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closing  QUOTES

82 " In this one life, this one life that you have to live, you must embrace every moment that creeps into your existence. You must feel every possible emotion to realize you’re really alive, you’re really living. If you build walls and you hide behind them in fear, you’re not embracing moments, you’re not actually living. And if you’re not living, then you’re dead. Maybe not physically, but mentally and emotionally, you are non-existent. Why would you want to waste such precious time, non-existing, especially behind a crumby wall? Fear? Fear of what? Fear of something great? Fear of something amazing? Hurt? Fear of pain? Isn’t pain what makes us appreciate feelings of absolute happiness and love? Who doesn’t want happiness? Let me be the one to tell you that this life is short, it’s damn short. So, let go of your grudges, your past, your stupid walls and feel reality. Avoidance is not life. Pain is life, happiness is life, emotion is life. Live your damn life. Stop being dead. Embrace every good feeling in your heart and soul and act on it without the fear of hurt, because undoubtedly hurt will happen, but hurt will also disappear and lead to the most valuable feelings in this world. Regret is not something you want to live with in this short, short life. So follow that tiny fist sized drum in your chest because it is honest and it is true. Take those fucking chances, take them knowing this world is full of opportunity, opportunity for great things, absolutely amazing fucking things. Take chance because that is living and no one wants to be dead. No one really wants to hide behind these crumby walls. Walls are built for protection, but guess what? You’re not protecting yourself, you are limiting yourself. You’re limiting your existence. You are the source of your suffering. You’re missing out on the best opportunities by hiding behind these shit walls. So you8 want to play it safe? Why? Life is for taking the risks, for closing your eyes and taking that damn leap of faith. This, this is living; this is your one shot. So take the risk, find opportunity, break down walls, fell the hurt, feel the happiness, live in the now, embrace what your heart is telling you and love EVERY damn moment of your existence. And please keep living, really, whole-heartedly keep living. "

89 " When it begins it is like a light in a tunnel, a rush of steel andsteam across a torn up life. It is a low rumble, an earthquake in theback of the mind. My spine is a track with cold black steel racing onit, a trail of steam and dust following behind, ghost like. It feelslike my whole life is holding its breath.By the time she leaves the room I am surprised that she can’t see thetrain. It has jumped the track of my spine and landed in my mothers’living room. A cold dark thing, black steel and redwood paneling. Itis the old type, from the western movies I loved as a kid.He throws open the doors to the outside world, to the dark ocean. Ifeel a breeze tugging at me, a slender finger of wind that catches atmy shirt. Pulling. Grabbing. I can feel the panic build in me, theneed to scream or cry rising in my throat.And then I am out the door, running, tumbling down the steps fallingout into the darkened world, falling out into the lifeless ocean. Outinto the blackness. Out among the stars and shadows.And underneath my skin, in the back of my head and down the back of myspine I can feel the desperation and I can feel the noise. I can feelthe deep and ancient ache of loudness that litters across my bones.It’s like an old lover, comfortable and well known, but unwelcome andinappropriate with her stories of our frolicking.And then she’s gone and the Conductor is closing the door. Thedarkness swells around us, enveloping us in a cocoon, pressing flatagainst the train like a storm. I wonder, what is this place?Those had been heady days, full and intense. It’s funny. I rememberthe problems, the confusions and the fears of life we all dealt with.But, that all seems to fade. It all seems to be replaced by images ofthe days when it was all just okay. We all had plans back then,patterns in which we expected the world to fit, how it was to bedeciphered.Eventually you just can’t carry yourself any longer, can’t keep youreyelids open, and can’t focus on anything but the flickering light ofthe stars. Hours pass, at first slowly like a river and then all in arush, a climax and I am home in the dorm, waking up to the ringing ofthe telephone.When she is gone the apartment is silent, empty, almost like a personsleeping, waiting to wake up. When she is gone, and I am alone, I curlup on the bed, wait for the house to eject me from its dying corpse.Crazy thoughts cross through my head, like slants of light in anattic.The Boston 395 rocks a bit, a creaking noise spilling in from theundercarriage. I have decided that whatever this place is, all thesenoises, sensations - all the train-ness of this place - is afabrication. It lulls you into a sense of security, allows you to feelas if it’s a familiar place. But whatever it is, it’s not a train, orat least not just a train.The air, heightened, tense against the glass. I can hear the squeak ofshoes on linoleum, I can hear the soft rattle of a dying man’sbreathing. Men in white uniforms, sharp pressed lines, run past,rolling gurneys down florescent hallways. "