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121 " As he started making a pot of coffee he glanced out his kitchen window and into his neighbor’s window and froze. He had the perfect view of his new neighbor. She was beautiful. Scratch that. The word didn’t even come close to describing her.She didn’t seem very tall, though it was hard to measure. Her dark wavy hair cascaded down over her shoulders, reaching just below her breasts. Very full breasts. Definitely enough to fill his palms. And the tight tank top she was wearing left very little to the imagination. It was obvious she’d just woken up as she rubbed a hand over her face and reached for the coffee pot. Look away, he ordered himself. But he was rooted to the spot. "
― Katie Reus , Danger Next Door (Red Stone Security, #2)
122 " Lawyers often face intense demands but have relatively little “decision latitude.” Behavioral scientists use this term to describe the choices, and perceived choices, a person has. In a sense, it’s another way of describing autonomy—and lawyers are glum and cranky because they don’t have much of it. "
― Daniel H. Pink , Drive: The Surprising Truth About What Motivates Us
123 " From the baking aisle to the post office line to the wrapping paper bin in the attic, women populate every dark corner of Christmas. Who got up at 4 a.m. to put the ham in the oven? A woman. . . . Who sent the Christmas card describing her eighteen-year-old son's incarceration as 'a short break before college?' A woman. Who remembered to include batteries at the bottom of each stocking? A woman. And who gets credit for pulling it all off?Santa.That's right. A man. "
― Rachel Held Evans , A Year of Biblical Womanhood
124 " And all the books you've read have been read by other people. And all the songs you've loved have been heard by other people. And that girl that's pretty to you is pretty to other people. and that if you looked at these facts when you were happy, you would feel great because you are describing 'unity. "
― Stephen Chbosky , The Perks of Being a Wallflower
125 " It makes Brooke feel strange in her stomach. It is like the feeling when she reads a book like the one about the man with the bomb, or thinks a sentence, just any old sentence like: the girl ran across the park, and unless you add the describing word then the man or the girl are definitely not black, they are white, even though no one has mentioned white, like when you take the the out of a headline and people just assume it's there anyway. Though if it were a sentence about Brooke herself you'd have to add the equivalent describing word and that's how you'd know. The black girl ran across the park. "
― Ali Smith , There but for the
126 " I’m going to say this once here, and then—because it is obvious—I will not repeat it in the course of this book: not all boys engage in such behavior, not by a long shot, and many young men are girls’ staunchest allies. However, every girl I spoke with, every single girl—regardless of her class, ethnicity, or sexual orientation; regardless of what she wore, regardless of her appearance—had been harassed in middle school, high school, college, or, often, all three. Who, then, is truly at risk of being “distracted” at school? At best, blaming girls’ clothing for the thoughts and actions of boys is counterproductive. At worst, it’s a short step from there to “she was asking for it.” Yet, I also can’t help but feel that girls such as Camila, who favors what she called “more so-called provocative” clothing, are missing something. Taking up the right to bare arms (and legs and cleavage and midriffs) as a feminist rallying cry strikes me as suspiciously Orwellian. I recall the simple litmus test for sexism proposed by British feminist Caitlin Moran, one that Camila unconsciously referenced: Are the guys doing it, too? “If they aren’t,” Moran wrote, “chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit.’” So while only girls get catcalled, it’s also true that only girls’ fashions urge body consciousness at the very youngest ages. Target offers bikinis for infants. The Gap hawks “skinny jeans” for toddlers. Preschoolers worship Disney princesses, characters whose eyes are larger than their waists. No one is trying to convince eleven-year-old boys to wear itty-bitty booty shorts or bare their bellies in the middle of winter. As concerned as I am about the policing of girls’ sexuality through clothing, I also worry about the incessant drumbeat of self-objectification: the pressure on young women to reduce their worth to their bodies and to see those bodies as a collection of parts that exist for others’ pleasure; to continuously monitor their appearance; to perform rather than to feel sensuality. I recall a conversation I had with Deborah Tolman, a professor at Hunter College and perhaps the foremost expert on teenage girls’ sexual desire. In her work, she said, girls had begun responding “to questions about how their bodies feel—questions about sexuality or arousal—by describing how they think they look. I have to remind them that looking good is not a feeling. "
