83
" When I touched that boy, I felt something. Something awful. Something I can’t describe.”
“We all felt it,” Nick said.
“You may have felt it, but I caused it.” Then both his eyes seemed to go far away. “Something changed out there. I don’t know what it was, but something in the world changed because that kid didn’t deserve what I did to him—and the powers that be know that I did it.” Nick watched as a tear fell from his Everlost eye and disappeared through the living world table.
“What if,” said Nick, not even sure what he was going to say yet, “what if you were that kid and you were told you could change the world, but you would have to sacrifice yourself to do it?”
Clarence chuckled at the thought. “I believe that question was already asked a long time ago, and that creepy kid did not look anything like Jesus to me.”
“But you do think that something changed. . . .”
“I don’t know whether it’s good or bad.”
“What if it’s neither?” suggested Nick. “What if we get to make it one or the other? "
― Neal Shusterman , Everfound (Skinjacker, #3)
84
" They were together, and that was all that mattered. The food, the house, the cars, the money, the power, all inconsequential. She would tear it all down herself with her bare hands if she had to, because her family was alive, well, and surrounding her in love. It was how it should have been that night, and it was the last thing Abigail thought or saw in her minds eye as she faded off into the oblivion and unknown of death. "
― Stephen Vaughn , M.I.N.D.
88
" LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air. "
― Sylvia Plath , Ariel
90
" You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us. "
― Philip Pullman , The Golden Compass (His Dark Materials, #1)
95
" In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass. "
― Justin Cronin , The Passage (The Passage, #1)
97
" When my parents passed on, and we read their wills, we discovered something we didn’t at all expect, especially from our devoutly Catholic mother: they had both left instructions that their bodies be donated to science. We were bewildered and we were pissed. They wanted their cadavers to be used by medical students, they wanted their flesh to be cut into and their cancerous organs examined. We were breathless. They wanted no elaborate funerals, no expense incurred for such stuff – they hated wasting money or time on ceremony, on appearances. When they died there was little left – the house, the cars. And their bodies, and they gave those away. To offer them to strangers was disgusting, wrong, embarrassing. And selfish to us, their children, who would have to live with the thought of their cold weight sinking on silver tables, surrounded by students chewing gum and making jokes about the location of freckles. But then again: Nothing can be preserved. It’s all on the way out, from the second it appears, and whatever you have always has one eye on the exit, and so screw it. As hideous and uncouth as it is, we have to give it all away, our bodies, our secrets, our money, everything we know: All must be given away, given away every day, because to be human means:
1. To be good
2. To save nothing "
― , A Heartbreaking Work of Staggering Genius
99
" MortalityOh, why should the spirit of mortal be proud?Like a swift-fleeting meteor, a fast-flying cloud,A flash of the lightning, a break of the wave,He passes from life to his rest in the grave.The leaves of the oak and the willow shall fade,Be scattered around, and together be laid;And the young and the old, the low and the high,Shall molder to dust, and together shall lie.Yea, hope and despondency, pleasure and pain,Are mingled together in sunshine and rain;And the smile and the tear, the song and the dirge,Still follow each other, like surge upon surge.'Tis the wink of an eye - 'tis the draught of a breath -From the blossom of health to the paleness of death,From the gilded saloon to the bier and the shroudOh, why should the spirit of mortal be proud? "