42
" Every few weeks she would shut herself up in her room, put on her scribbling suit, and " fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her " scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, " Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo. "
44
" Looking down from a fork in the tree, a little girl shivers in the bitter autumn wind. She could be inside in the warmth. Inside; amidst all the smelly pots and pans and piles of dirty clothes. The darkened lounge room flickering out a constant reel of cartoons; the light outside strangled as it tries to valiantly penetrate curtains too hard for a child to open.
Michelle had gone into her Auntie’s room, as she had done many times before, to say that she will just be outside. ‘Okay my dearie,’ came the exhausted reply. There Patricia lay, her crumpled hair peeping out from the blankets. The stale, sour, smell of too much hibernation trapped in that tiny room. Her frayed sequin shoes left discarded near the door. The feather cap hanging limply from her dresser door, waiting for life to ride underneath it once again and for the wind to make it shimmer with delight. Michelle had walked outside, hoping that this canyon of loneliness would not follow her down the stairs. Out into the sounds of activity, the fresh waft of sea air, and the theatrical display of birdlife. There, Michelle now sits, watching it all as she reunites with the silent strength of her tree. "
― Felicity Chapman , Connected
49
" We strolled to the end of the platform. We came to a man with a signal lamp and I saw that as he passed us he looked at a conductor standing on another platform and made a drinking movement with his hand near his mouth. We stopped past the end of the roof and looked at the sun. " You see the sun, Koekebakker?" The sun was especially clear, right in front of us, close by, bigger and redder than I had ever seen it. It almost touched the rails, it didn't flash brightly on things anymore, there was a dull glow only on the frosted windowpanes of the train shed to the right of the track. " You think I'm drunk?" I did indeed. " It doesn't matter, Koekebakker, when I'm sober I don't understand anything anyway." " Do you understand what the sun wants from me? I have thirty-four setting suns leaning against the wall, one on top of the other, all facing the wall. But every evening it's there again." " Unless it's cloudy," I said. But he wouldn't let himself be distracted." Koekebakker, you've always been my best friend. I've known you since--how long has it been?" " Thirteen years. That's a long time. You know what you need to do? Do me a favor. You have a hatbox?" I didn't say anything." Put it in a hatbox, Koekebakker. In a hatbox. I want to be left alone. Put it in a hatbox, a plain old hatbox. That's all it's worth." Bavinck blubbered drunkard's tears. I looked around helplessly. A man in a uniform with a yellow stripe on his cap came up to us and spoke to me." I think it would be better, sir, if you took the gentleman home. "
53
" Miss Mapp moved towards the screen." What a delicious big screen," she said." Yes, but don't go behind it, Mapp," said Irene, " or you'll see my model undressing." Miss Mapp retreated from it precipitately, as from a wasp's nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on...Irene strolled round the walls with her." Studies of Lucy," she said." I see, dear," said Miss Mapp. " How clever! Legs and things! But when you have your bridge-party, won't you perhaps cover some of them up, or turn them to the wall? We should all be looking at your pictures instead of attending to our cards. And if you were thinking of asking the Padre, you know..." They were approaching the corner of the room where the screen stood, when a movement there as if Adam had hit it with his elbow made Miss Mapp turn round. The screen fell flat on the ground and within a yard of her stood Mr. Hopkins, the proprietor of the fish-shop just up the street. Often and often had Miss Mapp had pleasant little conversations with him, with a view to bringing down the price of flounders. He had little bathing-drawers on..." Hullo, Hopkins, are you ready," said Irene. " You know Miss Mapp, don't you?" Miss Mapp had not imagined that Time and Eternity combined could hold so embarrassing a moment. She did not know where to look, but wherever she looked, it should not be at Hopkins. But (wherever she looked) she could not be unaware that Hopkins raised his large bare arm and touched the place where his cap would have been, if he had had one." Good morning, Hopkins," she said. " Well, Irene darling, I must be trotting, and leave you to your--" she hardly knew what to call it--" to your work." She tripped from the room, which seemed to be entirely full of unclothed limbs, and redder than one of Mr. Hopkins's boiled lobsters hurried down the street. She felt that she could never face him again, but would be obliged to go to the establishment in the High Street where Irene dealt, when it was fish she wanted from a fish-shop... Her head was in a whirl at the brazenness of mankind, especially womankind. How had Irene started the overtures that led to this? Had she just said to Hopkins one morning: " Will you come to my studio and take off all your clothes?" If Irene had not been such a wonderful mimic, she would certainly have felt it her duty to go straight to the Padre, and, pulling down her veil, confide to him the whole sad story. But as that was out of the question, she went into Twemlow's and ordered four pounds of dried apricots. "
55
" Something was in her mouth. Sami's tongue slid along the edges of something plastic. Flat, low ridges, holes-an adjustable strap. A baseball cap?
Another taste. Hair spray. Gross.
Someone had stuffed her baseball cap in her mouth, and from the feel of it they had taped it in place. Her arms were tied behind her and she lay face down on the floor-of what? Her car. The carpeting scraped her cheek every time they hit a bump.
Panic flooded Sami's senses. She came instantly awake. Inhaling deeply through her nose, she willed herself to calm down. Her working motto flashed through her brain, panic never accomplished anything. Of course she had never been kidnapped and tied up before.
In the dim light of passing cars, she glimpsed things-paper gum wrappers, an old straw, one whopper wrapper, a CD cover.
That's where Sting went. Been looking for that for days. Man did she need to vacuum this car out.
A metallic scent hit her nose. She'd recognize that smell until the day she died. Blood. And by the odor, someone had lost a great deal of it. "
― Suzanne Ferrell , Kidnapped (Edgars Family, #1)
56
" At nine o'clock Mr. Shimerda lighted one of our lanterns and put on his overcoat and fur collar. He stood in the little entry hall, the lantern and his fur cap under his arm, shaking hands with us. When he took grandmother's hand, he bent over it as he always did, and said slowly, 'Good woman!' He made the sign of the cross over me, put on his cap and went off in the dark. As we turned back to the sitting-room, grandfather looked at me searchingly. 'The prayers of all good people are good,' he said quietly. "
― Willa Cather , My Ántonia (Great Plains Trilogy, #3)