23
" There are very few things in the mind which eat up as much energy as worry. It is one of the most difficult things not to worry about anything. Worry is experienced when things go wrong, but in relation to past happenings it is idle merely to wish that they might have been otherwise. The frozen past is what it is, and no amount of worrying is going to make it other than what it has been. But the limited ego-mind identifies itself with its past, gets entangled with it and keeps alive the pangs of frustrated desires. Thus worry continues to grow into the mental life of man until the ego-mind is burdened by the past. Worry is also experienced in relation to the future when this future is expected to be disagreeable in some way. In this case it seeks to justify itself as a necessary part of the attempt to prepare for coping with the anticipated situations. But, things can never be helped merely by worrying. Besides, many of the things which are anticipated never turn up, or if they do occur, they turn out to be much more acceptable than they were expected to be. Worry is the product of feverish imagination working under the stimulus of desires. It is a living through of sufferings which are mostly our own creation. Worry has never done anyone any good, and it is very much worse than mere dissipation of psychic energy, for it substantially curtails the joy and fullness of life. "
― Meher Baba , Discourses
28
" No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy.
Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them:
‘We grew up together. "
― David Nicholls , One Day
31
" There was an infinitesimal pause while he watched her face, as though he half expected her to recognise it, before he went on, 'My friends call me Thorn,' and gave her a smile of such devastating charm that she blinked.
Her hand clasped in his, her senses zinging from his touch and that stunning smile, she stared into his dark, handsome face until, realising that she was gawking at him like some overgrown schoolgirl, she withdrew her hand and asked quickly, 'What do your enemies call you? "
― , Ruthless! (Romance)
32
" You scare me, Ryan Daley. Even more than those demons outside that scream for my death. How is it that I want what you want? I’ve spent an eternity feeling powerless. Love did that to me — robbed me of all control. I never expected to feel this way again. I don’t want to feel.’
‘Neither did I,’ Ryan rasps, ‘because feeling anything at all was dangerous. If I let myself feel, then maybe I’d have to believe what everyone was saying — that Lauren was dead. But from the moment I laid eyes on “Carmen, you kept getting under my skin. At first, all you did was irritate the hell out of me, bailing me up that way outside my house, inviting yourself along for the ride when all I wanted was to be left alone. But that irritation turned into curiosity, which turned into something else, becoming this chain of, of … feeling that brought me here. I dropped everything for you. I veered left. And I’d do it again in a second. That’s what “feeling” does. It tells you you’re alive, it gives things … I don’t know, proper meaning. You’re still trying to maintain some veneer of independence? Toughness? Do words like that even apply to you? But I see through it, Mercy. I see through you. You’re not that different from me after all, under your armour. Crumbs, Mercy, that’s all I’m after. Just crumbs. It’s not a lot to ask for. "
― Rebecca Lim
34
" And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats--then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water--seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed. "
― Elizabeth Strout , Olive Kitteridge (Olive Kitteridge, #1)
36
" Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?”
“Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge.
“How do you know?” I asked.
“There has to be. I don’t usually philosophize, but I do know one thing.”
“What’s that?”
“That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.”
“I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?”
“That’s the thing, though. You’ll find a way.”
I lay back again and buried the side of my face into my pillow. “I’m just not sure how.”
“If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.”
I yawned into the phone. “It’s good advice.”
“I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone.
“Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.”
“Can I give you one last bit of advice, Alex?”
“Sure.”
“Throw it all out the window.”
“What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature.
“Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.”
“You’re telling me I’m the .01%?” I asked skeptically.
“No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.”
The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed.
“Thank you, James.”
“Take care, Alex.”
I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143) "
― Robin M. King , Memory of Monet (Remembrandt, #3)