4
" Man is timid and apologetic; he is no longer upright; he dares not say " I think," " I am," but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time. "
12
" Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude. "
― Nikolai Gogol , Dead Souls
18
" Alain gazed at the old road, his expression uncharacteristically somber. " The Emperors believe they have the power to force their illusions on all others. This is part of that. The road itself is declared dead, never to be used, and no one dares dispute the Imperial will." " Not much better that the Great Guilds, is it?" " No I do not think so. When you seek allies among the commons, Mari, I believe you should look to those who do not blindly accept the authority of their leaders." " Too much failure to accept authority and you end up with anarchy, like in Tiae," Mari pointed out." That is so," Alain agreed. " But as you told your elder, there is much that lies between total control and anarchy. The leaders of our Guilds and the rulers of the Empire would have us believe that only those two extremes exist, but I have been among the free cities and you have been in the confederation. Their governing systems are not perfect, but they work while still allowing their people freedom." " Freedom?" Mari turned to Alain, surprised. " I've never heard you use that word. Hardly anybody uses it." " I was taught that freedom is an illusion, only one more illusion which distracts from the path of wisdom." A flare of some deep emotion showed in Alain's eyes. " But I have felt freedom, Mari, as I walked the road beside you, and I know it is no illusion. The will of the Great Guilds, of the Emperor, those things are illusions, and their images will not endure. "
19
" The best I can say, it's like this. A man's in his skin, see, like a nut in its shell ... It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is.
A woman's a different thing entirely. Who knows where a woman begins and ends? Listen mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark ... I go back into the dark! Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name? "
― Ursula K. Le Guin , Tehanu (Earthsea Cycle, #4)
20
" She has many names and many visages. She has loves and desires. She dares to dream of a future for herself and her people, despite living under the shadow of the gun, the acrid odour of devastation clogging her nostrils. For the most part she is stoic, for the garrison is also her home, her workplace, her field and her playground. Sometimes, she cries out in anguish, but the sound is muted, for there are few who want to hear. Her suffering and courage would be the stuff of legend, if only legend consisted of ordinary women carrying out extraordinary acts, going about the daily business of survival, displaying super-human strength in countering a mighty military juggernaut. "
― , Garrisoned Minds: Women and Armed Conflict in South Asia