1
" Through the door at the end of the hall, Bushrod could see daylight. Gray and sullen it was, but daylight all the same. Through the years Bushrod had seen the dawn come to many fields, after many hard fights, and it was always a sacred moment to him--proof that the universe was still intact in spite of the blood on the ground, the hosts of Departed beginning their first day in eternity, the dead horses and broken gun carriages and scattered equipment--in spite of all the panoramic ruin of the battlefield so brutal and grotesque that it was a wonder God did not bury it in darkness forever--and with it the guilty living, who crept from their holes or their stiff blankets and looked about with astonishment on what they had done. But God never would bury it. He always seemed to want to start over again, whether out of anger or pity Bushrod could not say. And now here was another dawn, after another great fight, and once more God had permitted Bushrod Carter to live. "
― Howard Bahr , The Black Flower: A Novel of the Civil War
3
" The silence. End of all poetry, all romances. Earlier, frightened, you began to have some intimation of it: so many pages had been turned, the book was so heavy in one hand, so light in the other, thinning toward the end. Still, you consoled yourself. You were not quite at the end of the story, at that terrible flyleaf, blank like a shuttered window: there were still a few pages under your thumb, still to be sought and treasured. Oh, was it possible to read more slowly? - No. The end approached, inexorable, at the same measured pace. The last page, the last of the shining words! And there - the end of the books. The hard cover which, when you turn it, gives you only this leather stamped with old roses and shields.
Then the silence comes, like the absence of sound at the end of the world. You look up. It's a room in an old house. Or perhaps it's a seat in a garden, or even a square; perhaps you've been reading outside and you suddenly see the carriages going by. Life comes back, the shadows of leaves. Someone comes to ask what you will have for dinner, or two small boys run past you, wildly shouting; or else it's merely a breeze blowing a curtain, the white unfurling into a room, brushing the papers on a desk. It is the sound of the world. But to you, the reader, it is only a silence, untenanted and desolate. "
― Sofia Samatar , A Stranger in Olondria
4
" There isn’t anything I can tell you that you don’t already know,” Melly answered.
“Yes, but if we already know it then you’re not telling us anything new,” Bea said, thinking her way through the carriages of fear on the witch’s train of thought, “and if we don’t tell you what we know and what we don’t know, then you won’t know if you’ve actually told us something we don’t know, and what you don’t know we don’t know won’t hurt you.”
Melly stared at Bea, her cigarette hanging from her lip in defeat.
“Did that make sense?” Joan asked.
“Yes,” Melly said slowly, “but it probably shouldn’t have done. "
― F.D. Lee , The Fairy's Tale (The Pathways Tree, #1)
6
" Everything seemed so clear to him now that he could not stop wondering how it was that everybody did not see it, and that he himself had for such a long while not seen what was so clearly evident. The people were dying out, and had got used to the dying-out process, and had formed habits of life adapted to this process...And so gradually had the people come to this condition that they did not realize the full horrors of it, and did not complain. Therefore, we consider their condition natural and as it should be. Now it seemed as clear as daylight that the chief cause of the people's great want was one that they themselves knew and always pointed out, i.e., that the land which alone could feed them had been taken from them by the landlords.
And how evident it was that the children and the aged died because they had no milk, and they had no milk because there was no pasture land, and no land to grow corn or make hay on...The land so much needed by men was tilled by these people, who were on the verge of starvation, so that the corn might be sold abroad and the owners of the land might buy themselves hats and canes, and carriages and bronzes, etc. "
― Leo Tolstoy , Resurrection
10
" A CITY IS AS much a state of mind as a place—a set of perceptions of place. On the last train home to Mullaghbrack or Gortyfarnham or half a hundred other BallyBogMans, two farmers fall to reviewing their experiences of the big city. One has walked the streets and avenues and come away with memories of glistening steeples and dreaming spires, monuments to men of bearing and import, Palladian porticos and grand civic cupolas, pillars, piers, and palisades, and the air full of singing birds. The other has walked the same streets, yet his memories are of grey brick tenements shouldering against each other like nervous thugs; cracked fanlights, windows boarded over with card, baby carriages full of coal or potatoes, tramps in doorways, cabbage leaves underfoot, the perfume of urine and porter, pressing people with voices like flatirons. They might have visited cities continents apart, but it is the same city. "
― Ian McDonald , King of Morning, Queen of Day
13
" A highway, a bridge, a navigable canal, for example, may in most cases be both made and maintained by a small toll upon the carriages which make use of them: a harbour, by moderate port-duty upon the tonnage of the shipping which load or unload in it. The coinage, another institution for facilitating commerce, in many countries, not only defrays its own expense, but affords a small revenue or seignorage to the sovereign. The post-office, another institution for the same purpose, over and above defraying its own expense, affords in almost all countries a very considerable revenue to the sovereign.
When the carriages which pass over a highway or a bridge, and the lighters which sail upon a navigable canal, pay toll in proportion to their weight or their tonnage, they pay for the maintenance of those public works exactly in proportion to the wear and tear which they occasion of them. It seems scarce possible to invent a more equitable way of maintaining such works. "
― Adam Smith , An Inquiry into the Nature and Causes of the Wealth of Nations
15
" At that time, a number of myths were created by the young people of the smoking carriages and forests of hallucinogenic mushrooms, the hungry for the thirst of lysergic acid, who were too tired of the suffering they grew up in and needed to take refuge in dreams. In these children's universe there were unbelievable stories about places in the mountains that women sought to retreat to, places where people were united by music and love for a mutual spiritual growth. For Aunt Jeanine, who had grown up with the image of her father, an amputee due to the war, feeding on such stories was like a haven, one she would later try to turn into her home. And one of those stories, one particular one, stood in her memory until the last stage of her life, when she passed away at eighty-one, burned with fire. (...) At that time, kid, they said that if we searched enough, we would find a place where the world wouldn't end. Men would never know what hell of a place that was, totally unconquerable! A place where the dirty hands of men would never arrive. A place men would never know about . Don't you think I could find it? To have my body disappearing in the woods, as I saw happening to kids in Japan, in that forest that swallows them to its core. Flesh turned to powder, my essence disappearing in the middle of life. They said that, when you die at a place, you'll stay at that place forever. That was why everyone was afraid to go to war. They weren't afraid of dying, kid, they were afraid of dying there. "
― Pat R , Os Homens Nunca Saberão Nada Disto