44
" They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead. "
― , Wall to Wall
46
" Turning at the sound of voices, Amelia saw Merripen carrying her sister outside. Win was dressed in a nightgown and robe and swathed in a shawl, her slim arms looped around Merripen’s neck. With her white garments and blond hair and fair skin, Win was nearly colorless except for the flags of soft pink across her cheekbones and the vivid blue of her eyes.
“… that was the most terrible medicine,” she was saying cheerfully.
“It worked,” Merripen pointed out, bending to settle her carefully on the chaise.
“That doesn’t mean I forgive you for bullying me into taking it.”
“It was for your own good.”
“You’re a bully,” Win repeated, smiling into his dark face.
“Yes, I know,” Merripen murmured, tucking the lap blankets around her with extreme care.
Delighted by the improvement in her sister’s condition, Amelia smiled. “He really is dreadful. But if he manages to persuade more villagers to help clean the house, you will have to forgive him, Win.”
Win’s blue eyes twinkled. She spoke to Amelia, while her gaze remained on Merripen. “I have every faith in his powers of persuasion. "
― Lisa Kleypas , Mine Till Midnight (The Hathaways, #1)
51
" And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it’s still money and people smile at that. It’s the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction—rather it’s a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses’ backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it seem so. "
― Toni Morrison , Jazz (Beloved Trilogy, #2)