21
" She stood, a little unsteadily, true, but on her own two feet. “It’s not my blindness that cripples me, it’s everyone else deciding I can’t live because of my blindness. If I stumble, if I run into things and fall and hurt myself it’s because I can and I’m free to do so, Maximus. Because without that freedom I’m just a dull, chained thing and I won’t be that woman anymore. I simply won’t, Maximus. "
― Elizabeth Hoyt , Dearest Rogue (Maiden Lane, #8)
22
" She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled—until then. Until she heard that noise of undiluted, unyielding joy.
Until she echoed it, tipping her head back to the clouds around them.
They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat.
And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart. "
― Sarah J. Maas , Heir of Fire (Throne of Glass, #3)
24
" When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art. "
― L. Ron Hubbard
39
" No longer enslaved or made dependent by force of law, the great majority are so by force of poverty; they are still chained to a place, to an occupation, and to conformity with the will of an employer, and debarred, by the accident of birth both from the enjoyments, and from the mental and moral advantages, which others inherit without exertion and independently of desert. That this is an evil equal to almost any of those against which mankind have hitherto struggled, the poor are not wrong in believing. Is it a necessary evil? They are told so by, those who do not feel it---by those who have gained the prizes in the lottery of life. But it was also said that slavery, that despotism, that all the privileges of oligarchy, were necessary. "
― John Stuart Mill , Socialism