2
" His heart cracked, and he fell in love. He wondered if she would marry him.
“Tu sei pazzo,” she told him with a pleasant laugh.
“Why am I crazy?” he asked.
“Perché non posso sposare.”
“Why can’t you get married?”
“Because I am not a virgin,” she answered.
“What has that got to do with it?”
“Who will marry me? No one wants a girl who is not a virgin.”
“I will. I’ll marry you.”
“Ma non posso sposarti.”
“Why can’t you marry me?”
“Perché sei pazzo.”
“Why am I crazy?”
“Perché vuoi sposarmi.”
Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?”
“Si.”
“Tu sei pazz’!” he told her loudly.
“Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?”
“Because you won’t marry me.”
“Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.”
“Oh, sure, I understand. And why can’t you marry me?”
“Perché sei pazzo!”
“And why am I crazy?”
“Perché vuoi sposarmi.”
“Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.”
“Tu sei pazzo,” she murmured in reply, flattered.
“Perché?”
“Because you say you love me. How can you love a girl who is not a virgin?”
“Because I can’t marry you.”
She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?”
“No, no, darling. Because you’re crazy. "
― Joseph Heller , Catch-22
3
" She clambered to the shoreline. Numb and shaken, she began to dress. It wasn’t easy as she fumbled with slick fingers to put dry clothes over wet skin. She instantly regretted her naked swim. She pulled on her long-sleeved white chemise first.
She faced the forest, away from her rescuer. He quietly splashed to shore. His lifeblood burned into her back. He wasn’t far behind, but he stopped. She refused to look at him until she was fully clothed, not out of embarrassment of her nudity, but for what had just happened. He released a groan and mumbled under his breath about wet boots. His voice was not one of her father’s soldiers.
When she put the last garment on, her brown wool work kirtle, she squeezed out her sopping hair and swept her hands through the knotty mess. She fastened her belt and tied the lacings up the front of the kirtle. Blood returned to her fingertips, and she regained her composure. Belated awareness struck her, and she leaned down and searched through her bag for her dagger. She spun around.
She gasped as she saw the man sitting on the stone-covered shoreline, his wet boots off. Confusion and the hint of a scowl filled his strong-featured face. She staggered back, caught her heel on a stone, and fell, dropping the dagger. Dirt and pebbles stuck to her wet hands and feet, and she instinctively scrambled away from him.
His glower, iridescent dark blue eyes, and disheveled black hair were not unfamiliar. Staring at her was the man she had seen in her dream – it was the man from the wood. "
― Jean M. Grant , A Hundred Kisses
4
" You’re beautiful, Evie,” came his soft comment.
Having been raised by relations who had always lamented the garish color of her hair and the proliferation of freckles, Evie gave him a skeptical smile. “Aunt Florence has always given me a bleaching lotion to make my freckles vanish. But there’s no getting rid of them.”
Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising glance along her half-clad body. “Don’t remove a single freckle, sweet. I found some in the most enchanting places. I already have my favorites… shall I tell you where they are?”
Disarmed and discomfited, Evie shook her head and made a movement to twist away from him. He wouldn’t let her, however. Pulling her closer, he bent his golden head and kissed the side of her neck. “Little spoilsport,” he whispered, smiling. “I’m going to tell you anyway.” His fingers closed around a handful of the chemise and eased the hem slowly upward. Her breath caught as she felt his fingers nuzzling tenderly between her bare legs. “As I discovered earlier,” he said against her sensitive throat, “there’s a trail inside your right thigh that leads to—”
A knock at the door interrupted them, and Sebastian lifted his head with a grumble of annoyance. “Breakfast,” he muttered. “And I wouldn’t care to make you choose between my lovemaking or a hot meal, as the answer would likely be unflattering. "
― Lisa Kleypas , Devil in Winter (Wallflowers, #3)
6
" One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not.
It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn,—it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it. "
― Victor Hugo , Les Misérables
7
" The scene unfolded before him as though he were a ghost.
His mother stood on the raised stump, her body tied to the tall stake behind her. A pile of wood encircled her feet. Only a small crowd had gathered in the courtyard, despite his father’s commands that all should attend. Alasdair sobbed at her feet, calling out to her. The young Alasdair climbed on the pile and clutched her flowing gown. She had been dressed in her finest, not stripped down to her chemise like the handmaid who stood tied to a post beside her. His father had always liked a display. Alasdair’s hands reached and passed over his mother’s large pregnant belly. With that, she sobbed, too. “Oh, Ali, be good for Momma. I’ll see you in the pearly white heaven that God has promised us. Be steadfast, son. Trust your heart.”
“Light it,” his father ordered. "
― Jean M. Grant , A Hundred Kisses
8
" Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap. "
― Lisa Kleypas , Scandal in Spring (Wallflowers, #4)
