2
" I’ve been lumbered with this great lug of dog through a friend of a friend for a couple of months and he has some ...behavioural problems I need to manage ASAP.”
“Really?” Her gaze switched to Tiny who wagged his tail looking completely angelic. Ryder could have sworn the damn mutt was smiling. “Look at you, you gorgeous boy,” she crooned, unlatching a section of the counter, lifting it up and ducking through it to join him on the other side.
Tiny wagged his tail harder as Juliet approached, one hand held out in friendly greeting. Tiny, whose head came to her breasts, took full advantage, nosing her right in the cleavage as the woman slid her hands on either side of his face and cooed at him. “You are adorable, aren’t you?”
Tiny licked, actually licked, her cleavage then shot a shit eating grin in Ryder’s direction. If the dog had eyebrows, one of them would be arrogantly cocked. Ryder blinked. The damn animal had more game than him.
“Are you sure?” She leaned forward to drop some kisses between Tiny’s eyes, pushing his snout even further into the cushioned heaven between her breasts. “He seems very placid.”
Tiny’s gave an ecstatic little shiver, his tail a blur as it dusted the floor. “Trust me. He’s the antichrist.”
“Oh I don’t believe that,” she said to Tiny, her voice light and teasing, her mouth a cute little moue. “Look how sweet and well behaved he is. Good boy.” She kissed him again. “Good boy.”
Ryder would be sweet and well behaved if Juliet called him a good boy while cradling his head between her breasts.
Hell, he’d roll over and play dead if she wanted. "
― Amy Andrews , Playing With Forever (Sydney Smoke Rugby, #4)
12
" Every now and then, we change our minds. It's our prerogative. The big secret is" - I leaned in conspiratorially - " sometimes, even we don't know why. There are times after we pick a fight where we're as confused as you are. But there's no way we're admitting it." I shrugged a shoulder, " That's why we have boobs." Jake's eyebrows shot up." See, after we've acted crazy, and the guy's wondering what he's doing with us, we use them to mesmerize him, so he forgets that we're crazy." I shot Jake my most seductive smile and leaned the assets in question against his arm. " And by the way, if you look at my cleavage right now, even though I'm the one talking about it, I'll accuse you of not caring about what I saw and of just treating me like an object." Jake swallowed hard, keeping eye contact with me, though I could tell he was fighting his impulse to look down. A mischievous glint flickered through his eyes. " And treating you like an object would be bad? "
13
" Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.'
Huh?'
Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.'
The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects. "
― Tom Robbins , Skinny Legs and All
15
" In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast.
You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God. "
― Nora Ephron , I Remember Nothing: and Other Reflections
16
" I’m going to say this once here, and then—because it is obvious—I will not repeat it in the course of this book: not all boys engage in such behavior, not by a long shot, and many young men are girls’ staunchest allies. However, every girl I spoke with, every single girl—regardless of her class, ethnicity, or sexual orientation; regardless of what she wore, regardless of her appearance—had been harassed in middle school, high school, college, or, often, all three. Who, then, is truly at risk of being “distracted” at school?
At best, blaming girls’ clothing for the thoughts and actions of boys is counterproductive. At worst, it’s a short step from there to “she was asking for it.” Yet, I also can’t help but feel that girls such as Camila, who favors what she called “more so-called provocative” clothing, are missing something. Taking up the right to bare arms (and legs and cleavage and midriffs) as a feminist rallying cry strikes me as suspiciously Orwellian. I recall the simple litmus test for sexism proposed by British feminist Caitlin Moran, one that Camila unconsciously referenced: Are the guys doing it, too? “If they aren’t,” Moran wrote, “chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit.’”
So while only girls get catcalled, it’s also true that only girls’ fashions urge body consciousness at the very youngest ages. Target offers bikinis for infants. The Gap hawks “skinny jeans” for toddlers. Preschoolers worship Disney princesses, characters whose eyes are larger than their waists. No one is trying to convince eleven-year-old boys to wear itty-bitty booty shorts or bare their bellies in the middle of winter. As concerned as I am about the policing of girls’ sexuality through clothing, I also worry about the incessant drumbeat of self-objectification: the pressure on young women to reduce their worth to their bodies and to see those bodies as a collection of parts that exist for others’ pleasure; to continuously monitor their appearance; to perform rather than to feel sensuality. I recall a conversation I had with Deborah Tolman, a professor at Hunter College and perhaps the foremost expert on teenage girls’ sexual desire. In her work, she said, girls had begun responding “to questions about how their bodies feel—questions about sexuality or arousal—by describing how they think they look. I have to remind them that looking good is not a feeling. "
― Peggy Orenstein
