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21 " The Sussex lanes were very lovely in the autumn . . . spendthrift gold and glory of the year-end . . . earth scents and the sky winds and all the magic of the countryside which is ordained for the healing of the soul. "
22 " Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting. "
― E.A. Bucchianeri , Brushstrokes of a Gadfly, (Gadfly Saga, #1)
23 " There are map people whose joy is to lavish more attention on the sheets of colored paper than on the colored land rolling by. I have listened to accounts by such travelers in which every road number was remembered, every mileage recalled, and every little countryside discovered. Another kind of traveler requires to know in terms of maps exactly where he is pin-pointed at every moment, as though there were some kind of safety in black and red lines, in dotted indications and squirming blue of lakes and the shadings that indicate mountains. It is not so with me. I was born lost and take no pleasure in being found, nor much identification from shapes which symbolize continents and states. "
― John Steinbeck
24 " We survey lush landscapes with variations not dissimilar to a so-called " imperfect" female body with absolute pleasure -- say, an expanse of Irish countryside with grassy rolling hills. But is it really so much uglier when it's made of flesh instead of soil? "
25 " We have come from all the countries of the world and are going to Saintes-Maries de la Mer. Nomads of the enigma, we gather there each year after having carried our mystery through ordinary countryside and fluid towns. Since we become transformed by our wanderings we are despised by those who stand still and retain a memory of giant serpents and metallic green. "
― Raymond Queneau
26 " The trouble was, I did know what I wanted from Grace Towne. I wanted to sleep with her, sure. I wanted her to be my girlfriend. A few years from now, I wanted to marry her. And then, when we were old, I wanted to drink peppermint tea and read Harry Potter to our grandchildren with her on the veranda of an old house out in the countryside as we watched a summer storm roll toward us. Was that so much to ask? "
― Krystal Sutherland
27 " In times of strife, taliban have usually mobilized in defense of tradition. British documents from as early as 1901 decry taliban opposition to colonialism in present-day Pakistan. However, as with so much else, it was the Soviet invasion and the US response that sent the transformative shock. In the 1980s, as guns and money coursed through the ranks of the Kandahar mujahedeen, squabbling over resources grew so frequent that many increasingly turned to religious law to settle their disputes. Small, informal bands of taliban, who were also battling against the Russians, established religious courts that heard cases from feuding fighters from across the south. Seemingly impervious to the lure of foreign riches, the taliban courts were in many eyes the last refuge of tradition in a world in upheaval....Thousands of talibs rallied to the cause, and an informal, centuries-old phenomenon of the Pashtun countryside morphed into a formal political and military movement, the Taliban. As a group of judges and legal-minded students, the Taliban applied themselves to the problem of anarchy with an unforgiving platform of law and order. The mujahedeen had lost their way, abandoned their religious principles, and dragged society into a lawless pit. So unlike most revolutionary movements, Islamic or otherwise, the Taliban did not seek to overthrow an existing state and substitute it with one to their liking. Rather, they sought to build a new state where none existed. This called for “eliminating the arbitrary rule of the gun and replacing it with the rule of law—and for countryside judges who had arisen as an alternative to a broken tribal system, this could only mean religious law.Jurisprudence is thus part of the Taliban’s DNA, but its single-minded pursuit was carried out to the exclusion of all other aspects of basic governance. It was an approach that flirted dangerously with the wrong kind of innovation: in the countryside, the choice was traditionally yours whether to seek justice in religious or in tribal courts, yet now the Taliban mandated religious law as the compulsory law of the land. It is true that, given the nature of the civil war, any law was better than none at all—but as soon as things settled down, fresh problems arose. The Taliban’s jurisprudence was syncretic, mixing elements from disparate schools of Islam along with heavy doses of traditional countryside Pashtun practice that had little to do with religion. As a result, once the Taliban marched beyond the rural Pashtun belt and into cities like Kabul or the ethnic minority regions of northern Afghanistan, they encountered a resentment that rapidly bred opposition. "
28 " One fine moonlit night, Mortain and his Wild Hunt were riding through the countryside when they spied two maids more beautiful than any they had ever seen before. They were picking evening primrose, which only blooms in the moonlight.“The two maids turned out to be Amourna and Arduinna, twin daughters of Dea Matrona. When Mortain saw the fair Amourna, he fell instantly in love, for she was not only beautiful but light of heart as well, and surely the god of death needs lightness in his world.“But the two sisters could not be more different. Amourna was happy and giving, but her sister, Arduinna, was fierce, jealous, and suspicious, for such is the dual nature of love. Arduinna had a ferocious and protective nature and did not care for the way Mortain was looking at her beloved sister. To warn him, she drew her bow and let fly with one of her silver arrows. She never misses, and she didn’t miss then. The arrow pierced Mortain’s heart, but no one, not even a goddess, can kill the god of death.“Mortain plucked the arrow from his chest and bowed to Arduinna. ‘Thank you,’ he said. ‘For reminding me that love never comes without cost "
