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101 " Even religious people are vulnerable to this longing. Those who belong to communities of faith have acquired a certain patience with what is sometimes called organized religion. They have learned to forgive themselves. They do not expect their institutions to stand in for God, and they are happy to use inherited maps for some of life's journeys. They do not need to walk off every cliff all by themselves. Yet they too can harbor the sense that there is more to life that they are being shown. Where is the secret hidden? Who has the key to the treasure box of More? "
― Barbara Brown Taylor
102 " I refuse to put God into a little box I can handle, for that would insult us both. "
― L.M. Fields
103 " She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious.The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, " Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community.Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop. "
104 " The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches. "
― , The End of an Era: Life in Old Eaglehawk and Bendigo
105 " It's easy to romanticize the people in our lives that mean something to us. We elevate them onto a higher plane that the rest of humanity. They appear glorious and pristine and full of wonders of the Universe all wrapped up into one person-sized box waiting to be unpacked. It's easy to forget, when they appear perfect in every way and in every facet of their lives with every action they take, in the end they are still human. And we duly forget being human comes with an inherent composition of flaws in our genetic and mental make-up. "
― August Clearwing , Never Have I Ever
106 " Holden was starting to feel like they were all monkeys playing with a microwave. Push a button, a light comes on inside, so it’s a light. Push a different button and stick your hand inside, it burns you, so it’s a weapon. Learn to open and close the door, it’s a place to hide things. Never grasping what it actually did, and maybe not even having the framework necessary to figure it out. No monkey ever reheated a frozen burrito. So here the monkeys were, poking the shiny box and making guesses about what it did. "
― James S.A. Corey , Abaddon's Gate (The Expanse, #3)
107 " .. I thought about him now and then, the things he had taught me about 'being human' and 'relating to others;, but it was always in the distance, as if from another life.. .. The people who might have told me were long forgotten, their phone numbers buried in some packed-away box in the attic. "
― Mitch Albom , Tuesdays with Morrie