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closely  QUOTES

43 " Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.”This Santa’s beard was real, and so was his hair. He wasn’t fucking around.“I’m not really a little boy,” I pointed out.“Get on my lap, then, big boy.”I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjustedhis crotch.“Ho ho ho!” he chortled.I sat gingerly on his knee, like it was a subway seat with gum on it.“Have you been a good little boy this year?” he asked.I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes.He actually wobbled with joy.“Good! Good! Then what can I bring you this Christmas?”I thought it was obvious.“A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.”“So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little inhis seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.”“What?” I asked.He gestured with his eyes down to his stomach. “Go ahead.”I looked closely and saw the faint outline of an envelope beneath his red velvet coat.“You know you want it,” he whispered.The only way I could survive this was to think of it as the dare it was.Fuck off, Lily. You can’t intimidate me.I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … andhis belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole timehaving Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked itout, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed.The letter was in my hand, damp but intact.“He touched Santa!” a young child squealed. "

50 " Who is Mr. Jasper?" Rosa turned aside her head in answering: " Eddy's uncle, and my music-master." " You do not love him?" " Ugh!" She put her hands up to her face, and shook with fear or horror." You know that he loves you?" " O, don't, don't, don't!" cried Rosa, dropping on her knees, and clinging to her new resource. " Don't tell me of it! He terrifies me. He haunts my thoughts, like a dreadful ghost. I feel that I am never safe from him. I feel as if he could pass in through the wall when he is spoken of." She actually did look round, as if she dreaded to see him standing in the shadow behind her." Try to tell me more about it, darling." " Yes, I will, I will. Because you are so strong. But hold me the while, and stay with me afterwards." " My child! You speak as if he had threatened you in some dark way." " He has never spoken to me about - that. Never." " What has he done?" " He has made a slave of me with his looks. He has forced me to understand him, without his saying a word; and he has forced me to keep silence, without his uttering a threat. When I play, he never moves his eyes from my hands. When I sing, he never moves his eyes from my lips. When he corrects me, and strikes a note, or a chord, or plays a passage, he himself is in the sounds, whispering that he pursues me as a lover, and commanding me to keep his secret. I avoid his eyes, but he forces me to see them without looking at them. Even when a glaze comes over them (which is sometimes the case), and he seems to wander away into a frightful sort of dream in which he threatens most, he obliges me to know it, and to know that he is sitting close at my side, more terrible to me than ever." " What is this imagined threatening, pretty one? What is threatened?" " I don't know. I have never even dared to think or wonder what it is." " And was this all, to-night?" " This was all; except that to-night when he watched my lips so closely as I was singing, besides feeling terrified I felt ashamed and passionately hurt. It was as if he kissed me, and I couldn't bear it, but cried out. You must never breathe this to any one. Eddy is devoted to him. But you said to-night that you would not be afraid of him, under any circumstances, and that gives me - who am so much afraid of him - courage to tell only you. Hold me! Stay with me! I am too frightened to be left by myself. "

58 " People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.

Every hour, she thinks, someone for whom the war was memory falls out of the world.

We rise again in the grass. In the flowers. In songs. "

Anthony Doerr , All the Light We Cannot See