't even KNOW what PLANET we're on." " I don't know what PLANET you're on either... but the rest of us are on your ANUS." I half-smile, marveling at his wittiness. "
98
" She looked around the room, glanced over him and Micah waited.
Her Gaze passed him, then again. On the third pass she lingered as she continued to watch her, allowing his gaze to memorize those features just before her eyes met his.
A jolt od power flashed through him. Her ligth blue eyes flickered with interest, fear, then interest again, as though she wasn't certain which she should feel.
He let his gaze continue to hers, let his mind reach out to her, soothe her, ease her. He used his eyes rather than his expression to calm the fear that he knew he would be rising within her.
Micah knew the power of a look. When two people touched from across a distance, that touch could be frightening, wary, or a stroke of gentleness. He stroked her gently. He never let his eyes dip below her chin; rather, he let himself take in every nuance of expression, every shift of each facial motion, the flicker of her lashes, the shadows in her eyes, the tension in her small body.
She was like a little bird ready to fly. Poised at the edge of her seat.her body stiff and prepared to run.
Easy, little bird, he thought, letting his thoughts touch his gaze. There is no pain here; there is no fear. "
― Lora Leigh , Maverick (Elite Ops, #2)
99
" Early Summer, loveliest season,The world is being colored in.While daylight lasts on the horizon,Sudden, throaty blackbirds sing.The dusty-colored cuckoo cuckoos." Welcome, summer" is what he says.Winter's unimaginable.The wood's a wickerwork of boughs.Summer means the river's shallow,Thirsty horses nose the pools.Long heather spreads out on bog pillows.White bog cotton droops in bloom.Swallows swerve and flicker up.Music starts behind the mountain.There's moss and a lush growth underfoot.Spongy marshland glugs and stutters.Bog banks shine like ravens' wings.The cuckoo keeps on calling welcome.The speckled fish jumps; and the strongSwift warrior is up and running.A little, jumpy, chirpy fellowHits the highest note there is;The lark sings out his clear tidings.Summer, shimmer, perfect days. "