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1 " So the first time she and Leo combusted, she'd practically been poised for the breakup. In some inexplicable way, she'd been looking forward to it and all its attendant drama, because wasn't there something nearly lovely–when you were young enough–about guts churning and tear ducts being put to glorious overuse? She recognized the undeniable satisfaction of the first emotional fissure because an unraveling was still something grown-up and, therefore, life affirming. See? The broken heart signalled. I loved enough to lose; I felt enough to weep. Because when you were young enough, the stakes of love were so very small, nearly insignificant. How tragic could a breakup be when it was part of the fabric of expectation from the beginning? The hackneyed fights, the late-night phone calls, the indignant recounting for friends over multiple drinks and in earshot of an appropriately flirtatious bartender–it was theatre for a certain type of person . . . Until it wasn't. "
― Cynthia D'Aprix Sweeney , The Nest
2 " No one asks how or what I am doing. They could not care less. We’re all looking glasses, we girls, existing only to reflect their images back to them as they’d like to be seen. Hollow vessels of girls to be rinsed of our own ambitions, wants, and opinions, just waiting to be filled with the cool, tepid water of gracious compliance.A fissure forms in the vessel. I’m cracking open. "
― Libba Bray , A Great and Terrible Beauty (Gemma Doyle, #1)
3 " Given the situation I had gotten myself into, I just chose the path that seemed most likely to succeed and did the best I could. But Shota died so suddenly. His death ripped open a deep fissure in my life. It was a cruel and heedless truth that I will never be able to comprehend. No matter what I do, I cannot change it. Is there any meaning in this world where Shota could die such an inexplicable death? That fissure spread through me unexpectedly. A responsible person would probably tell me to smile even though he’s gone. They’d probably say Shota, even though he was only a child, would have wanted me to lead a good life. But I don’t need to hear those words. This world is overflowing with hackneyed expressions like that. They can comfort most people, but they make me suffer. Words that most people nod along to make those who can’t nod along suffer. They alienate them. What about words that can reach someone like me? Do those exist? I am twisted. I can’t look at the world straight. But why am still trying to live on? Even though I think it would be better to curse the world, smile perversely and die. "
― Fuminori Nakamura , The Kingdom
4 " [Artemis] returned to the aft bay for Mulch's version of a briefing. The dwarf had drawn a crude diagram on a backlit wall panel. In fairness, there were more artistic chimpanzees. And less pungent ones. Mulch was using a carrot as a pointer, or more accurately, several carrots. Dwarfs liked carrots. 'This is Koboi Labs,' He mumbled around a mouthful of vegetable. 'That?' exclaimed Root. 'I realize, Julius, that it is not an accurate schematic.'The Commander exploded from his chair. 'An accurate schematic? It's a rectangle for heaven's sake!'Mulch was unperturbed. 'That's not important. This is the important bit.' 'That wobbly line?' 'It's a fissure,' pouted the dwarf. 'Anybody can see that.''Anybody in kindergarten maybe. So it's a fissure, so what?''This is the clever bit. Y'see that fissure is not usually there.'Root began strangling the air again. Something he was doing more and more lately. "
― Eoin Colfer , The Arctic Incident (Artemis Fowl, #2)
5 " He put the car in gear and went, feeling again how easy it had been to slip through an unexpected fissure in what he had considered a solid life- how easy it was to get over onto the dark side, to sail out of the blue and into the black. "
― Stephen King , It
6 " ...a fissure appeared. Splinters of plastic broke away around it, and the fissure widened, radiating further fractures.When the first leg broke out, Simon tried to shriek. "
― , Infected Connection
7 " Look around you, Ethan." I said. " The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" " There is no throne to Nemesis, " Ethan muttered. " No throne to my mother." " You said your mom is the goddess of balance," I reminded him. " The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. " Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. " Deserve better, " he gasped. " If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. " So much for him." Kronos picked up his sword. " And now for the rest of you. "
8 " Look around you, Ethan." I said. " The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" " There is no throne to Nemesis, " Ethan muttered. " No throne to my mother." " You said your mom is the goddess of balance," I reminded him. " The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Hen he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. " Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. " Deserve better, " he gasped. " If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. " So much for him." Kronos picked up his sword. " And now for the rest of you. "
9 " In the past few years, more and more passionate debates about the nature of SFF and YA have bubbled to the surface. Conversations about race, imperialism, gender, sexuality, romance, bias, originality, feminism and cultural appropriation are getting louder and louder and, consequently, harder to ignore. Similarly, this current tension about negative reviews is just another fissure in the same bedrock: the consequence of built-up pressure beneath. Literary authors feud with each other, and famously; yet genre authors do not, because we fear being cast as turncoats. For decades, literary writers have also worked publicly as literary reviewers; yet SFF and YA authors fear to do the same, lest it be seen as backstabbing when they dislike a book. (Small wonder, then, that so few SFF and YA titles are reviewed by mainstream journals.) Just as a culture of sexual repression leads to feelings of guilt and outbursts of sexual moralising by those most afflicted, so have we, by denying and decrying all criticism that doesn’t suit our purposes, turned those selfsame critical impulses towards censorship.Blog post: Criticism in SFF and YA "
― Foz Meadows
10 " There is a fissure in my vision and madness will always rush through. "
― Anaïs Nin , House of Incest
11 " What the fissure through which one sees disaster? The circle is unbroken; the harmony complete. Here is the central rhythm; here the common mainspring. I watch it expand, contract; and then expand again. Yet I am not included. "
― Virginia Woolf , The Waves
12 " The American fascists are most easily recognized by their deliberate perversion of truth and fact. Their newspapers and propaganda carefully cultivate every fissure of disunity, every crack in the common front against fascism. "