21
" Every fundamentalism focuses on end times, and Armageddon is, in a sense, a rhetorical trope, an emphatic and overwhelming conclusion, meant to wrap up and make tidy the mistaken wanderings of history. For a fundamentalist the end is one of the forms desire takes, a passion no different from lust or avarice, intense with longing and the need for fulfillment and relief. It’s like they’re horny for apocalypse. They get off on denouements, which partly explains why Hell House never amounted to much more than a series of murderous conclusions. It focused only on that part of a story where life finds itself fated. Inside every act a judgement was coiled. Real people with their ragged and uncertain lives, their stumbling desires, their bleak or blessed futures, would only break into the narrative, complicating the story, dragging it on endlessly. "
― Charles D'Ambrosio , Loitering: New & Collected Essays
24
" WHAT 28 FEELS LIKEEvery year of your 20s is subject to a very specific set of emotions, at least that’s what I think. 21 is great for obvious, surface-level reasons. 22 is a train wreck if you graduated in four years, and are then thrust into real life. 25 is when pretty much everything changes – from your priorities to your body. And, then, there’s 28. I don’t know what it is about this age in particular, but I’ve deemed it “The Crisis Year” and here’s why.1. The realization that you’re now officially in your “late 20s” is enough to send you straight into the climax of a full-blown panic attack. You don’t even get to start at the beginning of the said attack, no. You wake up on your 28th birthday, screaming and dry heaving. It’s an instinctual reaction to knowing that, for the next 365 days of your life, you will be teetering on the fine line between actual adulthood and clutching on desperately to your youth.2. Because you’re now in your late 20s, your parents start to treat you more like an GULP adult. Even if you’ve been paying your own way since forever, maybe you both secretly knew deep down that, in case of a huge emergency, asking them for help wasn’t off-limits. But, when 28 hits, it’s no longer an option.3. You just feel old(er). There’s something about the curvy lines of the number “8” that cast a darker and much more serious shadow over things. You’ll still go out to popular nightlife establishments, but you will be internally ashamed about your age the entire time you’re there. And the horror if someone is to ask you how old you are! Being 26 in a nightclub is vastly different. Probably because you’re still in your mid-20s and because the shape of the number “6” is naturally fun and loopy, so it makes you feel safe.4. Everyone you know is getting engaged.5. Everyone you know is getting married.6. Almost everyone you know who is married, is pregnant.7. Let’s face it – after graduation, no one’s never not getting married. Before your eyes, your Facebook feed turns into an endless stream of engagement announcements. And, unless you decide to cast yourself out of society, this parade of seemingly happy couples moving forward together won’t slow down until probably age 30. But there’s something about the specific age of 28 that lends itself to just being drowned in marriage announcements no matter where you turn. It’s either couples who have been together for 6+ years finally taking the plunge, or “real world” couples who met a few years ago and got super serious, super fast. Either way, it’s a single 28-year-old’s worst nightmare.8. Being tw0 years away from 30 is a bleak reality to face. Four years is like no big deal, because that’s an entire university experience. But two? Two will soon be one, and then you’re 30. 20somethings are delusional in many ways, but one of the biggest is how we think, by 30, our entire lives should be figured out. Married, babies, dream job, bla bla bla – all by 30. It’s a subtle attitude we all have that wants to scream, “30 OR BUST!” But, the closer you inch toward that milestone birthday, the more you realize what a total crock of shit all that is. And how you couldn’t be further away from having it all figured out if you tried.9. Going back to one of the first points I made, being 28 is like being a brand new, beginner’s level gymnast, perilously seesawing between “real” adulthood and (what feel like) the last crumbs of your true youth. Half of you feels an enormous pressure to fully grow-up, while the other half of you is crippled by the notion of doing so. On one hand, you are sort of ready to get serious about love, career, and overall responsibility. On the other hand, you just want to continue making out at random, dating idiots, and generally freaking the fuck out over the future. Every day you wake up, there’s no telling which of these two ideals your mood is going t "
25
" The car was on the FDR drive now and, turning her head, she glanced out at the bleak brown buildings of the projects that stretched for blocks along the drive. Something inside her sank at the sight of all that sameness, and she suddenly felt defeated.
She shifted uncomfortably in her seat. In the past year, she'd started experiencing these moments of desperate emptiness, as if nothing really mattered, nothing was ever going to change, there was nothing new; and she could see her life stretching before her--one endless long day after the next, in which every day was essentially the same. Meanwhile, time was marching on, and all that was happening to her was that she was getting older and smaller, and one day she would be no bigger than a dot, and then she would simply disappear. Poof! Like a small leaf burned up under a magnifying glass in the sun. These feelings were shocking to her, because she'd never experienced world-weariness before. She'd never had time. All her life, she'd been striving and striving to become this thing that was herself--the entity that was Nico O'Neilly. And then, one morning, time had caught up with her and she had woken up and realized that she was there. She had arrived at her destination, and she had everything she'd worked so hard for: a stunning career, a loving (well, sort of) husband, whom she respected, and a beautiful eleven-year-old daughter whom she adored.
