9
" I used to think of work as a bad word. Back in the corporate world, work was something that prevented me from living, something that kept me from feeling satisfied or fulfilled or passionate. Even the word itself carried with it a negative connotation. Work—bluck! When I left the corporate world, I swore off the word altogether. Noun, verb, adjective—I avoided all of work’s iterations. I no longer ‘went to work,’ so that was easy to remove from my vocabulary. In fact, I no longer ‘worked’ at all; instead I replaced the word with a more specific verb: I would ‘write’ or ‘teach’ or ‘speak’ or ‘volunteer,’ but I refused to ‘work.’ I no longer went to the gym to ‘workout’; instead I ‘exercised.’ And I stopped wearing ‘work clothes’; I chose instead to wear ‘dress clothes.’ And I avoided getting ‘worked up,’ preferring to call it ‘stress’ or ‘anxiety.’ And I didn’t bring my car to the shop to get ‘worked on,’ deciding instead to have my vehicle ‘repaired.’ Hell, I even avoided ‘handiwork’ 92 and ‘housework,’ selecting their more banal alternatives. Suffice it to say, I wanted nothing to do with the word. I wanted it not only stricken from my lexicon, but from my memory, erasing every shred of the thing that kept me from pursuing my dream for over a decade. But after a year of that nonsense, I realized something: it wasn’t the word that was bad; it was the meaning I gave to the word. It took removing the word from my everyday speech for a year to discover that it wasn’t a bad word at all. During that year, I had been pursuing my dream, and guess what—when I looked over my shoulder at everything I’d accomplished, I realized that pursuing my dream was, in fact, a lot of work. It took a lot of work to grow a website. It took a lot of work to publish five books. It took a lot of work to embark on a coast-to-coast tour. It took a lot of work to teach my first writing class. It took a lot of work to pursue my dream. Work wasn’t the problem. What I did as my work was the problem. I wasn’t passionate about my work before—my work wasn’t my mission—and so I wanted to escape from work so I could live a more rewarding life, looking to balance out the tedium of the daily grind. But work and life don’t work that way. Even when you’re pursuing your dream, there will be times of boredom and stress and long stretches of drudgery. That’s alright. It’s all worth it in the end. When your work becomes your life’s mission, you no longer need a work-life balance. "
14
" On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people.
Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.
As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down.
The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.
Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?
Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.
I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.
I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.
Stories that are not my own.
Funny, isn’t it? The power of story.
It’s why I picked up a pen.
I slay monsters, too. "
― Kameron Hurley , The Geek Feminist Revolution
17
" You shall see rude and sturdy, experienced and wise men, keeping their castles, or teaming up their summer’s wood, or chopping alone in the woods, men fuller of talk and rare adventure in the sun and wind and rain, than a chestnut is of meat; who were out not only in ‘75 and 1812, but have been out every day of their lives; greater men than Homer, or Chaucer, or Shakespeare, only they never got time to say so; they never took to the way of writing. Look at their fields, and imagine what they might write, if ever they should put pen to paper. Or what have they not written on the face of the earth already, clearing, and burning, and scratching, and harrowing, and plowing, and subsoiling, in and in, and out and out, and over and over, again and again, erasing what they had already written for want of parchment. "
― Henry David Thoreau , A Week on the Concord and Merrimack Rivers / Walden / The Maine Woods / Cape Cod
