4
" I am no novel-reader -- I seldom look into novels -- Do not imagine that I often read novels -- It is really very well for a novel." Such is the common cant. " And what are you reading, Miss -- ?" " Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. " It is only Cecilia, or Camilla, or Belinda" ; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. "
6
" It will not, however, affect one tiny bit the question of whether the text has a literal meaning because—mark this—every biblical text has a literal meaning. Many people are stunned to hear this. That is because many people think a " literal meaning" can only be conveyed by literal language. They make the mistake of assuming that an author who uses metaphor, fiction, hyperbole, or various other figures of speech does not have a literal meaning. Thus, for instance, if I say " my heart is broken" , some people mistakenly imagine that I " meant nothing literally." But, of course, I do. I literally mean I am deeply grieved and I am expressing that grief via a metaphor. Likewise, if I say " I stood in line for a million years" I am using an exaggeration to communicate another literal meaning: I waited a long time. Indeed, more often than not, metaphor is exactly the right vehicle for conveying a literal meaning and is far better than nonfigurative language. The shortest distance between two minds is a figure of speech. -- Making Senses of Scripture "
7
" Above all the studies in the world, study your own hearts; waste not a minute more of your precious time about frivolous & unsubstantial controversies. My dear flock, I have, according to the grace given me, labored in the course of my ministry among you, to feed you with the heart strengthening bread of practical doctrine, and I do assure you, it is far better you should have the sweet and saving impressions of gospel truths, feelingly and powerfully conveyed to your hearts, than only to understand them by a bare ratiocination, or a dry syllogistical inference. Leave trifling studies to such as have time lying on their hands and know not how to employ it. Remember you are at the door of eternity, and have other work to do. Those hours you spend upon heart-work in your closets, are the golden spots of all your time and will have the sweetest influence up to your last hour. "
― John Flavel
9
" When an artist is asked to speak about form, you expect something different than when a critic talks about it. Because you think that somewhere between sentences and words, the secret will slip out. I am trying to give you that secret; it isn't a secret at all, but it is building solidly, not using secrets. I had been trying to extend into metaphysical extension; that film is changing, metamorphic; that is, infinite; the idea that the movement of life is totally important rather than a single life. My films were built on an incline, an increase in intensity. I hoped to make a form which was infinite, the changingness of things. I thought I would want to find a total form which conveyed that sense, particularly in reference to an Oriental subject. My impression was: one is walking down a corridor of a hotel. One hears a sound, opens a door and a man is playing; one listens for three minutes and closes the door. The music went on before you opened the door and it continues after you close the door. There was neither beginning nor end. Western music increases in intensity to a climax and then resolves itself. Oriental music is infinite; it goes on and on. The Chinese theater goes on for hours and hours with time for lunch moving scenery, etc. "
10
" In our day everyone wants to appear intelligent, one would prefer to be accused of crime than of naiveté if the accompanying risks could be avoided. But since intelligence cannot be drawn from the void, subterfuge are resorted to, one of the most prevalent being the mania for " demystification" , which allows an air of intelligence to be conveyed at small cost, for all one need do is assert that the normal response to a particular phenomenon is " prejudiced" and that it is high time it was cleared of the " legends" surrounding it; if the ocean could be made out to be a pond or the Himalayas a hill, it would be done. Certain writers find it impossible to be content with taking note of the fact that a particular thing or person has a particular character or destiny, as everyone had done before them; they must always begin by remarking that " it has too often been said" , and go on to declare that the reality is something quite different and has at last been discovered, and that up till now all the world has been " living a lie" . This strategy is applied above all to things that are evident and universally known, it would doubtless be too naive to acknowledge in so many words that a lion is a carnivore and that he is not quite safe to meet. "
14
" Perhaps I should admit on the title page that this book is " By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself " an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership. "
