23
" Bird asked what a paleontologist was and Mom said that if he took a complete, illustrated guide to the Metropolitan Museum of Art, shred it into a hundred pieces, cast them into the wind from the museum’s steps, let a few weeks pass, went back and scoured Fifth Avenue and Central Park for as many surviving scraps as he could find, then tried to reconstruct the history of painting, including schools, styles, genres, and names of painters from his scraps, that would be like a paleontologist. "
― Nicole Krauss , The History of Love
27
" I'm older now, I'm a man getting near middle age, putting on a little fat and I still love to walk along Fifth Avenue at three o'clock on the east side of the street between Fiftieth and Fifty-seventh streets, they're all out then, making believe they're shopping, in their furs and their crazy hats, everything all concentrated from all over the world into eight blocks, the best furs, the best clothes, the handsomest women, out to spend money and feeling good about it, looking coldly at you, making believe they're not looking at you as you go past. "
― Irwin Shaw ,
29
" I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving.
I know a charm that will heal with a touch.
I know a charm that will turn aside the weapons of an enemy.
I know another charm to free myself from all bonds and locks.
A fifth charm: I can catch an arrow in flight and take no harm from it.
A sixth: spells sent to hurt me will hurt only the sender.
A seventh charm I know: I can quench a fire simply by looking at it.
An eighth: if any man hates me, I can win his friendship.
A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore.
For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again.
An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes.
A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers.
A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle.
A fourteenth: I know the names of all the gods. Every damned one of them.
A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams.
A sixteenth charm I know: if I need love I can turn the mind and heart of any woman.
A seventeenth, that no woman I want will ever want another.
And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be. "
― Neil Gaiman , American Gods (American Gods, #1)
36
" As if somehow irony,” she recaps for Maxine, “as practiced by a giggling mincing fifth column, actually brought on the events of 11 September, by keeping the country insufficiently serious — weakening its grip on ‘reality.’ So all kinds of make-believe—forget the delusional state the country’s in already—must suffer as well. Everything has to be literal now.”
“Yeah, the kids are even getting it at school.” Ms. Cheung, an English teacher who if Kugelblitz were a town would be the neighborhood scold, has announced that there shall be no more fictional reading assignments. Otis is terrified, Ziggy less so. Maxine will walk in on them watching Rugrats or reruns of Rocko’s Modern Life, and they holler by reflex, “Don’t tell Ms. Cheung!”
“You notice,” Heidi continues, “how ‘reality’ programming is suddenly all over the cable, like dog shit? Of course, it’s so producers shouldn’t have to pay real actors scale. But wait! There’s more! Somebody needs this nation of starers believing they’re all wised up at last, hardened and hip to the human condition, freed from the fictions that led them so astray, as if paying attention to made-up lives was some form of evil drug abuse that the collapse of the towers cured by scaring everybody straight again. "
― Thomas Pynchon , Bleeding Edge