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21 " There was something in her eyes! Her eyes were expressive and from the first day that they met, they spoke to him a million things! He could know which night she had cried, which night she had slept peacefully and which night of hers had been spent in complete sleeplessness. "
― Avijeet Das
22 " ...those thoroughly incorporated within the inexorable logic of the market and its demands find that there is little time and space in which to explore emancipatory potentialities outside what is marketed as 'creative' adventure, leisure, and spectacle. Obliged to live as appendages of the market and of capital accumulation rather than as expressive beings, the realm of freedom shrinks before the awful logic and the hollow intensity of market involvements "
― David Harvey
23 " I never wanted to be alone, but I always opted for loneliness. I am an emotional, sensitive and expressive creature. I cannot detach my feelings, never could I control. I fall in love and I can be easily broken. "
― M.F. Moonzajer
24 " So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning. "
25 " Emptying the ashtrays was very expressive of myself. I just lump everything in a great heap which I have labeled ‘the past,’ and having thus emptied this deep reservoir that was once myself, I am ready to continue. "
― Zelda Fitzgerald
26 " Personal essay writing that incites the mind and instigates personal growth involves examination and re-examination, a process of noticing and reflecting upon what a person perceives. Essayistic writing is an osmotic process wherein a person intuitively absorbs information and ideas, allows inchoate thoughts to gestate in the unconscious mind, and then consciously places the emergent strands of language and logic into an orderly and expressive format. "
― , Dead Toad Scrolls
27 " As our larynxes descended, we were able to make sounds with our mouths in new and far more expressive ways. Verbal language soon overtook physical gesturing as the primary means of communication for all human beings except Italians. (Earth (The Book), p. 36) "
― Jon Stewart
28 " Sign is a live, contemporaneous, visual-gestural language and consists of hand shapes, hand positioning, facial expressions, and body movements. Simply put, it is for me the most beautiful, immediate, and expressive of languages, because it incorporates the entire human body. "
― Myron Uhlberg , Hands of My Father: A Hearing Boy, His Deaf Parents, and the Language of Love
29 " Greek is a wonderfully rich and expressive language, which makes it one of the harder of the European tongues to learn. The active vocabulary is much bigger than other European languages. The constructions and the different endings are not easy to master, especially if you are an English speaker. "
― John Mole , It's All Greek to Me!: A Tale of a Mad Dog and an Englishman, Ruins, Retsina--and Real Greeks
30 " As a result of the work done by all these stratifying force in language, there are no " neutral" words and forms - words and forms that can belong to " no one" ; language has been completely taken over, shot through with intentions and accents. For any individual consciousness living in it, language is not an abstract system of normative forms, but rather a concrete heteroglot conception of the world. All words have the " taste" of a profession, a genre, a tendency, a party, a particular work, a particular person, a generation, an age group, the day and hour. Each word tastes of the context and contexts in which it has lived it socially charged life; all words and forms are populated by intentions. Contextual overtones (generic, tendentious, individualistic) are inevitable in the word. As a living, socio-ideological concrete thing, as heteroglot opinion, language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes " one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own. And not all words for just anyone submit equally easy to this appropriation, to this seizure and transformation into private property: many words stubbornly resist, others remain alien, sound foreign in the mouth of the one who appropriated them and who now speaks them; they cannot be assimilated into his context and fall out of it; it is as if they put themselves in quotation marks against the will of the speaker. Language is not a neutral medium that passes freely and easily into the private property of the speaker's intentions; it is populated - overpopulated - with the intentions of others. Expropriating it, forcing it to submit to one's own intentions and accents, is a difficult and complicated process. "