― Peggy Orenstein
127 " The brain, he writes, is like Kublai Khan, the great Mongol emperor of the thirteenth century. It sits enthroned in its skull, " encased in darkness and silence," at a lofty remove from brute reality. Messengers stream in from every corner of the sensory kingdom, bringing word of distant sights, sounds, and smells. Their reports arrive at different rates, often long out of date, yet the details are all stitched together into a seamless chronology. The difference is that Kublai Khan was piecing together the past. The brain is describing the present—processing reams of disjointed data on the fly, editing everything down to an instantaneous now. How does it manage it? "
128 " The guy snarled out a string of profanity describing his night with Conn's mother." Sounds about right," Conn said, but Matt didn't miss the glint in Conn's eye. " She's been dead for twenty years, but dead's probably the only way you get laid. "
129 " There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said " I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole. "
130 " Azdaha were no joke. ... Not much is known about this dragon [the aforementioned Gandarw], except that he apparently had yellow heels. I wonder why that was such an important detail. I mean if I were describing Godzilla, the color of his heels wouldn’t be the first thing I would mention. "
― Ilona Andrews
131 " I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it’s hard for me to label the intricate matrix of my gender as simply masculine. To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write. "
― Leslie Feinberg
132 " Instead of saying that all gender is this or all gender is that, let's recognize that the word gender has scores of meaning built into it. It's an amalgamation of bodies, identities, and life experiences, subconscious urges, sensations, and behaviors, some of which develop organically, and others which are shaped by language and culture. Instead of saying that gender is any one single thing, let's start describing it as a holistic experience. "
― Kate Bornstein , Gender Outlaws: The Next Generation
133 " Bernard of Clairvaux shared with Goethe and Balzac the art of charging narratives with his own charisma (and this is probably the only context in which those three names can be mentioned in one breath). On the surface self-representation was not the purpose of such narratives; they presented themselves as fiction or as commentaries on scripture. Let me suggest the word 'autography' to describe the process. 'Autography' is writing yourself into your own composition, not by describing yourself, but by infusing your own presence into it. The reader feels your presence, but sees someone or something else. "
134 " There’s a passage in John Steinbeck’s “East of Eden” that does a pretty good job describing California’s rainfall patterns:The water came in a 30-year cycle. There would be five to six wet and wonderful years when there might be 19 to 25 inches of rain, and the land would shout with grass. Then would come six or seven pretty good years of 12 to 16 inches of rain. And then the dry years would come ... "
― John Steinbeck , East of Eden
135 " Steve's sales pitch on the NeXT operating system was dazzling," according to Amelio. " He praised the virtues and strengths as though he were describing a performance of Oliver as Macbeth. "
136 " The ruling classes have in their hands the army, money, the schools, the churches, and the press. In the schools, they kindle patriotism in the children by means of histories describing their own people as the best of all peoples and always in the right. Among adults they kindle it by spectacles, jubilees, monuments, and by a lying patriotic press. Above all, they inflame patriotism in this way: perpetrating every kind of harshness and injustice against other nations, they provoke in them enmity towards their own people, and then in turn exploit that enmity to embitter their people against the foreigner. "
― Leo Tolstoy
137 " Have you ever met someone and felt… I don't know how to describe it, felt a chance at having something that eluded you? I don't know… Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet. "
138 " For the writer under Actually Existing Socialism describing sex is a simple matter: he simply does not do it (the describing, I mean, not the sex). "
― Philip Sington , The Valley of Unknowing
139 " I've never thought of describing her beauty as delicate, because delicate just isn't a word that fits June... but here, now that she's sick, I realize just how fragile she can be. "
― Marie Lu , Prodigy (Legend, #2)
140 " In describing a fairy story which they think adults might possibly read for their own entertainment, reviewers frequently indulge in such waggeries as: 'this book is for children from the ages of six to sixty'. But I have never yet seen the puff of a new motor-model that begun thus: 'this toy will amuse infants from seventeen to seventy'; though that to my mind would be much more appropriate. "
― J.R.R. Tolkien , Tree and Leaf: Includes Mythopoeia and The Homecoming of Beorhtnoth
