44
" I'm not ill like that,” she groaned. He sat on her bed, peeling back the blanket. A servant entered, frowning at the mess on the floor, and shouted for help.
“Then it what way?”
“I,uh...” Her face was so hot she thought it would melt onto the floor. Oh you idiot. “My monthly cycles finally came back!”
His face suddenly matched hers and he stepped away, dragging his hand through his short hair. “I-if...Then I'll take my leave,” he stammered, and bowed. Celaena raised an eyebrow, and then, despite herself, smiled as he left the room as quick as his feet could go without running, tripping slightly in the doorway as he staggered into the rooms beyond. "
― Sarah J. Maas , Throne of Glass (Throne of Glass, #1)
45
" The Hitchhiker’s Guide to the Galaxy has this to say about the planet of Golgafrincham: it is a planet with an ancient and mysterious history, rich in legend, red, and occasionally green with the blood of those who sought in times gone by to conquer her; a land of parched and barren landscapes, of sweet and sultry air heady with the scent of the perfumed springs that trickle over its hot and dusty rocks and nourish the dark and musky lichens beneath; a land of fevered brows and intoxicated imaginings, particularly among those who taste the lichens; a land also of cool and shaded thoughts among those who have learned to forswear the lichens and find a tree to sit beneath; a land also of steel and blood and heroism; a land of the body and of the spirit.
This was its history. And in all this ancient and mysterious history, the most mysterious figures of all were without doubt those of the Great Circling poets of Arium. These Circling Poets used to live in remote mountain passes where they would lie in wait for small bands of unwary travelers, circle around them, and throw rocks at them. And when the travelers cried out, saying why didn’t they go away and get on with writing some poems instead of pestering people with all this rock-throwing business, they would suddenly stop, and then break into one of the seven hundred and ninety-four great Song Cycles of Vassillian. These songs were all of extraordinary beauty, and even more extraordinary length, and all fell into exactly the same pattern. "
― Douglas Adams , The Restaurant at the End of the Universe (Hitchhiker's Guide to the Galaxy, #2)
47
" Witches just aren’t like that,” said Magrat. “We live in harmony with the great cycles of Nature, and do no harm to anyone, and it’s wicked of them to say we don’t. We ought to fill their bones with hot lead." The other two looked at her with a certain amount of surprised admiration. She blushed, although not greenly, and looked at her knees.“Goodie Whemper did a recipe,” she confessed. “It’s quite easy. What you do is, you get some lead, and you—”“I don’t think that would be appropriate,” said Granny carefully, after a certain amount of internal struggle. “It could give people the wrong idea.”“But not for long,” said Nanny wistfully. "
48
" Don't let cycles of violent crimes, uncontrollable, rising cases of bloody impunity, evil puppets in a crippled judiciary, marionettes in a corrupted legislative system manipulated by a fascist executive system and its annihilative corruption be the incurable epidemics of the disintegration of the environmental, emotional, social, intellectual, physical, professional, occupational, moral and ethical destruction of your homeland. ~ Angelica Hopes, K.H. Trilogy "
― Angelica Hopes
49
" There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal. "
― Vikram Seth , A Suitable Boy (A Bridge of Leaves, #1)