23
" Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone. "
― John Steinbeck , The Grapes of Wrath
26
" Once upon a time they was two girls," I say. " one girl had black skin, one girl had white." Mae Mobley look up at me. She listening." Little colored girl say to little white girl, 'How come your skin be so pale?' White girl say, 'I don't know. How come your skin be so black? What you think that mean?'" But neither one a them little girls knew. So little white girl say, 'Well, let's see. You got hair, I got hair.'" I gives Mae Mobley a little tousle on her head." Little colored girl say 'I got a nose, you got a nose.'" I gives her little snout a tweak. She got to reach up and do the same to me." Little white girl say, 'I got toes, you got toes.' And I do the little thing with her toes, but she can't get to mine cause I got my white work shoes on." 'So we's the same. Just a different color', say that little colored girl. The little white girl she agreed and they was friends. The End." Baby Girl just look at me. Law, that was a sorry story if I ever heard one. Wasn't even no plot to it. But Mae Mobley, she smile and say, " Tell it again. "
31
" Your answer is the logical, coherent answer an absolutely normal person would give: It's a tie! A lunatic, however, would say that what I have around my neck is a ridiculous, useless bit of colored cloth tied in a very complicated way, which makes it harder to get air into your lungs and difficult to turn your neck. I have to be careful when I'm anywhere near a fan, or I could be strangled by this bit of cloth.
If a lunatic were to ask me what this tie is for, I would have to say, absolutely nothing. It's not even purely decorative, since nowadays it's become a symbol of slavery, power, aloofness. The only really useful function a tie serves is the sense of relief when you get home and take it off; you feel as if you've freed yourself from something, though quite what you don't know. "
― Paulo Coelho , Veronika Decides to Die
33
" He created waterfalls for her out of the morning dew, and from the colored pebbles of a meadow stream he made a necklace more beautiful than emeralds, sadder than pearls. She caught him in her net of silken hair, she carried him down, down, into deep and silent waters, past obliteration. He showed her frozen stars and molten sun; she gave him long, entwined shadows and the sound of black velvet. He reached out to her and touched moss, grass, ancient trees, iridescent rocks; her fingertips, striving upwards, brushed old planets and silver moonlight, the flash of comets and the cry of dissolving suns. "
― Robert Sheckley , Mindswap