22
" You'd like Freedom, Truth, and Justice, wouldn't you, Comrade Sergeant?' said Reg encouragingly.
'I'd like a hard-boiled egg,' said Vimes, shaking the match out.
There was some nervous laughter, but Reg looked offended.
'In the circumstances, Sergeant, I think we should set our sights a little higher--'
'Well, yes, we could,' said Vimes, coming down the steps. He glanced at the sheets of papers in front of Reg. The man cared. He really did. And he was serious. He really was. 'But...well, Reg, tomorrow the sun will come up again, and I'm pretty sure that whatever happens we won't have found Freedom, and there won't be a whole lot of Justice, and I'm damn sure we won't have found Truth. But it's just possible that I might get a hard-boiled egg. "
― Terry Pratchett , Night Watch (Discworld, #29; City Watch, #6)
26
" No, there's a group of hardened, fossilised men opposed by fresh young revolutionaries as John Butte once was, forming between them a whole, a balance. And then a group of fossilised hardened men like John Butte, opposed by a group of fresh and lively-minded and critical people. But the core of deadness, of dry thought, could not exist without lively shoots of fresh life, to be turned so fast, in their turn, into dead sapless wood. In other words, I, 'Comrade Anna'- and the ironical tone of Comrade Butte's voice now frightens me when I remember it-keep Comrade Butte in existence, feed him, and in due course will become him. And as I think this, that there is no right, no wrong, simply a process, a wheel turning, I become frightened, because everything in me cries out against such a view of life, and I am back inside a nightmare which it seems I've been locked in for years, whenever I'm off guard. The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to a brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised. When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected-yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: 'We have won!' At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: it is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The officer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man's smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare. "
― Doris Lessing , The Golden Notebook
27
" But...' Horace looked from one familiar face to another. 'How did you come to..?'
Before he could finish the question, Will interupted, thinking to clarify matters but only making them more puzzling...
'We were all in Toscana for the treaty signing,' he began, then corrected himself. 'Well, Evanlyn wasn't. She came later. But, when she did, she told us you were missing, so we all boarded Gundar's ship-you should see it. It's a new design that can sail into the wind. But anyway, that's not important. And just before we left, Selethen decided to join us-what with you being an old comrade in arms and all-and...'
He got no further. Halt, seeing the confusion growing on Horace's face, held up a hand to stop his babbling former apprentice...
Will stopped, a little embarrassed as he realized that he had been running off at the mouth. "
― John Flanagan , The Emperor of Nihon-Ja (Ranger's Apprentice, #10)
31
" She says, " I'll swear by the rose tattooed on my ass, that old man raped me." Here, the funeral parade stops. At this point, Comrade Snarky is a victim among victims. The rest of us — just her supporting cast.Mrs. Clark, leading us, she looks back and says, " He what?" And from behind his camera, Agent Tattletale says, " Me, too. He raped me first." Saint Gut-Free says, " Well what the hell...He poked me, too." As if poor skinny Saint Gut-Free had enough ass left to poke.And Mrs. Clark says, " This is not funny. Not in the least." " Tough," the Matchmaker tells her. " It's wasn't funny, either, when you raped me." Shaking his ponytail, the Duke of Vandals tells the Matchmaker, " You couldn't pay to get raped. "
33
" Song of myself
I am of old and young, of the foolish as much as the wise,
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a man,
Stuff'd with the stuff that is coarse and stuff'd with the stuff
that is fine,
One of the Nation of many nations, the smallest the same and the
largest the same,
A Southerner soon as a Northerner, a planter nonchalant and
hospitable down by the Oconee I live,
A Yankee bound my own way ready for trade, my joints the limberest
joints on earth and the sternest joints on earth,
A Kentuckian walking the vale of the Elkhorn in my deer-skin
leggings, a Louisianian or Georgian,
A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye;
At home on Kanadian snow-shoes or up in the bush, or with fishermen
off Newfoundland,
At home in the fleet of ice-boats, sailing with the rest and tacking,
At home on the hills of Vermont or in the woods of Maine, or the
Texan ranch,
Comrade of Californians, comrade of free North-Westerners, (loving
their big proportions,)
Comrade of raftsmen and coalmen, comrade of all who shake hands
and welcome to drink and meat,
A learner with the simplest, a teacher of the thoughtfullest,
A novice beginning yet experient of myriads of seasons,
Of every hue and caste am I, of every rank and religion,
A farmer, mechanic, artist, gentleman, sailor, quaker,
Prisoner, fancy-man, rowdy, lawyer, physician, priest.
I resist any thing better than my own diversity,
Breathe the air but leave plenty after me,
And am not stuck up, and am in my place. "
― Walt Whitman
