Home > Topic > descending
21 " They filed out in descending order by altitudes, the father first, out through the sunlit doors in a sextet of calico isotropes and into the street, the elder smiling, along through the crowds and down the road toward the river still single file and with deadpan decorum leaving behind a congregation mute and astounded. "
― Cormac McCarthy , Suttree
22 " She remembered how it had felt and tasted, that slowly descending depression, like a thick glass jar that closed around you, sucking away the air you needed to breathe, creating a barrier between you and the world. The hell of it was that she'd been able to see all that she was missing, but when she'd reached out, all she'd touched was cold, hard glass. "
― Kristin Hannah , Summer Island
23 " Some people, perhaps those with more dignity and less rage gnawing at the roots of their being, are nicer as failures, For me, it was like descending a deep pit that had no bottom "
― Amanda Craig , In a Dark Wood
24 " The night was blustery and raw, with a chill wet wind blowing down the avenues, and when Rose and I met Françoise and her son and a friend at La Lorraine, a glittering brassiere not far from L'Étoile, rain was descending from the heavens in torrents. Someone in the group, sensing my state of mind, apologized for the evil night, but I recall thinking that even if this were one of those warmly scented and passionate evenings for which Paris is celebrated I would respond like the zombie I had become. The weather of depression is unmodulated, its light a brownout. "
― William Styron , Darkness Visible: A Memoir of Madness
25 " And I'd pray for them. And I'd imagine peace they couldn't expect and couldn't account for descending on their illness or their quarreling or their dreams. "
― Marilynne Robinson
26 " It is in descending in the humble silence of prayer that we are able to ascend to the greatest heights of true human fulfillment in union with God. "
27 " Friedrich Rückert wrote 425 poemsAfter his two youngest childrenDied from scarlet feverWithin sixteen days of each otherIn 1833 and 1834 he could not copeAnd often thought they had gone outFor a while " they'll be home soon" He told himself to tell his wife" They're only taking a long walk" Mahler scored five of those poemsIn 1901 and 1904 for a vocalistAnd an orchestra to break your heartAs soon as I heard the plaintive oboe And the descending movement of the hornAnd the lyric baritone enteringI felt I should not be listeningTo Dietrich Fischer-Dieskau singingKindertotenlieder with the Berlin PhilharmonicMahler's wife was superstitiousAnd thought he was chancing disasterWith Songs on the Death of Children" Now the sun wants to rise so brightlyAs if nothing terrible had happened overnightThat tragedy happened to me alone" Mahler knew he could never have written themAfter his four-year-old daughter diedFrom scarlet fever three years laterHe said he felt sorry for himselfThat he needed to write these songsAnd for the world that would listen to them "
28 " With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful. "
― E.M. Forster , Howards End
29 " The stories in this book link an ancient story with the children's stories. Rather than medical case reports based on certainty of what scientists currently understand, they are simply an attempt to be faithful to what I have heard. In this sense, they continue Jesus' commissioned work of revealing that there is a realm that we cannot yet fully understand. The greatest gift in my life has been in linking the ancient story and the children's stories to my own...As I sit by the beds of these children, I have seen God's love made manifest in this descending way. I have seen Jesus Christ come again and again and again to bring peace and to link the children's stories with His own. "
30 " The night had darkened to the murky sort where the air hung like descending clouds and the overhead branches made the liquid darkness even more impenetrable. "
― Katherine McIntyre , Stolen Petals (Take to the Skies #1.5)
31 " The symbol of a drama, a symphony, or a dance is useful to correct a certain absurdity which may arise if we talk too much of God planning and creating the world for good and then being frustrated by the free will of the creatures. This may raise the ridiculous idea that the Fall to God by surprise and upset His plan, or else – more ridiculous still – that God planned the whole thing for conditions which, He well knew, were never going to be realized. In fact, of course, God saw the crucifixion in the act of creating the first nebulae. The world is a dance in which good, descending from God, is disturbed by evil arising from the creatures, and the resulting conflict is resolved by God's own assumption of the suffering nature which evil produces. "
― C.S. Lewis , The Problem of Pain
32 " It was as if the city itself was preparing for some impending catastrophe. There had always been talks of ghost and darkness here, even in his boyhood, and now that darkness seems to be seeping from the stones and timbers as much as it was descending from heavens. "