She should have been thrilled. But instead, she felt tired. Like all those things belonged to someone else. "
― Candace Bushnell , Lipstick Jungle
27
" Once there was a boy,” said Jace.
Clary interrupted immediately. “A Shadowhunter boy?”
“Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky.
“The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father.
“He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.
“He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.
“Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’
“Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed. "
― Cassandra Clare , City of Bones (The Mortal Instruments, #1)
29
" Scarlett, I don't know just when it was that the bleak realization came over me that my own private shadow show was over. Perhaps in the first five minutes at Bull Run when I saw the first man I killed drop to the ground. But I knew it was over and I could no longer be a spectator. No, I suddenly found myself on the curtain, an actor, posturing and making futile gestures. My little inner world was gone, invaded by people whose thoughts were not my thoughts, whose actions were as alien as a Hottentot's. They'd tramped through my world with slimy feet and there was no place left where I could take refuge when things became too bad to stand. When I was in prison, I thought: When the war is over, I can go back to the old life and the old dreams and watch the shadow show again. But, Scarlett, there's no going back. And this which is facing all of us now is worse than war and worse than prison—and, to me, worse than death.... So, you see, Scarlett, I'm being punished for being afraid. "
― Margaret Mitchell , Gone with the Wind
32
" And while you and the rest of your kind are battling together—year after year—for this special privilege of being 'bored to death,' the 'real girl' that you're asking about, the marvelous girl, the girl with the big, beautiful, unspoken thoughts in her head, the girl with the big, brave, undone deeds in her heart, the girl that stories are made of, the girl whom you call 'improbable'—is moping off alone in some dark, cold corner—or sitting forlornly partnerless against the bleak wall of the ballroom—or hiding shyly up in the dressing-room—waiting to be discovered! "
― , Little Eve Edgarton
37
" Tempestuous plains tell the tale,Windswept wastes do bewail,Haunting Spirit of the land,Seeks the living, seeks the damned.Horizoned edge sheared with grass, Dark Storm Rising in the pass,Ageless Spirit seeks the path,To torment souls to the last.Brooding Spirit upon the plain,Thunderhead gathers for the rain. Light grows dim then bolts with pain,On dry Earth her sin is stained.(Frightened creatures do stampede,Into night, they do recede).Ungodded hand on seasoned blade,Reaps the harvest of the Age.Released from her eternal din,Spirit of the Age rises again.Seeking to plunder and consume, Those who were proud, those who presumed.Spirits rage while storm draws nigh,Upon burning plain and emblazoned sky.It is said giants grapple in the Earth so deep,To contend for souls that they might keep. The Storm spirit now searches the high and the low,To seek her manchild victim in the fields below.Leaves bad wasteland to claim but a fallen man,Denying it Heaven, crowning it, ‘Son of the Damned.’Treacherous Spirit of the far lost night, Tramples souls down denying them light.Storm seethes with furious hiss,Leads men on to bottomless pit.This most ancient of foes has come from her den,To seek the living, to make ready those dead. A living sacrifice is her soul desire,To snatch the soul for black funeral pyre.A double-damned devil, that is she,This one who lies, who claims to make free.A lying spirit, that is her domain, A storm-wracked Fury of self-proclaim.Onward she seeks, this bleak Northern wind,Searching for naught but for a soul akin.Amidst the howling and the rage,To murder again, that is her trade. As this spirit of graves left the plain,She left a wake of dead in shrouded train. Now down from the plain Storm did come,Unto those cities wherein was no sun.There with whirlwind she did rip and scour, For those souls of whom she could tear and devour.She comes to seek the living and the dead,Those who were frightened, those with no dread.Thus upon those she did acclaim,“I am the Mistress of the living and the slain.” O’ haunting Spirit of this land,Taker of life, maker of the damned. --On Villainess Storm, Ch. One Valley of the Damned "
39
" Look, people, I’m announcing a new rule. It’s going to seem harsh. But it’s necessary.”
The word “harsh” got almost everyone’s attention.
“We can’t have people sitting around all day playing Wii and watching DVDs. We need people to start working in the fields. So, here’s the thing: everyone age seven or older has to put in three days per week picking fruit or veggies. Then Albert’s going to work with the whole question of freezing stuff that can be frozen, or otherwise preserving stuff.”
There was dead silence. And blank stares.
“What I’m saying is, tomorrow we’ll have two school buses ready to go. They hold about fifty kids each and we need to have them mostly full because we’re going to pick some melons and it’s a lot of work.”
More blank stares.
“Okay, let me make this simple: get your brothers and sisters and friends and anyone over age seven and be in the square tomorrow morning at eight o’clock.”
“But how about—?”
“Just be there,” Sam said with less firmness than he’d intended. His frustration was draining away now, replaced by weariness and depression.
“Just be there,” someone mimicked in a singsong voice.
Sam closed his eyes, and for a moment he almost seemed to be asleep. Then he opened them again and managed a bleak smile. “Please. Be there,” he said quietly.
He walked down the three steps and out of the church, knowing in his heart that few would answer his call. "
― Michael Grant , Hunger (Gone, #2)
