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62 " After many years the woman died, of natural causes. And a few years after that, the ogre died. Eventually, his mistresses died, down on the ground, in the people village, over decades. The war men and women died. The human girl who had escaped her early death died, across the land, over by the ocean, in her shack of blue bowls and rocking chairs. The witch, who had originally made the cake and made up up the spell and given it as a gift to her beloved ogre friend, died.
The cake went on and on. Time passed...
And the cake, always wanting to please, the cake who had found a way to survive its endlessness by recreating its role over and over again, tried to figure out, in its cake way, what this light-dappled object might want to eat. So it became darkness, a cake of darkness. It did not have to be human food. It did not have to be digestible through a familiar tract. It lay there on the dirt, waiting, a simmering cake of darkness. Through time, and wind, and earthquakes, and chance. At last the cloak fell out of the tree and blew across the land and happened upon the cake where it ate its darkness and extinguished its own dappled light. The cloak disappeared into night and was not seen again, as it was only a piece of coat shaped darkness now and could not be spotted so easily, had there been any eyes left to see it. It floated and joined with nowhere.
Darkness was overtaking everything, anyway, pouring over the land and sky. The cake itself, still in the shape of darkness, sat on the hillside.
'What's left?' said the cake.
It thought in blocks of feeling. It felt the thick darkness all around it.
'What is left to eat me, to take me in?'
Darkness did not want to eat more darkness, not especially. Darkness did not care for carrot cake, or apple pie. Darkness did not seem interested in a water cake or a cake of money. Only when the cake filled with light did it come over. The darkness circling around the light, devouring the light. But the cake kept refilling, as we know. This is the spell of the cake. And the darkness eating light, and again, light, and again, light, lifted. "

Aimee Bender , The Color Master: Stories

64 " You stand alone upon a height," he said, dreamily, " like one in a dreary land. Behind you all is darkness, before you all is darkness; there is but one small space of light. In that one space is a day. They come, one at a time, from the night of To-morrow, and vanish into the night of Yesterday." I have thought of the days as men and women, for a woman's day is not at all like a man's. For you, I think, they first were children, with laughing eyes and little, dimpled hands. One at a time, they came out of the darkness, and disappeared into the darkness on the other side. Some brought you flowers or new toys and some brought you childish griefs, but none came empty-handed. Each day laid its gift at your feet and went on." Some brought their gifts wrapped up, that you might have the surprise of opening them. Many a gift in a bright-hued covering turned out to be far from what you expected when you were opening it. Some of the happiest gifts were hidden in dull coverings you took off slowly, dreading to see the contents. Some days brought many gifts, others only one." As the days grew older, some brought you laughter; some gave you light and love. Others came with music and pleasure--and some of them brought pain." " Yes," sighed Evelina, " some brought pain." " It is of that," went on the Piper, " that I wished to be speaking. It was one day, was it not, that brought you a long sorrow?" " Yes." " Not more than one? Was it only one day?" " Yes, only one day," " See," said The Piper, gently, " the day came with her gift. You would not let her lay it at your feet and pass on into the darkness of Yesterday. You held her by her grey garments and would not let her go. You kept searching her sad eyes to see whether she did not have further pain for you. Why keep her back from her appointed way? Why not let your days go by?" " The other days," murmured Evelina, " have all been sad." " Yes, and why? You were holding fast to one day--the one that brought you pain. So, with downcast eyes they passed you, and carried their appointed gifts on into Yesterday, where you can never find them again. Even now, the one day you have been holding is struggling to free herself from the chains you have put upon her. You have no right to keep a day." " Should I not keep the gifts?" she asked. His fancy pleased her." The gifts, yes--even the gifts of tears, but never a day. You cannot hold a happy day, for it goes too quickly. This one sad day that marched so slowly by you is the one you chose to hold. Lady," he pleaded, " let her go! "

66 " The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go. "

Anthony Marra , A Constellation of Vital Phenomena