1
" Of course, now I had the problem of communicating what I needed. Marlen was still beating on the door, and Dimitri would be up in a couple of minutes. I glared at the human, hoping I looked terrifying. From his expression, I did. I attempted the caveman talk I had with Inna...only this time the message was a little harder. " Stick," I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. " Stick. Where?" He stared at me in utter confusion and then asked, in perfect English, " Why are you talking like that?" " Oh for God's sake," I exclaimed. " Where is the vault?" " Vault?" " A place they keep weapons?" He continued staring. " Oh," he said. " That." Uneasily, he cast his eyes in the direction of the pounding. "
3
" Everyone thinks that it was the big strong caveman who got the girl, and for the most part, that may have been true, but physical strength doesn't explain how our species created civilization. I think there was always some scrawny dreamer sitting at the edge of the firelight, who had the ability to imagine dangers, to look into the future in his imagination and see possibilities, and therefore survived to pass his genes on to the next generation. When the big ape men ended up running off the cliff or getting killed while trying to beat a mastodon into submission with a stick, the dreamer was standing back thinking 'Hey, that might work, but you need to run the mastodon off the cliff.' And, then he'd mate with the women left over after the go-getters got killed. "
― Christopher Moore , The Lust Lizard of Melancholy Cove (Pine Cove, #2)
4
" We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable. "
― Vladimir Nabokov , Pale Fire
13
" With her hands still fisted in his shirt, she gave a gentle tug until he bent enough that she could kiss him softly. And then not so softly.
“What was that for?” he asked when she pulled free, his voice sexy low and gruff now.
“For being the kind of guy who can admit he has emotions.”
He cupped her face. “We don’t have to tell anyone, right?”
She smiled. “It’ll be our secret.” But then her smile faded because she wasn’t good at secrets.
Or maybe she was too good at them . . . “I’m not helpless,” she said. “I want you to know that.”
“I do know it.” He paused, looking a little irritated again. “Mostly.”
“Good,” she said. “Now that’s settled, you should know, the caveman thing you just pulled . . . it turned me on a little bit.”
He slid her a look. “Yeah?”
“Yeah.”
Looking a little less like he was spoiling for a fight, his hands went to her hips and he pulled her in tighter.
What the hell was she doing? Clearly, she wasn’t equipped to stay strong, and who could? The guy was just too damn potent. Too visceral. Testosterone and pheromones leaked off of him. She dropped her head to his chest. “Ugh. You’re being . . . you.”
“Was that in English?”
“This is all your fault.”
“Nope. Definitely not English.”
“You’re being all hot and sexy, dammit,” she said. She banged her head on his chest a few times. “And I can’t seem to . . . not notice said hotness and sexiness.”
He smiled. “You want me again.”
Again. Still . . . She tossed up her hands. “You wear your stupid sexiness on your sleeve and you don’t even know it. "
― Jill Shalvis , Sweet Little Lies (Heartbreaker Bay, #1)