1
" Here the phenomenologist has nothing in common with the literary critic who, as has frequently been noted, judges a work that he could not create and, if we are to believe certain facile condemnations, would not want to create. A literary critic is a reader who is necessarily severe. By turning inside out like a glove an overworked complex that has become debased to the point of being part of the vocabulary of statesmen, we might say that the literary critic and the professor of rhetoric, who know-all and judge-all, readily go in for a simplex of superiority. As for me, being an addict of felicitous reading, I only read and re-read what I like, with a bit of reader's pride mixed in with much enthusiasm. "
― Gaston Bachelard , The Poetics of Space
2
" Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion.
No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written.
Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market.
The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail.
Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence.
I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go.
Discarded pages mark the physical dimensions of a writer’s labor.
Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs.
Every new novel stretches the term of the contract—let me live long enough to do one more book.
You become a serious novelist by living long enough. "
― Don DeLillo
3
" He walked straight out of college into the waiting arms of the Navy.
They gave him an intelligence test. The first question on the math part had to do with boats on a river: Port Smith is 100 miles upstream of Port Jones. The river flows at 5 miles per hour. The boat goes through water at 10 miles per hour. How long does it take to go from Port Smith to Port Jones? How long to come back?
Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat. Clearly, 5 miles per hour was nothing more than the average speed. The current would be faster in the middle of the river and slower at the banks. More complicated variations could be expected at bends in the river. Basically it was a question of hydrodynamics, which could be tackled using certain well-known systems of differential equations. Lawrence dove into the problem, rapidly (or so he thought) covering both sides of ten sheets of paper with calculations. Along the way, he realized that one of his assumptions, in combination with the simplified Navier Stokes equations, had led him into an exploration of a particularly interesting family of partial differential equations. Before he knew it, he had proved a new theorem. If that didn't prove his intelligence, what would?
Then the time bell rang and the papers were collected. Lawrence managed to hang onto his scratch paper. He took it back to his dorm, typed it up, and mailed it to one of the more approachable math professors at Princeton, who promptly arranged for it to be published in a Parisian mathematics journal.
Lawrence received two free, freshly printed copies of the journal a few months later, in San Diego, California, during mail call on board a large ship called the U.S.S. Nevada. The ship had a band, and the Navy had given Lawrence the job of playing the glockenspiel in it, because their testing procedures had proven that he was not intelligent enough to do anything else. "
― Neal Stephenson , Cryptonomicon
4
" With more time spent in their mother's presence, Maggie kept topics of conversation to small stuff, seldom ever wanted to dig below the surface, learned from her mother: just be polite, which makes Callie's own facile mental questioning and creative drive, paired with her physical rigidity, all the more oppositional, and, how they dance around serious subjects, laughable. "
― Justin Bog , Hark: A Christmas Collection
5
" I know you do not understand what I am trying to tell you; I know you do not understand, because it is the thing that goes deepest into my heart, and there are no words as deep down as that. How can I make you know the reality of it? The world has spattered us all over with words, with cant phrases, with sarcasm, and with fulsome flattery. The world has been so officiously eager to explain for us the thing we mean and the worth of the thing that now, when we try to speak, our meaning is veiled, concealed, smothered, by the hideous volubility of facile expression. How can it have any reality for you when you hear only words about it? "
10
" At this point it may be objected: well, then, if even the crabbed sceptics admit that the statements of religion cannot be confuted by reason, why should not I believe in them, since they have so much on their side: tradition, the concurrence of mankind, and all the consolation they yield? Yes, why not? Just as no one can be forced into belief, so no one can be forced into unbelief. But do not deceive yourself into thinking that with such arguments you are following the path of correct reasoning. If ever there was a case of facile argument, this is one. Ignorance is ignorance; no right to believe anything is derived from it. "
― Sigmund Freud , The Future of an Illusion
11
" He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life. "
― Stefan Zweig , The Burning Secret and other stories
13
" Everyone died in solitude, after all. A simple enough truth. A truth no one need fear. The spirits waited before they cast judgement upon a soul, waited for that soul—in its dying isolation—to set judgement upon itself, upon the life it had lived, and if peace came of that, then the spirits would show mercy. If torment rode the Wild Mare, why, then, the spirits knew to match it. When the soul faced itself, after all, it was impossible to lie. Deceiving arguments rang loud with falsehood, their facile weakness too obvious to ignore. "
― Steven Erikson , Dust of Dreams (Malazan Book of the Fallen, #9)
