102
" What - what - what are you doing?" he demanded." I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. " It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. " It's called a charango. I am planning to become a charanguista!" " I wouldn't call that an instrument of music," Ragnor observed sourly. " An instrument of torture, perhaps." Magnus cradled the charango in his arms as if it were an easily offended baby. " It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell." " That explains the sound you're making," said Ragnor. " Like a lost, hungry armadillo." " You are just jealous," Magnus remarked calmly. " Because you do not have the soul of a true artiste like myself." " Oh, I am positively green with envy," Ragnor snapped." Come now, Ragnor. That's not fair," said Magnus. " You know I love it when you make jokes about your complexion." Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune.They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm." Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. " From the sound of it, the poor creature must be direly sick. You have to help me find it!" Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch." You are conspiring against me and my art," he declared. " You are a pack of conspirators." He began to play again. Catarina stopped him by putting a hand on his arm." No, but seriously, Magnus," she said. " That noise is appalling." Magnus sighed. " Every warlock's a critic." " Why are you doing this?" " I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections." " If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured.Catarina, however, was smiling." I see," she said." Madam, you do not see." " I do. I see it all most clearly," Catarina assured him. " What is her name?" " I resent your implication," Magnus said. " There is no woman in the case. I am married to my music!" " Oh, all right," Catarina said. " What's his name, then?" His name was Imasu Morales, and he was gorgeous. "
103
" Miss Mapp moved towards the screen." What a delicious big screen," she said." Yes, but don't go behind it, Mapp," said Irene, " or you'll see my model undressing." Miss Mapp retreated from it precipitately, as from a wasp's nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on...Irene strolled round the walls with her." Studies of Lucy," she said." I see, dear," said Miss Mapp. " How clever! Legs and things! But when you have your bridge-party, won't you perhaps cover some of them up, or turn them to the wall? We should all be looking at your pictures instead of attending to our cards. And if you were thinking of asking the Padre, you know..." They were approaching the corner of the room where the screen stood, when a movement there as if Adam had hit it with his elbow made Miss Mapp turn round. The screen fell flat on the ground and within a yard of her stood Mr. Hopkins, the proprietor of the fish-shop just up the street. Often and often had Miss Mapp had pleasant little conversations with him, with a view to bringing down the price of flounders. He had little bathing-drawers on..." Hullo, Hopkins, are you ready," said Irene. " You know Miss Mapp, don't you?" Miss Mapp had not imagined that Time and Eternity combined could hold so embarrassing a moment. She did not know where to look, but wherever she looked, it should not be at Hopkins. But (wherever she looked) she could not be unaware that Hopkins raised his large bare arm and touched the place where his cap would have been, if he had had one." Good morning, Hopkins," she said. " Well, Irene darling, I must be trotting, and leave you to your--" she hardly knew what to call it--" to your work." She tripped from the room, which seemed to be entirely full of unclothed limbs, and redder than one of Mr. Hopkins's boiled lobsters hurried down the street. She felt that she could never face him again, but would be obliged to go to the establishment in the High Street where Irene dealt, when it was fish she wanted from a fish-shop... Her head was in a whirl at the brazenness of mankind, especially womankind. How had Irene started the overtures that led to this? Had she just said to Hopkins one morning: " Will you come to my studio and take off all your clothes?" If Irene had not been such a wonderful mimic, she would certainly have felt it her duty to go straight to the Padre, and, pulling down her veil, confide to him the whole sad story. But as that was out of the question, she went into Twemlow's and ordered four pounds of dried apricots. "
109
" He had green eyes, so I wanted to sleep with him. Green eyes flecked with yellow, dried leaves on the surface of a pool. You could drown in those eyes, I said. The fact of his pulse, the way he pulled his body in, out of shyness or shame or a desire, not to disturb the air around him. Everyone could see the way his muscles worked, the way we look like animals, his skin barely keeping him inside. I wanted to take him home, and rough him up and get my hands inside him, drive my body into his like a crash test car. I wanted to be wanted, and he was very beautiful, kissed with his eyes closed, and only felt good while moving. You could drown in those eyes, I said, so it's summer, so it's suicide, so we're helpless in sleep and struggling at the bottom of the pool. "
― Richard Siken
116
" A kind of joyous hysteria moved into the room, everything flying before the wind, vehicles outside getting dented to hell, the crowd sweaty and the smells of aftershave, manure, clothes dried on the line, your money’s worth of perfume, smoke, booze; the music subdued by the shout and babble through the bass hammer could be felt through the soles of the feet, shooting up the channels of legs to the body fork, center of everything. It is the kind of Saturday night that torches your life for a few hours, makes it seem like something is happening. "
― Annie Proulx , Close Range: Wyoming Stories
117
" Those aren’t the rules. She cost us a meal,” Tank said. “You cost the group a meal, you go hungry. That’s the way it’s always been.”
I thought Dax was going to let them fight it out but then he spoke up. “I don’t want to feed her right now either but she’s a walking skeleton, and I need her alive. If there was one jerky, she’d get it before any of us.” He reached over and grabbed two dried meat sticks from Lucy and tried to hand me one.
“I’m fine. I don’t need it,” I said, looking at Tank.
Dax grabbed my hand and shoved the jerky into my palm. “I took you out of that compound for a reason. I will force-feed you that jerky before I let you starve yourself.”
“Fine. I’ll eat it. Whatever. You don’t need to get so bent out of shape about it.” I was hungry as hell so it wasn’t actually a concession, but he didn’t know that. I mean hell, I knew I needed the calories and the Cement Giant wasn’t going to blow itself to smithereens.
“I took a couple of bites as Dax got up and walked out of the camp.
I gnawed on the stuff as I leaned against my rock. “What flavor is this? It’s really good stuff.”
Lucy and Tank looked at me kind of oddly. Hey, if I was going to eat it I didn’t see a lot of reason to pretend it sucked. These people were weird. "
― Donna Augustine , The Wilds (The Wilds, #1)
118
" The scent of freshly laundered clothing that had been dried in the desert sun lingered around him. She breathed deeply, remembering how kind he had been to her that day, and she closed her eyes. The tip of his tongue brushed her mouth, and her lips parted slightly. She tilted her head back, relaxing against the strength of his arm as he cradled her. His other hand found her hip. Kisses, not so light now, trailed along her jaw before dipping lower. She sighed, the roughness of his unshaven cheek teasing the delicate skin of her throat, sparking a sense of restlessness in her that she did not know how to resolve. She wanted to touch him too, to kiss him in return, but she also wanted to stay just as she was because she liked what he did to her. "
― Paula Altenburg , The Demon's Daughter (Demon Outlaws, #1)
120
" Having lived in a mythical country, a place neither here nor there, these intellectuals from Vilna and Gomel helped create another and called it the Union of Soviet Socialist Republics. Such a name! It was hardly a union. The Soviets - workers’ councils - ruled it for about six weeks; socialism impoverished everybody, and only machine guns kept the republics from turning into nations. But to Szarza and the rest it didn’t matter. He’d put his life on the line, preferring simply to die at the wrong end of a gun rather than the wrong end of a club, and for twelve years - until 1929, when Stalin finally took over - he lived in a kind of dream world, a mythical country where idealistic, intellectual Jews actually ran things, quite literally a country of the mind. Theories failed, peasants died, the land itself dried up in despair. Still they worked twenty hours a day and swore they had the answer. "
― Alan Furst , Dark Star (Night Soldiers, #2)
