8
" In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet." , Harper's Magazine, May 1948) "
14
" I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. "
― Gabrielle Zevin , The Storied Life of A.J. Fikry
16
" They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressure; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves. "
― Ray Bradbury , The Martian Chronicles
18
" The man had a smooth voice, like velvet. “I’m Detective Inspector Me. Unusual name, I know. My family were incredibly
narcissistic. I’m lucky I escaped with any degree of humility at all, to be honest, but then I’ve always managed to exceed expectations. You are Kenny Dunne, are you not?”
“I am.”
“Just a few questions for you, Mr Dunne. Or Kenny. Can I call you Kenny? I feel we’ve become friends these past few seconds. Can I call you Kenny?”
“Sure,” Kenny said, slightly baffled.
“Thank you. Thank you very much. It’s important you feel comfortable around me, Kenny. It’s important we build up a level of trust. That way I’ll catch you completely unprepared when I
suddenly accuse you of murder. "
― Derek Landy , Death Bringer (Skulduggery Pleasant, #6)
