42
" He had chosen to spend his days in the world of men. Life was what mattered, its slow, priceless pulse, its burning fragility; his debt lay with those importunate Flanders echoes that had never really left him. The private could aspire to be a general because both general and private, at their best, recognized the dire importance of strategy, fortitude, the value of their imperiled existence; but when the machinist became the executive he left the world of tangibles and human conjugacy and entered a shadow world of credits and consols - a world that seemed to reward nothing so much as irresponsibility and boundless greed. And when the thunder rolled down upon them - as he knew it would - how would he feel, playing with paper, striving to outwit his fellows, drinking imported Scotch evenings and listening to the brittle parade of comedians on radio ...? "
46
" We Let the Boat DriftI set out for the pond, crossing the ravine where seedling pines start up like sparks between the disused rails of the Boston and Maine.The grass in the field would make a second crop if early autumn rains hadn't washed the goodness out. After the night's hard frost it makes a brittle rustling as I walk.The water is utterly still. Here and therea black twig sticks up. It's five years today, and even now I can't accept what cancer did to him -- not death so much as the annihilation of the whole man, sense by sense, thought by thought, hope by hope.Once we talked about the life to come. I took the Bible from the nightstand and offered John 14: " I go to prepare a place for you." " Fine. Good," he said. " But what about Matthew? 'You, therefore, must be perfect, as your heavenly Father is perfect.'" And he wept.My neighbor honks and waves driving by. She counsels troubled students; keeps bees; her goats follow her to the mailbox.Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddlesrested across our laps; glittering dropsfell randomly from their tips. The lightaround us seemed alive. A loon-itinerant-let us get quite close before it dove, coming upafter a long time, and well away from humankind "
47
" The dense fog manifests ever-living gravestones, the tunes of decadence, the hearts that were doomed to dance alone. Here lies untouched beauty, a brittle dream, an unseen sea-born nightmare, an isolated acheirous harf, fishbones without flesh, a face without letters, the hypnotic power o Apollonian destruction. Ashes kiss the grapefruit essential oil skin, the soul beats with eaten sons and daughters, soaking wet serpents with cuspid tongues lollop for legendary goddesses. "
― Laura Gentile , Seraphic Addiction
48
" But you are crazy.”
“I know.” She lifted a small box from the basket. “Do you know how I know?”
Scarlet didn't answer.
“Because the palace walls have been bleeding for years, and no one else sees it.” She shrugged, as if this were a perfectly normal thing to say. “No one believes me, but in some corridors, the blood has gotten so thick there's nowhere safe to step. When I have to pass through those places, I leave a trail of bloody footprints for the rest of the day, and then I worry that the queen's soldiers will follow the scent and eat me up while I'm sleeping. Some nights I don't sleep very well.” Her voice dropped to a haunted whisper, her eyes taking on a brittle luminescence. “But if the blood was real, the servants would clean it up. Don't you think? "
― Marissa Meyer , Cress (The Lunar Chronicles, #3)
51
" I work with a great deal of discipline, although I usually take on more than I can handle and often have to extend due dates. I have always been appalled by bohemianism because of its laziness, disorder, and moral weakness. I understand that this way of living is a response to the fact of human frailty, but it leans too far in one direction. Being a little more buttoned up doesn’t mean that you’ll get so brittle that you’ll break. Nor does it mean that you don’t understand tragedy, loss, and, most of all, human limitation.
I am more than well aware of those things and I feel very strongly, but on the other hand I like to run ten miles and return to a spotless well-ordered room, and I like my shirts heavily starched. When I used to go on a long run on Sunday morning when I lived on the Upper West Side, I would pass thousands and thousands of people in restaurants eating . . . (I won’t say this word, because I hate it so much, but it rhymes with hunch, and it’s a disgusting meal that is supposed to be both breakfast and lunch). There they were—having slept for five hours while I was doing calisthenics and running—unshaven (the women too), bleary eyed, surrounded by newspapers scattered as if in a hamster cage, smoking noxious French cigarettes, and drinking Bloody Marys while they ate huge quantities of fat. They looked to me like a movie version of South American bandits. I would never want to be like that. I prefer to live like a British soldier. "
― Mark Helprin
53
" You will need to stay calm as you witness the candy floss in your daughter’s smile harden into brittle bitchiness. You will need to muster a new resolve as your son’s fascination with Pokémon shifts to porn. You will have to recalibrate your mothering instinct to accommodate the notion that not only do your children poop and burp, they also masturbate, drink and smoke. As their bodies, brains and worlds rearrange themselves, you will need to do your own reshuffling. You will come to see that, though you gave them life, they’re the ones who’ve got a life. They’ve got 1700 friends on Facebook. They’ve got YouTube accounts (with hundreds of sub- scribers), endless social arrangements, concerts, Valentine’s Day dances and Halloween parties. What we have – if we’re lucky – is a ‘Thanks for the ride, Mum, don’t call me, I’ll call you,’ as they slam the car door and indicate we can run along now. "
― Joanne Fedler
54
" Insofar as craft and poetics in a poem have a politics, I wanted to avoid that brittle enjambed-prose-sentence-lyric verse, where you have standard sentences snapped off and scattered decoratively across the page (which I might go out on a limb and say was characteristic of some leftist poets, Beat poets, street poets and populist poets of the 70s and 80s—all of whom I basically view as comrades, I should probably say, to this day) and on the other hand I also wanted my poetics to operate differently than those more right-wing academics—in practice—even if in their poems or statements they proclaim public leftist views or ideas—they remain academic poets, operating in elite university-supported circles, institutionalized and reading before institutional audiences, awarding grants and awards to each other, sitting on each other’s grants panels, awards and tenure committees, as Philip Levine admitted in an interview in Don’t Ask, 'giving prizes to friends. "
― Sesshu Foster