10
" Steerpike of the Many Problems,” said the Doctor. “What did you say they were? My memory is so very untrustworthy. It’s as fickle as a fox. Ask me to name the third lateral bloodvessel from the extremity of my index finger that runs east to west when I lie on my face at sundown, or the percentage of chalk to be found in the knuckles of an average spinster in her fifty-seventh year, ha, ha, ha! – or even ask me, my dear boy, to give details of the pulse rate of frogs two minutes before they die of scabies – these things are no tax upon my memory, ha, ha, ha! But ask me to remember exactly what you said you problems were, a minute ago, and you will find that my memory has forsaken me utterly. Now why is that, my dear Master Steerpike, why is that?”
“Because I never mentioned them,” said Steerpike.
“That accounts for it,” said Prunesquallor. “That, no doubt, accounts for it. "
― Mervyn Peake , Titus Groan (Gormenghast, #1)
12
" Women are mere " beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while " beauty" is generic, boring, and inert. While culture works out moral dilemmas, " beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence--but it is not a moral act. From the " beauties" in male culture, women learn a bitter amoral lesson--that the moral lessons of their culture exclude them. "
15
" But Hannah's friend didn’t understand the volatile balancing act between art and sanity, that the act of creation was like walking a tightrope during an earthquake. She didn’t understand Hannah’s stupid need for validation, or that the size of the audience increased the stakes and multiplied the fear. She didn’t understand that creativity was dangerous, that, yes, there were some people who could stand before a canvas, paint a sunset that would bring the world to its knees, and return to their loved ones as a complete person who didn’t hurt, didn’t cry, didn’t spill blood to appease the host of fickle muses. But Hannah did. Hannah’s best ideas—sometimes her only ideas—were buried beneath the skin. "
― Jake Vander-Ark , The Day I Wore Purple
16
" The truth, at times, can be the hardest pill to swallow. When we are confronted by something new, something that threatens to shake us from our comfortable tree, shatters our illusions, we resist. It takes courage to swim against the tide of popular opinion. Most of us would rather hold on to the safety buoy than strike out into unchartered seas. If you are one of these, don't bother to read this true account of the Frankenstein myth, hold tightly to your buoy and be carried to the shores of the known and familiar, you will be safe. I do not wish to make you feel uncomfortable in your skin, that is not my aim. My goal is to set the story straight and not pander to the fickle minded.This version of events is so far removed from the common misguided perceptions held by us all, and will so challenge the accepted beliefs generated by cheap fiction, that there will be many who will call me charlatan or fraud. They do not possess the will, or wherewithal, to want to know the truth or even suspend their judgement so that the record might be set straight for posterity. Possibly, they might be the last remnants of the flat earth society and still trying to convince the rest of us where we are going wrong. If nothing else, I salute their commitment and tenacity. This book is not for them.There it is. I have forewarned you against reading this account of the tortured genius of Baron von Frankenstein. If you are not ready for the truth, stay safe and warm in your insulated ivory towers and remain ignorant of the catastrophe that befell him and the people of the town of Frankenstein. It is not my loss... "
18
" The arbutus is now open everywhere in the woods and groves. How pleasant it is to meet the same flowers year after year! If the blossoms were liable to change–if they were to become capricious and irregular–they might excite more surprise, more curiosity, but we should love them less; they might be just as bright, and gay, and fragrant under other forms, but they would not be the violets, and squirrel-cups, and ground laurels we loved last year. Whatever your roving fancies may say, there is a virtue in constancy which has a reward above all that fickle change can bestow, giving strength and purity to every affection of life, and even throwing additional grace about the flowers which bloom in our native fields. We admire the strange and brilliant plant of the green-house, but we love most the simple flowers we have loved of old, which have bloomed many a spring, through rain and sunshine, on our native soil. "
― Susan Fenimore Cooper