― K.J. Wignall , Blood (Mercian Trilogy, #1)
33 " What is death but descending into a dark, eternal sleep? "
― B.L. Norris
34 " And she laughed, a full octave, descending from high C like chimes. "
― Mary Doria Russell , The Sparrow (The Sparrow, #1)
35 " These aren't still shots; the camera is always moving. And the scene is always just slipping out of sight, as if in spite of myself I were always descending a hill, rounding a corner, stepping into the street with a companion who urges me on, while I look back over my shoulder at the sight which recedes, vanishes. The present of my consciousness is itself a mystery which is also always just rounding a bend like a floating branch borne by a flood. Where am I? But I'm not. " I will overturn, overturn, overturn, it: and it shall be no more. . . . "
36 " Themes of descent often turn on the struggle between the titanic and the demonic within the same person or group. In Moby Dick, Ahab’s quest for the whale may be mad and “monomaniacal,” as it is frequently called, or even evil so far as he sacrifices his crew and ship to it, but evil or revenge are not the point of the quest. The whale itself may be only a “dumb brute,” as the mate says, and even if it were malignantly determined to kill Ahab, such an attitude, in a whale hunted to the death, would certainly be understandable if it were there. What obsesses Ahab is in a dimension of reality much further down than any whale, in an amoral and alienating world that nothing normal in the human psyche can directly confront.The professed quest is to kill Moby Dick, but as the portents of disaster pile up it becomes clear that a will to identify with (not adjust to) what Conrad calls the destructive element is what is really driving Ahab. Ahab has, Melville says, become a “Prometheus” with a vulture feeding on him. The axis image appears in the maelstrom or descending spiral (“vortex”) of the last few pages, and perhaps in a remark by one of Ahab’s crew: “The skewer seems loosening out of the middle of the world.” But the descent is not purely demonic, or simply destructive: like other creative descents, it is partly a quest for wisdom, however fatal the attaining of such wisdom may be. A relation reminiscent of Lear and the fool develops at the end between Ahab and the little black cabin boy Pip, who has been left so long to swim in the sea that he has gone insane. Of him it is said that he has been “carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro . . . and the miser-merman, Wisdom, revealed his hoarded heaps.”Moby Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the “king over all the children of pride” (41:34), of whom Satan himself is merely an instrument. What this power looks like depends on how it is approached. Approached by Conrad’s Kurtz through his Antichrist psychosis, it is an unimaginable horror: but it may also be a source of energy that man can put to his own use. There are naturally considerable risks in trying to do so: risks that Rimbaud spoke of in his celebrated lettre du voyant as a “dérèglement de tous les sens.” The phrase indicates the close connection between the titanic and the demonic that Verlaine expressed in his phrase poète maudit, the attitude of poets who feel, like Ahab, that the right worship of the powers they invoke is defiance. "
― Northrop Frye , Words with Power: Being a Second Study of the Bible and Literature
37 " Consider my Lover; the yellow churchof his skin, the clean wells of his ears;How the notes of a song come to himlike birds descending on a power line;How in his absence I am of twothroats--each of them cramped. "
― Cecilia Llompart , The Wingless
38 " The two most challenging tasks a man can face in life is education of the heart and education of the child-every other task he contemplates in life before him pales in comparison to those two. On this path of absolute uncertainty, the descending heart will permiate the education of the mind... An initiation rite for young heart. An initiation rite for young men. "
39 " They walked off on the earthy path, laughing not quite naturally, for they could hardly help being pleased by the momentary attention of descending passengers and by their own almost meritorious youth. "
― Shirley Hazzard , The Great Fire
40 " Last night I danced. My body rose from its slump for the first time since the beginning of sorrows—my fingers beckoning to the stars at arm's length, back arching as tingles bubbled up my spine, hips caught in a silent tempo while on tiptoe I twirled in endless euphoric circles. It didn't matter that you loved me or that you didn't. For I was wanted by the gods last night, their seraphs and muses descending on moonbeams into my midst, caressing my face and gliding their spirited arms about my waist, lifting my toes from the soil that I might feel what it is to fly without heaviness of heart. I danced with them under the glow of a loyal moon. For one brief, visceral dance I joyed as Heaven joys—in endless bliss.And the universe cherished me. "
― Richelle E. Goodrich , Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year