41
" In the kitchen Anna was quietly plotting to get rid of him. A brief talk, then she would contact the publisher and ask for someone more suitable. When she bore her best china cautiously back into the room she found him on his feet, examining things. 'Here we are,' she said, speaking drily, trying to call him back to his place.'Who's this guy?' Dick asked, staring at a happy, rounded man having his photograph taken on a boat with a huge fish at his feet.'That is my Uncle Max,' Anna said impatiently. 'Here is your coffee.''Great. I need a cup. Strong and black.' Dick was feeling his reckless self coming out: so what is she thinks I'm a scruff? Push some buttons and see what the old cow's made of.Anna regretted that he must place his stained body upon her newly-cleaned velvet. She was grateful for having no sense of smell.'Tell me what you have written, Mr Michaels?' He noticed the challenge.'All sorts of rubbish,' he said unhelpfully, wishing to add the word 'rubbish', but showing admirable restraint. 'I write anything that's required.' As he spoke he noticed an unrealised pride in his humble craft. 'I turn things into readable English so people will be interested. You see, not everyone who has had an interesting life knows how to make it sound good; that's my job.' He could see her expression soften. Something simian amid the fine features? 'I make a great effort not to change the original intention, of course...''You call that a ghost, I think?''Yeah. The ghost brings people's lives to life. "
43
" Educated people, of course, know that perception, cognition, language, and emotion are rooted in the brain. But it is still tempting to think of the brain as it was shown in old educational cartoons, as a control panel with gauges and levers operated by a user — the self, the soul, the ghost, the person, the “me.” But cognitive neuroscience is showing that the self, too, is just another network of brain systems. [C]ognitive neuroscientists have not only exorcised the ghost but have shown that the brain does not even have a part that does exactly what the ghost is supposed to do: review all the facts and make a decision for the rest of the brain to carry out. Each of us feels that there is a single “I” in control. But that is an illusion that the brain works hard to produce, like the impression that our visual fields are rich in detail from edge to edge. The brain does have supervisory systems in the prefrontal lobes and anterior cingulate cortex, which can push the buttons of behavior and override habits and urges. But those systems are gadgets with specific quirks and limitations; they are not implementations of the rational free agent traditionally identified with the soul or the self. "
― Steven Pinker , The Blank Slate: The Modern Denial of Human Nature
45
" And that was the point I knew I just loved this filthy, ugly, loquacious man in a fur coat, who would spend the day roaming all over town, looking for bright lights, and laughter - and then at night come on stage, and unbutton two buttons on his waistcoat, with his clumsy, fat fingers, and show you his heart beneath. "
― Caitlin Moran , How to Build a Girl (How to Build a Girl, #1)
50
" Like, okay, look up at that cloud and tell me what you see,” Bree said, pointing up at the closest cloud above them. “What do you mean, what do I see? It’s a cloud. I see a cloud,” Alessandro insisted. “No, what do you see? Like when you go to a shrink and they make you look at ink blots,” Bree explained. Alessandro looked over at her. “How much wine did you drink?” She smacked his arm. “I’ll go first. I see a rabbit.” “A rabbit?” Alessandro asked, laughing. “Yeah, the top of that one is shaped like ears, long rabbit ears.” “Ah, I see what you’re doing now. All right then. That one there…looks like…” Alessandro squinted his eyes as if hard in concentration. “An airplane.” “Oh, yeah. I see that,” Bree agreed. “Okay, what about that one?” She pointed to a cloud to Alessandro’s right. “That one looks rather like my wife’s sweet pert little ass,” Alessandro joked. “After two kids? You’re delusional,” she said laughing. “My turn. I think that one looks like…” Bree tilted her head. “My wife’s beautiful round breasts,” Alessandro injected. “Stop that!” Bree said, giggling. “Excuse me, I’m just playing the game.” “No, you’re not. You’re being a horny guy.” Alessandro pressed a hand to his chest as if she had wounded him. “To prove it to you, I say we compare.” He undid the buttons of her blouse and Bree was laughing too hard to stop him. "
― E. Jamie , The Betrayal (Blood Vows, #2)
51
" ...With a religious book it is less what we see in it than what we see through it that matters. J. R. R. Tolkien's fairy-tale epic the Lord of the Rings helps draw the distinction perhaps. Some of its admirers have tried to make it into a religion book by claiming, among other things, that the Ring of Power which must be destroyed is the hydrogen bomb. Tolkien, on the other hand, denied this unequivocally. But intended or otherwise, there can be little doubt that for many it has become a religious book. The " Frodo Lives" buttons are not entirely a joke, because something at least comes to life through those fifteen hundred pages, although inevitably it is hard to say just what. It seems to have something to do with the way Tolkien has of making us see the quididity of things like wood, bread, stone, milk, iron, as though we have never seen them before or not for a long time, which is probably the truth of the matter; his landscapes set deeper echoes going in us than any message could. He gives us back a sense that we have mostly lost of the things of the earth, and because we are ourselves of the earth, whatever else, we are given back too some sense of our own secret. Very possibly again he did not intend it. I may well be axiomatic that, religiously, a writer achieves most when he is least conscious of doing so. Certainly the attempt to be religious is as doomed as the attempt to be poetic is. "
52
" Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him.
Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors.
It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit.
In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared.
She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place.
“Sinclair, I hate to ask, but what are you doing?”
He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.”
He almost ran off the road. “Why?”
“Your scintillating conversation was putting me to sleep.”
His dark brows knit together but he seemed to have no answer to that.
She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly.
But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button.
Good Lord. She turned back around.
“What did you learn?” Paul finally asked.
“You’re an obsessive-compulsive neat freak,” she said. “Accent on freak. "
― Susannah Sandlin , Black Diamond (Wilds of the Bayou, #2)
54
" ...DAMNATION!'
No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub.
The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom.
The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me.
I trust you are not injured, Peabody. Those scratches...'
The bleeding has almost stopped, Emerson. It was not Bastet's fault.'
It was mine, I suppose,' Emerson said mildly.
Now, my dear, I did not say that. Are you going to get up from the floor?'
No,' said Emerson.
He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.) "
― Elizabeth Peters , The Deeds of the Disturber (Amelia Peabody, #5)
59
" More wine for me, pour me some more!" " You smart girl, I knew you're a smart girl, just teasing...” Faces turn red, the dark earth blood is rising. They wink at Pelka, wink at the host: " He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air. " Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!" The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: " Tim-ta-a-am! Tim-ta-a-am!" “Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires... " Eh-ah!" -to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been... Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! (" The North" ) "
