123
" It can certainly be misleading to take the attributes of a movement, or the anxieties and contradictions of a moment, and to personalize or 'objectify' them in the figure of one individual. Yet ordinary discourse would be unfeasible without the use of portmanteau terms—like 'Stalinism,' say—just as the most scrupulous insistence on historical forces will often have to concede to the sheer personality of a Napoleon or a Hitler. I thought then, and I think now, that Osama bin Laden was a near-flawless personification of the mentality of a real force: the force of Islamic jihad. And I also thought, and think now, that this force absolutely deserves to be called evil, and that the recent decapitation of its most notorious demagogue and organizer is to be welcomed without reserve. Osama bin Laden's writings and actions constitute a direct negation of human liberty, and vent an undisguised hatred and contempt for life itself. "
― Christopher Hitchens , The Enemy
124
" In later life I have been sometimes praised, sometimes mocked, for my way of pointing out the mythical elements that seem to me to underlie our apparently ordinary lives. Certainly that cast of mind had some of its origin in our pit, which had much the character of a Protestant Hell. I was probably the most entranced listener to a sermon the Reverend Andrew Bowyer preached about Gehenna, the hateful valley outside the walls of Jerusalem, where outcasts lived, and where their flickering fires, seen from the city walls, may have given rise to the idea of a hell of perpetual burning. He liked to make his hearers jump, now and then, and he said that our gravel pit was much the same sort of place as Gehenna. My elders thought this far-fetched, but I saw no reason then why hell should not have, so to speak, visible branch establishments throughout the earth, and I have visited quite a few of them since. "
― Robertson Davies , Fifth Business (The Deptford Trilogy, #1)
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" Was it wisdom? Was it knowledge? Was it, once more, the deceptiveness of beauty, so that all one’s perceptions, half-way to truth, were tangled in a golden mesh? Or did she lock up within her some secret which certainly Lily Briscoe believed people must have for the world to go on at all? Every one could not be as helter skelter, hand to mouth as she was. But if they knew, could they tell one what they knew? Sitting on the floor with her arms round Mrs. Ramsay’s knees, close as she could get, smiling to think that Mrs. Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs. Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs. Ramsay’s knee. "
― Virginia Woolf , To the Lighthouse