1
" Her gaze flickered to the balcony doors and back, her brows knitted in confusion. “My balcony doesn’t connect to yours.”
“I jumped.” He grinned at the flash of concern he saw in “her eyes. “At dinner, your grandmother informed me that you’d be moving to the room beside mine. She also mentioned how close my balcony was to yours; so close that even an old lady like herself could leap between the two without the least effort.”
Venetia’s cheeks heated and she pulled her nightgown closer. “Grandmama is anything but subtle.”
“Almost as subtle as your mother.”
“Oh, no! Not Mama, too.”
Gregor paused beside a small table to pick up a silver tray holding a cut crystal decanter and matching glasses and set it on the table before Venetia. “Your mother was concerned I might be afraid of heights. She told me that if she were thinking of jumping between the balconies and couldn’t bring herself to make the leap, it might be possible to pick the lock on the connecting door with, say, a cravat pin.”
Venetia blushed. “I’m surprised they aren’t in here now, throwing rose petals before you as you walk.”
“I would never countenance petal tossing. Too showy. "
― Karen Hawkins , To Scotland, With Love (MacLean Curse, #2)
2
" They had not been long there before Lord Dumbello did group himself. 'Fine day,' he said, coming up and occupying the vacant position by Miss Grantly's elbow.
'We were driving to-day and we thought it rather cold,' said Griselda.
'Deuced cold,' said Lord Dumbello, and then he adjusted his white cravat and touched up his whiskers. Having got so far, he did not proceed to any other immediate conversational efforts; nor did Griselda. But he grouped himself again as became a marquis, and gave very intense satisfaction to Mrs. Proudie.
'This is so kind of you, Lord Dumbello,' said that lady, coming up to him and shaking his hand warmly; 'so very kind of you to come to my poor little tea-party.'
'Uncommonly pleasant, I call it,' said his lordship. 'I like this sort of thing--no trouble, you know.'
'No; that is the charm of it: isn't it? no trouble or fuss, or parade. That's what I always say. According to my ideas, society consists in giving people facility for an interchange of thoughts--what we call conversation.'
'Aw, yes, exactly.'
'Not in eating and drinking together--eh, Lord Dumbello? And yet the practice of our lives would seem to show that the indulgence of those animal propensities can alone suffice to bring people together. The world in this has surely made a great mistake.'
'I like a good dinner all the same,' said Lord Dumbello.
'Oh, yes, of course--of course. I am by no means one of those who would pretend to preach that our tastes have not been given to us for our enjoyment. Why should things be nice if we are not to like them?'
'A man who can really give a good dinner has learned a great deal,' said Lord Dumbello, with unusual animation.
'An immense deal. It is quite an art in itself; and one which I, at any rate, by no means despise. But we cannot always be eating -- can we?'
'No,' said Lord Dumbello, 'not always.' And he looked as though he lamented that his powers should be so circumscribed. "
― Anthony Trollope , Framley Parsonage (Chronicles of Barsetshire #4)
5
" Before Charlotte could utter a syllable, Tristan picked up her gloved hand and kissed her lightly on the
knuckles.
“Good day, Charlotte,” he said.
“Good day,” she answered. She turned to bid farewell to Lady Rosalind, but she seemed to have
disappeared.
Numbly, she descended the front steps toward a waiting Rothbury, who only had eyes for the Devines’
front door, looking quite like he wanted to murder someone.
“Perfection, dear brother,” Rosalind proclaimed, while peeking out the little window next to the door.
“Utter perfection.”
Slipping a finger inside his cravat to loosen it a bit, Tristan craned his neck from side to side, easing the
building tension. “If he kills me, I’ll see to it that you get hanged for murder as well. "
― Olivia Parker , To Wed a Wicked Earl (Devine & Friends, #2)
6
" As the year goes on, certain deputies—and others, high in public life—will appear unshaven, without coat or cravat; or they will jettison these marks of the polite man, when the temperature rises. They affect the style of men who begin their mornings with a splash under a backyard pump, and who stop off at their street-corner bar for a nip of spirits on their way to ten hours’ manual labor. Citizen Robespierre, however, is a breathing rebuke
to these men; he retains his buckled shoes, his striped coat of olive green. Can it be the same coat that he wore in the first year of the Revolution? He is not profligate with coats.
While Citizen Danton tears off the starched linen that fretted his thick neck, Citizen Saint-Just’s cravat grows ever higher, stiffer, more wonderful to behold. He affects a single earring, but he resembles less a corsair than a slightly deranged merchant banker. "
― Hilary Mantel , A Place of Greater Safety
7
" Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap. "
― Lisa Kleypas , Scandal in Spring (Wallflowers, #4)