― , Grave Mercy (His Fair Assassin, #1)
29 " In front of the law there is a doorkeeper. A man from the countryside comes up to the door and asks for entry. But the doorkeeper says he can't let him in to the law right now. The man thinks about this, and then he asks if he'll be able to go in later on. " That's possible," says the doorkeeper, " but not now" . The gateway to the law is open as it always is, and the doorkeeper has stepped to one side, so the man bends over to try and see in. When the doorkeeper notices this he laughs and says, " If you're tempted give it a try, try and go in even though I say you can't. Careful though: I'm powerful. And I'm only the lowliest of all the doormen. But there’s a doorkeeper for each of the rooms and each of them is more powerful than the last. It's more than I can stand just to look at the third one. "
30 " Pastor Russell lived in nearby Pittsburgh and said that there was no hell. This was terrible for we all knew that everyone but the Baptists were going there, so to believe there was no hell upset all the countryside theology. "
― , The Autobiography of a Catholic Anarchist
31 " The morning opens, a mist of innocence appears across the countryside that tells each one of us the day is new. That feeling of hope, love and the humble awareness of our duty becomes clear if even for a moment. It is that experience of inspiration that follows us into a small town woken by a cool frost on this Sunday morning and the laughter of children playing. "
― , Norma Jean's Sun
32 " We seldom consider how much of our lives we must render in return for some object we barely want, seldom need, buy only because it was put before us...And this is understandable given the workings of our system where without a job we perish, where if we don't want a job and are happy to get by we are labeled irresponsible, non-contributing leeches on society. But if we hire a fleet of bulldozers, tear up half the countryside and build some monstrous factory, casino or mall, we are called entrepreneurs, job-creators, stalwarts of the community. Maybe we should all be shut away on some planet for the insane. Then again, maybe that is where we are. "
33 " Alice knows those stories. The routiers and condottieri of the Free Companies, who fight the wars of whichever prince will pay their fees, and amuse themselves in between times, are said to commit every kind of crime: from eating meat in Lent to slitting open pregnant women to kill their unborn and unbaptised children. The countryside of the southern lands is supposed to be full of their victims: a sea of vagabonds - priests without parishes; destitute peasants; artisans looking for work. ‘So you’, Alice says, ‘were one of the famous sons of iniquity…’ The Pope calls them that when they rob churches. But the Pope also uses them regularly. Alice knows she sounds a little breathless. She can’t altogether keep the admiration out of her voice. If she’d been a man, she thinks, she might have done exactly the same thing as Wat, to better herself fast. "
― Vanora Bennett , The People's Queen
34 " There is no perfectly shaped part of the motorcycle and never will be, but when you come as close as these instruments take you, remarkable things happen, and you go flying across the countryside under a power that would be called magic if it were not so completely rational in every way. "
― Robert M. Pirsig , Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1)
35 " He comes with those in his employ, to watch, gathering evidence and confession. His success speaks of a countryside rife with evil, an intemperate plague of witches . . . "
― Becky Wright , The Manningtree Account
36 " The moon was coming slowly up over the hill in front of them. The countryside was bathed in light, pale and cold and silvery. Everything could be seen quite plainly, and Lotta and Jimmy thought it was just like daytime with the colours missing. "
― Enid Blyton , Mr Galliano's Circus
37 " The use of ghosts as a means of social control predated the Klan. Slave owners employed so-called patterollers, usually poor whites, who would patrol the countryside at night; such patrols would regularlyuse spook stories, among other tactics, to help keep enslaved people from escaping. " The fraudulent ghost," [Gladys-Marie] Fry writes, " was the first in a gradually developed system of night-riding creatures, the fear of which was fostered by white for the purpose of slave control." A man in a white sheet on horseback riding ominously through a forest could help substantiate rumers that the forest was haunted and that those who valued their lives best avoid it. By spreading ghost stories, Southern whites hoped to limit the unauthorized movement of black people. If cemeteries, crossroads, and forests came to be known particularly as haunted, it's because they presented the easiest means of escape and had to be patrolled. Now it's common to think of such places as the provenance of spirits. We have stories for such places: a tragic death, forlorn lovers, a devil waiting to make a deal -- stories that reflect a rich tradition of American folklore. But all this might have come much later, and these places might have first earned their haunted reputation through much more deviant methods. In the ghost-haunting legacies of many of these public spaces lies a hidden history of patrolling and limiting access. "
38 " The last two days I’ve been on long bus rides, driven through the countryside on the back of a motorbike, and crossed rivers on wooden boats, traversing currents into a different century. It’s late and dark, but I’m so close now. My uncle died five kilometers from here. "
― Tucker Elliot , The Day Before 9/11
39 " Autumn that year painted the countryside in vivid shades of scarlet, saffron and russet, and the days were clear and crisp under harvest skies. "
― Sharon Kay Penman , Time and Chance (Plantagenets #2; Henry II & Eleanor of Aquitaine #2)
40 " I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me. "
