6
" Now, remember: they're not for eating, but for listening, because you'll often be hungry for sounds as well as food. Here are street noises at night, train whistles from a long way off, dry leaves burning, busy department stores, crunching toast, creaking bed springs, and of course, all kinds of laughter. There's a little of each, and in far off, lonely places, I think you will be glad to have them. "
― Norton Juster , The Phantom Tollbooth
10
" There is an inherent, humbling cruelty to learning how to run white water. In most other so-called " adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills.Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap.It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river!And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening.It doesn't matter. The results are the same.The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you.Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear.That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again. "
12
" FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, " Nobody's dead--right?" Nobody's dead. "
15
" Each cherry took about three seconds to eat. Three seconds to eat, but at least five years in the making. It seemed unfair to the hard-working cherry tree. The least I could do was to devote my attention to the cherry in those three seconds, really appreciate the tartness of the skin and the faint crunching sound when I bite down. I guess it's called mindfulness. Or being in the moment, or making the mundane sacred. Whatever it is, I'm doing it more. Like the ridiculously extended thank-you list for my hummus, the fruit taboo made me more aware of the whole cherry process, the seed, the soil, the five years of watering and waiting. That's the paradox: I thought religion would make me live with my head in the clouds, but as often as not, it grounds me in this world. "
― A.J. Jacobs , The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible
16
" Earth processes that seem trivially slow in human time can accomplish stunning work in geologic time. Let the Colorado River erode its bed by 1/100th of an inch each year (about the thickness of one of your fingernails.) Multiply it by six million years, and you’ve carved the Grand Canyon. Take the creeping pace of which the continents move (about two inches per year on average, or roughly as fast as your fingernails grow). Stretch that over thirty million years, and a continent will travel nearly 1,000 miles. Stretch that over a few billions years, and continents will have time to wander from the tropics to the poles and back, crunching together to assemble super-continents, break apart into new configurations- and do all of that again several times over. Deep time, it could be said, is Nature’s way of giving the Earth room for its history. The recognition of deep time might be geology’s paramount contribution to human knowledge. "
― , Rough-Hewn Land: A Geologic Journey from California to the Rocky Mountains
17
" Early morning mist ghosted along the Orm, trailing above the water, rising and twisting. Wide and sleek and almost silent, the river curled through the valley, curved almost to the doors of the stone-terraced cottages sunk tight in the moorland. As soon as he was beyond sight of the mill gates, Manny ran, his step lighter, his boots crunching against the highway. The village was quiet now, and he could hear the faint cries of sheep on the hillside. He felt suddenly exultant at having acted decisively, felt the thrill of running away. Then he reasoned with himself that he wasn’t so much running away as running to something else—something better—running away to take charge of his future. He was improving his station in life, looking for work of his choosing. "
