68
" Yes, My Son, man is a piece of wood, that can be used for everything, from the moment he’s born until the moment he dies, he’s always ready to obey, send him there and he goes, tell him to halt and he stops, tell him to turn back and he retreats, whether in peace or in war, man, generally speaking, is the best thing that could have happened to the gods, And the wood from which I’m made, since I’m a man, what use will it be put to, since I’m Your son, You will be the spoon I shall dip into humanity and bring out laden with men who shall believe in the new god I intend to become, Laden with men You will devour, There’s no need for Me to devour those who devour themselves. "
― José Saramago
71
" Nimrod began to understand that what he was experiencing was, in spite of its appearance of novelty, something which had existed before–many times before. His body began to recognize situations, impressions, and objects. In reality, none of there astonished him very much. Faced with new circumstances, he would dip into the fount of his memory, the deep-seated memory of the body, would search blindky and feverishly, and often find ready made within himself a suitable reaction: the wisdom of generations, deposited in his plasma, in his nerves. He found actions and decisions of which he had not been aware but which had been lying in wait, ready to emerge. "
― Bruno Schulz , The Street of Crocodiles
73
" I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun—curved over the dip of the horizon like a solid gold archway—lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous—one of the best I’ve ever seen. "
― Lauren Oliver
75
" She looked around the room, glanced over him and Micah waited.
Her Gaze passed him, then again. On the third pass she lingered as she continued to watch her, allowing his gaze to memorize those features just before her eyes met his.
A jolt od power flashed through him. Her ligth blue eyes flickered with interest, fear, then interest again, as though she wasn't certain which she should feel.
He let his gaze continue to hers, let his mind reach out to her, soothe her, ease her. He used his eyes rather than his expression to calm the fear that he knew he would be rising within her.
Micah knew the power of a look. When two people touched from across a distance, that touch could be frightening, wary, or a stroke of gentleness. He stroked her gently. He never let his eyes dip below her chin; rather, he let himself take in every nuance of expression, every shift of each facial motion, the flicker of her lashes, the shadows in her eyes, the tension in her small body.
She was like a little bird ready to fly. Poised at the edge of her seat.her body stiff and prepared to run.
Easy, little bird, he thought, letting his thoughts touch his gaze. There is no pain here; there is no fear. "
― Lora Leigh , Maverick (Elite Ops, #2)
