21
" Your question is the most difficult in the world. It is not a question I can answer simply with yes or no. I am not an Atheist. I do not know if I can define myself as a Pantheist. The problem involved is too vast for our limited minds. May I not reply with a parable? The human mind, no matter how highly trained, cannot grasp the universe. We are in the position of a little child, entering a huge library whose walls are covered to the ceiling with books in many different tongues. The child knows that someone must have written those books. It does not know who or how. It does not understand the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend, but only dimly suspects. That, it seems to me, is the attitude of the human mind, even the greatest and most cultured, toward God. We see a universe marvelously arranged, obeying certain laws, but we understand the laws only dimly. Our limited minds cannot grasp the mysterious force that sways the constellations. I am fascinated by Spinoza's Pantheism. I admire even more his contributions to modern thought. Spinoza is the greatest of modern philosophers, because he is the first philosopher who deals with the soul and the body as one, not as two separate things. "
― Albert Einstein
22
" Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God. "
― James Thompson , Snow Angels (Inspector Kari Vaara, #1)
26
" Aaron’s mouth dropped open when he entered the “room;” it was more like a huge open loft … no walls, huge floor to ceiling windows, shiny hardwood floors … perfect for a studio. He had no idea how Jake had acquired such a huge space in Manhattan.
As if reading his mind, Alyson leaned over and whispered, “He bought the place next door and tore down the walls.”
“Perfect,” replied Aaron, “and did he happen to find a treasure chest hidden in one of the walls as well?”
“What do you mean?”
“I mean, how the holy hell does he afford this place? He looks like he’s twelve.”
“He’s twenty-two, and he happens to be quite successful.”
“At twenty-fucking-two?”
“He was born with talent?” Alyson said questioningly.
“He’s a lucky wanker who blew the right people?” suggested Aaron.
Alyson tried to scowl but grinned instead, “A child prodigy?”
“A deal with the devil?”
“Naturally gifted?”
“An indulgent sugar daddy?”
“How about ‘c) All of the above’?” asked a third voice from behind the partition at the far corner of the studio. "
― , Take My Picture
31
" He saw a square room furnished as a library. The entire section of the walls which he could spy was covered from floor to ceiling with books. There were volumes of every size, every shape, every colour. There were long, narrow books that held themselves like grenadiers at stiff attention. There were short, fat books that stood solidly like aldermen who were going to make speeches and were ashamed but not frightened. There were mediocre books bearing themselves with the carelessness of folk who are never looked at and have consequently no shyness. There were solemn books that seemed to be feeling for their spectacles; and there were tattered, important books that had got dirty because they took snuff, and were tattered because they had been crossed in love and had never married afterwards. There were prim, ancient tomes that were certainly ashamed of their heroines and utterly unable to obtain a divorce from the hussies; and there were lean, rakish volumes that leaned carelessly, or perhaps it was with studied elegance, against their neighbours, murmuring in affected tones, " All heroines are charming to us. "
32
" Books were everywhere, lined neatly on shelves that went from floor to ceiling. The ceiling was two stories high, with an upper balcony that provided access to a second-floor gallery. The dazzling array f red, gold, green, and brown bindings was a feast for the eyes, while the wonderful smells of vellum, parchment, and pungent leather almost caused Amanda to salivate. An exquisite waft of tea leaves lingered in the air. For anyone who enjoyed the pursuit of reading, this place surely was paradise. "
― Lisa Kleypas , Suddenly You
33
" Books were everywhere, lined neatly on shelves that went from floor to ceiling. The ceiling was two stories high, with an upper balcony that provided access to a second-floor gallery. The dazzling array of red, gold, green, and brown bindings was a feast for the eyes, while the wonderful smells of vellum, parchment, and pungent leather almost caused Amanda to salivate. An exquisite waft of tea leaves lingered in the air. For anyone who enjoyed the pursuit of reading, this place surely was paradise. "
― Lisa Kleypas , Suddenly You
34
" While studying my bible, I noticed that all the miracle Jesus did was never magical, the people that received their healing call it the blind man, the woman with the issue of blood, lazarus, the man they threw through the ceiling to him etc, had one thing in common. I didn't call it faith but I call it action. ...they made a move and was ready to make a shift and a change.
Lessons to learn from here; faith without work better put without action is dead. Secondly, miracle will never find you in your sitting room, you need to make a move in order to find it. Third, God can only start the work in your life only with what you have left not what you do not have. Fourth, do your own part and then allow God to do the one you cannot do. Fifth, always be ready for a change. Sixth, when you have done everything and nothing seems to work....Call on JESUS...I am a living withness, He always starts when we are tired. "
― Patience Johnson, , Why Does an Orderly God Allow Disorder
37
" When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful.
The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do. "
― Audrey Niffenegger , The Time Traveler's Wife
40
" Yesterday I watched a curious nightfall. The cloud ceiling took on a warm tone, deepened, and departed as if drawn on a leash. I could no longer see the fat snow flying against the sky; I could see it only as it fell before dark objects. Any object at a distance –like the dead, ivy-covered walnut I see from the bay window- looked like a black and white frontispiece seen through a sheet of white tissue. It was like dying, this watching the world recede into deeper and deeper blues while the snow piled; silence swelled and extended, distance dissolved, and soon only concentration at the largest shadows let me make out the movement of falling snow, and that too failed. The snow on the yard was blue as ink, faintly luminous; the sky violet. The bay window betrayed me, and started giving me back the room’s lamps. It was like dying, that growing dimmer and deeper and then going out. "
― Annie Dillard , Pilgrim at Tinker Creek