21
" Jon Snow, is this a proper castle now? Not just a tower?”
“It is.” Jon took her hand.
“Good,” she whispered. “I wanted t’ see one proper castle, before … before I …”
“You’ll see hundred castles. The battle’s done. Maester Aemon will see to you. You’re kissed by fire, remember? Lucky. It will take more than an arrow to kill you. Aemon will draw it out and patch you up, and we’ll get milk of the poppy for the pain.”
She just smiled at that. “D’you remember that cave? We should have stayed in that cave. I told you so.”
“We’ll go back to the cave,” he said.” You’re not going to die, Ygritte. You’re not.”
“Oh.” Ygritte cupped his cheek with her hand. “You know nothing, Jon Snow,” she sighed, dying. "
― George R.R. Martin , A Storm of Swords (A Song of Ice and Fire, #3)
24
" When Kylie was ready, Blair went into her friend’s room and lay next to her on the bed. Blair started to thread her fingers through the doctor’s soft curls, speaking to her in a soothing voice. “It’s gonna be all right. Everything will work out. We’re gonna be one small, happy family.” She kept up her ministrations, until she felt Kylie’s body relax, and then slowed down and finally stopped. Kylie was sound asleep, and Blair couldn’t resist staying right where she was. She nestled her cheek against Kylie’s back, listening to her strong, sure heartbeat and the steady intake of breath. It’s gonna be so nice when I can sleep with her, she thought. Just lying here with her calms me down. She noticed that Mackenzie was unusually calm, too, and whispered, “Mama Kylie calms you down, too, doesn’t she, Mackenzie? All we have to do now is convince her that we’re gonna love her as much as she loves us. "
― Susan X. Meagher , All That Matters
25
" The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek - it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language - all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas.
- Toni Morrison, Nobel Lecture, 1993 "
― Toni Morrison , The Nobel Lecture In Literature, 1993
27
" The tree was so old, and stood there so alone, that his childish heart had been filled with compassion; if no one else on the farm gave it a thought, he would at least do his best to, even though he suspected that his child's words and child's deeds didn't make much difference. It had stood there before he was born, and would be standing there after he was dead, but perhaps, even so, it was pleased that he stroked its bark every time he passed, and sometimes, when he was sure he wasn't observed, even pressed his cheek against it. "
― Karl Ove Knausgård , A Time for Everything
31
" Before drifting away entirely, he found himself reflecting---not for the first time---on the peculiarity of adults. Thet took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood. "
― Stephen King , 'Salem's Lot
32
" He pulled the gun from his waist, running it along my cheek and back down to my lips. I blinked back the tears at sick game. He finally stopped the gun at my temple, my pulse fighting against the pressure of the cold metal of the gun.
“Do you think you are a good person, Kendall?”
“No, not at all,” I said, swallowing down the misery of my honest answer.
“Really?” he asked, one eyebrow lifting in confusion. “Are you afraid to die?”
I wished I could spit in his face for making everything so hard. I wished he would just pull the trigger and end it already. But a small part of me was begging and pleading internally that he wouldn’t shoot me.
“No, I’m not afraid to die,” I admitted, I closed my eyes and the tears fell quickly. “I’m not afraid of much in life. I’ve seen too much to be scared.”
He let out a sigh. I opened my eyes. He pulled the gun away from me.
“Well, damn. How the hell am I supposed to kill someone so miserable?”
I looked away. Even in death I was pitiful. "
― Holly Hood
36
" The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God. "
― Jerome K. Jerome , Three Men in a Boat (Three Men, #1)
37
" Who are you?” I asked.
“Are we playing that game again?” she asked me with a nice smile. “Lana, sorry to disappoint you, but I really am in a hurry, so I will have to take a rain check on this. We can play later this evening, if you don’t mind!”
“What game? I really mean it, who are you and why am I here?” I must have looked like I had really freaked out, and for a moment, she looked at me seriously. But then, she gave me another nice smile and kissed me on my cheek and said “Really babe, as much as I appreciate your playful morning mood, I really don’t have time now. I have a big job interview today, remember? "
― Nico J. Genes , Magnetic Reverie (The Reverie, #1)
38
" Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. There was a padlock and a chain upon the gate. I called in my dream to the lodge-keeper, and had no answer, and peering closer through the rusted spokes of the gate I saw that the lodge was uninhabited. No smoke came from the chimney, and the little lattice windows gaped forlorn. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done, but as I advanced I was aware that a change had come upon it; it was narrow and unkempt, not the drive that we had known. At first I was puzzled and did not understand, and it was only when I bent my head to avoid the low swinging branch of a tree that I realized what had happened. Nature had come into her own again, and, little by little, in her stealthy, insidious way, had encroached upon the drive with long, tenacious fingers. The woods, always a menace even in the past, had triumphed in the end. They crowded, dark and uncontrolled, to the orders of the drive. The beeches with white, naked limbs leant close to one another, their branches intermingled in a strange embrace, making a vault above my head like the archway of a church. And there were other trees as well, trees that I did not recognize, squat oaks and tortured elms that straggled cheek by jowl with the beeches, and had thrust themselves out of the quiet earth, along with monster shrubs and plants, none of which I remembered surely the miles had multiplied, even as the trees had done, and this path led but to a labyrinth, some choked wilderness, and not to the house at all. I cam upon it suddenly There was Manderley secretive and silent as it had always been, the grey stone shining in the moonlight of my dream, the mullioned windows reflecting the green lawns and the terrace. Time could not wreck the perfect symmetry of those walls nor the site itself, a jewel in the hollow of a hand.” Daphne du Maurier, Rebecca, 1938. "
39
" You know that's not true. We have something, Helena. In another life, it would have been a beautiful something." That hurts. God, does it. I've seen that life. He doesn't even know what he's talking about. In his mind, I'm just some possibility that could have been, but in my mind, he's the only possibility. I step close to him, close enough to see the stubble on his cheeks. I reach up to touch it, and it scrapes against the tender side of my hand. Kit closes his eyes. " There's a house uptown on Washington ; we live there together in that life," I say softly. " Everything is green, green, green in our backyard. We have two children, a boy and a girl. She looks like you," I say. " But she acts like me." I carees his cheek because I know it's the last time I'm going to get to do it. Kit's eyes are open and storming. I run my teeth across my bottom lip before I continue. " In the summer, we make love outside, against the big wooden table that still holds our dinner dishes. And we talk about all the places we want to make love." I lick the tears from my lip where they are pooling. Running in a straight line down my cheeks, a leaky faucet. " And we're so happy, Kit. It's like a dream every day." I reach up on my tiptoes and kiss him softly on the lips, letting him taste my tears. He's staring at me so hard I want to crack. " But, it's just a dream, isn't it? "