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faded  QUOTES

101 " He stared down at her for a moment, wanting to heal every
cut on her soft skin. But he couldn’t, not yet. He needed to get her,
and her car, far from this place so neither he nor Kate would be
implicated in any way with the gruesome murder site.
It also meant he would have to drive.
In all his years, he had never driven an automobile. The closest he
had come was watching various assistants through the years as they
chauffeured him. He wasn’t sure he could even remember how to
start the car, but right now he had no choice.
Grudgingly, he got into the driver’s seat, and finding the lever
underneath, he pushed it back so he sat comfortably behind the
wheel. After trying three different keys, he found one that slipped into
the ignition.
From what he had seen over the past hundred years, driving was
not a complex operation, and he was an immortal with reflexes far
more keen than a human man.
How difficult could it be?
He turned the key and nearly jerked the wheel off the steering
column when the car surprised him by lurching forward. The car went
silent. The engine wasn’t running. What was he doing wrong?
He stared at the gearshift, wondering if he should move it. His
frustration reared up, but his agitation would not make the car drive
itself. He had to keep a cool head.
Not knowing what else to try, he pushed one of the pedals at his
feet to the floor and turned the key again. This time the car didn’t
move, and it roared to life. Grasping the gearshift, he jammed it into
the first position and glanced over at Kate.
Why couldn’t she have owned a car with an automatic
transmission?
Shaking his head, he put some pressure on the gas pedal and
slowly released the clutch. Thankfully the car rolled a few feet, but
without warning it jumped forward. He pressed the clutch back to the
floor before the engine lost power again.
Calisto slammed his hand against the wheel, muttering under his
breath in Spanish. At this rate it would take him all night to drive her
home.
The faded yellow convertible pitched forward again, threatening
to stall as he continued out of the parking lot, thankful it was late. The
streets were fairly empty. At least he wouldn’t get into an accident
with another car. Her car staggered ahead, lurching each time he
tried to release the clutch, bouncing and jostling them both until Kate
finally stirred and woke up.
§
“Are we out of gas or something?”
Calisto watched her with a tight smile. “Not exactly.”
Kate winced in pain when she laughed. “You can’t drive a stickshift,
can you?”
“Does it show?” Calisto pulled over, finally allowing the engine to
stall.
She nodded her head slowly to avoid more pain. “Just a little.
What happened?”
“You don’t remember?”
“I remember being mugged. And I remember seeing you, but
everything after that is blank.” She watched his eyes as Calisto
reached over to brush her hair back from her face, and his touch sent
shivers through her body. This wasn’t how she had hoped she would
run into him, but she learned a long time ago fate didn’t always work
out the way you expected. "

Lisa Kessler , Night Walker (Night, #1)

111 " Today, acknowledgement of the prevalence and harms of child sexual abuse is counterbalanced with cautionary tales about children and women who, under pressure from social workers and therapists, produce false allegations of ‘paedophile rings’, ‘cult abuse’ and ‘ritual abuse’. Child protection investigations or legal cases involving allegations of organised child sexual abuse are regularly invoked to illustrate the dangers of ‘false memories’, ‘moral panic’ and ‘community hysteria’. These cautionary tales effectively delimit the bounds of acceptable knowledge in relation to sexual abuse. They are circulated by those who locate themselves firmly within those bounds, characterising those beyond as ideologues and conspiracy theorists.
However firmly these boundaries have been drawn, they have been persistently transgressed by substantiated disclosures of organised abuse that have led to child protection interventions and prosecutions. Throughout the 1990s, in a sustained effort to redraw these boundaries, investigations and prosecutions for organised abuse were widely labelled ‘miscarriages of justice’ and workers and therapists confronted with incidents of organised abuse were accused of fabricating or exaggerating the available evidence. These accusations have faded over time as evidence of organised abuse has accumulated, while investigatory procedures have become more standardised and less vulnerable to discrediting attacks. However, as the opening quotes to this introduction illustrate, the contemporary situation in relation to organised abuse is one of considerable ambiguity in which journalists and academics claim that organised abuse is a discredited ‘moral panic’ even as cases are being investigated and prosecuted. "

, Organised Sexual Abuse

114 " I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft.
He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry.
I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind.
“Mm?” I reply. My mind is full of babble, I’m so high.
“Jayme,” he’s insistent, almost pleading. “What are you?”
Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves.
“What do you mean?” I ask, the disquiet wringing the strength from my voice.
“It doesn’t hurt anymore,” he explains, inhaling deeply.
I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare.
“I don’t understand,” I whisper.
He looks down at his exposed abdomen. “I think you healed me.”
He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese.
I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard.
Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car.
He shouts my name. It’s too late.
I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself.
I run.
I run and I don’t stop. "

Elden Dare , Born Wicked (The Wicked Sorcer Series #1)

116 " Here at our ministry we refuse to present a picture of “gentle Jesus, meek and mild,” a portrait that tugs at your sentiments or pulls at your heartstrings. That’s because we deal with so many people who suffer, and when you’re hurting hard, you’re neither helped nor inspired by a syrupy picture of the Lord, like those sugary, sentimental images many of us grew up with. You know what I mean? Jesus with His hair parted down the middle, surrounded by cherubic children and bluebirds.

Come on. Admit it: When your heart is being wrung out like a sponge, when you feel like Morton’s salt is being poured into your wounded soul, you don’t want a thin, pale, emotional Jesus who relates only to lambs and birds and babies.

You want a warrior Jesus.

You want a battlefield Jesus. You want his rigorous and robust gospel to command your sensibilities to stand at attention.

To be honest, many of the sentimental hymns and gospel songs of our heritage don’t do much to hone that image. One of the favorite words of hymn writers in days gone by was sweet. It’s a term that down’t have the edge on it that it once did. When you’re in a dark place, when lions surround you, when you need strong help to rescue you from impossibility, you don’t want “sweet.” You don’t want faded pastels and honeyed softness.

You want mighty. You want the strong arm an unshakable grip of God who will not let you go — no matter what. "

Joni Eareckson Tada , A Place of Healing: Wrestling with the Mysteries of Suffering, Pain, and God's Sovereignty