31 " One interesting thing is the idea that people have of a kind of science of Aesthetics. I would almost like to talk of what could be meant by Aesthetics.You might think Aesthetics is a science telling us what's beautiful - almost too ridiculous for words. I suppose it ought to include also what sort of coffee tastes well. I see roughly this - there is a realm of utterance of delight, when you taste pleasant food or smell a pleasant smell, etc., then there is a realm of Art which is quite different, though often you may make the same face when you hear a piece of music as when you taste good food. (Though you may cry at something you like very much.)Supposing you meet someone in the street and he tells you he has lost his greatest friend, in a voice extremely expressive of his emotion. You might say: 'It was extraordinarily beautiful, the way he expressed himself.' Supposing you then asked: 'What similarity has my admiring this person with my eating vanilla ice and like it?' To compare them seems almost disgusting. (But you can connect them by intermediate cases.) Suppose someone says 'But this is a quite different kind of delight.' But did you learn two meanings of 'delight'? You use the same word on both occasions. There is some connection between these delights. Although in the first case the emotion of delight would in our judgement hardly count. "
― Ludwig Wittgenstein , Lectures and Conversations on Aesthetics, Psychology and Religious Belief
32 " Jemima was not pretty, the flatness and shortness of her face made her almost plain; yet most people looked twice at her expressive countenance, at the eyes which flamed or melted at every trifle, at the rich colour which came at every expressed emotion into her usually sallow face, at the faultless teeth which made her smile like a sunbeam. "
― Elizabeth Gaskell , Ruth
33 " But I never looked like that!’ - How do you know? What is the ‘you’ you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of its images. "
― Roland Barthes , Roland Barthes
34 " So many emotions flicker over him—astonishment, concern, remorse . . . and the always-present adoration. I raise my hand toward his face and he winces, as if anticipating a slap. Instead, I stroke his cheek and those beautifully expressive jewels under his eyes, then lift to my toes and press my lips to his. His flavor and warmth envelop me. He moans and cups my face on either side, kissing me deeper, but I pull "
35 " I have come to recognize that being trustworthy does not demand that I be rigidly consistent but that I be dependably real...Can I be expressive enough as a person that what I am will be communicated unambiguously? "
36 " Every few weeks she would shut herself up in her room, put on her scribbling suit, and " fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her " scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, " Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo. "
37 " [T]here is both an intrinsic and instrumental value to privacy. Intrinsically, privacy is precious to the extent that it is a component of a liberty. Part of citizenship in a free society is the expectation that one's personal affairs and physical person are inviolable so long as one remains within the law. A robust concept of freedom includes the freedom from constant and intrusive government surveillance of one's life. From this perspective, Fourth Amendment violations are objectionable for the simple fact that the government is doing something it has no licence to do–that is, invading the privacy of a law-abiding citizen by monitoring her daily activities and laying hands on her person without any evidence of wrongdoing.Privacy is also instrumental in nature. This aspect of the right highlights the pernicious effects, rather than the inherent illegitimacy, of intrusive, suspicionless surveillance. For example, encroachments on individual privacy undermine democratic institutions by chilling free speech. When citizens–especially those espousing unpopular viewpoints–are aware that the intimate details of their personal lives are pervasively monitored by government, or even that they could be singled out for discriminatory treatment by government officials as a result of their First Amendment expressive activities, they are less likely to freely express their dissident views. "
― John W. Whitehead , A Government Of Wolves: The Emerging American Police State
38 " It is time to revive and recover the third article of the Creed; to live corporately and communally in a world of expressive individualism. . . . We need to show how the Holy Spirit calls, gathers, enlightens and sanctifies people one by one through the gospel, and then draws them into communion in his holy church. "
39 " While it may seem to be a mysterious, ineffable quality—charisma is enhanced and enriched by a person’s attitude and confidence, their aims and optimism, expressive body language, and natural effervescence. "
― Susan C. Young , The Art of Being: 8 Ways to Optimize Your Presence & Essence for Positive Impact (The Art of First Impressions for Positive Impact, #1)
40 " I have never found a painter more beautiful than his paintings nor a writer who was more expressive than his works. While one got his hands dirty, other made the paper dirty to create masterpieces! "