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105 " This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is " Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. " Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime.There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any " sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love:To Gaylene deceasedTo Ray deceasedTo Francy permanent psychosisTo Kathy permanent brain damageTo Jim deceasedTo Val massive permanent brain damageTo Nancy permanent psychosisTo Joanne permanent brain damageTo Maren deceasedTo Nick deceasedTo Terry deceasedTo Dennis deceasedTo Phil permanent pancreatic damageTo Sue permanent vascular damageTo Jerri permanent psychosis and vascular damage. . . and so forth.In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The " enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy. "

107 " Drake's whip hand spun Diana like a top.
She cried out. That sound, her cry, pierced Caine like an arrow.
Diana staggered and almost righted herself, but Drake was too quick, too ready.
His second strike yanked her through the air. She flew and then fell.
“Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow.
Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin.
Caine froze.
The fuel rod, forgotten, fell from the air with a shattering crash.
It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship.
It bent, cracked, rolled off the boulder, and crashed heavily in the dirt.
Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!”
The radiation meter in his pocket was counting clicks so fast, it became a scream.
Drake piled into Jack, and the two of them went tumbling.
Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke.
“No!” Caine cried.
“No!”
Drake was up, disentangling himself with an angry curse from Jack.
“Diana,” Caine sobbed.
Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM.
Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone.
Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat.
Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!”
Sam wobbled atop the rise. Quinn caught him as he staggered.
Now Caine snapped back to the present, seeing his brother, seeing the killing light.
“No,” Caine said. “No, Sam: He’s mine.”
He raised a hand, and Sam went flying backward along with Quinn.
“The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!”
Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough.
Caine raised his hand, and the fuel rod seemed to jump off the ground.
A javelin.
A spear. He held it poised. Pointed straight at Drake.
Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized.
Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…”
Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear.
Caine threw the fuel rod. Tons of steel and lead and uranium.
Straight at Drake. "

Michael Grant , Hunger (Gone, #2)