44
" [T]his jealousy gave him, if anything, an agreeable chill, as, to the sad Parisian who is leaving Venice behind him to return to France, a last mosquito proves that Italy and summer are still not too remote. But, as a rule, with this particular period of his life from which he was emerging, when he made an effort, if not to remain in it, at least to obtain a clear view of it while he still could, he discovered that already it was too late; he would have liked to glimpse, as though it were a landscape that was about to disappear, that love from which he had departed; but it was so difficult to enter into a state of duality and to present to oneself the lifelike spectacle of a feeling one has ceased to possess, that very soon, the clouds gathering in his brain, he could see nothing at all, abandoned the attempt, took the glasses from his nose and wiped them; and he told himself that he would do better to rest for a little, that there would be time enough later on, and settled back into his corner with the incuriosity, the torpor of the drowsy sleeper in the railway-carriage that is drawing him, he feels, faster and faster out of the country in which he has lived for so long and which he had vowed not to allow to slip away from him without looking out to bid it a last farewell. "
― Marcel Proust , Swann's Way
45
" In Him we have peace, in Him we have power;
Preserved by His grace, throughout the dark hour;
In all our temptation He keeps us to prove
His utmost salvation, His fulness of love.
Pronounce the glad word, and bid us be free!
Ah, hast Thou not, Lord, a blessing for me?
The peace Thou hast given, this moment impart,
And open Thy heaven, O Love, in my heart. "
― Charles Wesley
46
" Your call is clear, cold centuries across;
You bid me follow you, and take my cross,
And daily lose myself, myself deny,
And stern against myself shout ‘Crucify’.
My stubborn nature rises to rebel
Against your call. Proud choruses of hell
Unite to magnify my restless hate
Of servitude, lest I capitulate.
The world, to see my cross, would pause and jeer.
I have no choice, but still to persevere
To save myself – and follow you from far,
More slow than Magi-for I have no star.
And yet you call me still. Your cross
Eclipses mine, transforms the bitter loss
I thought that I would suffer if I came
To you- into immeasurable gain.
I kneel before you, Jesus, crucified,
My cross is shouldered and my self denied;
I’ll follow daily, closely, not refuse
For love of you and man myself to lose. "
― John R.W. Stott , Basic Christianity
50
" When we arrive on our floor we head to our rooms, politely bidding each other goodnight. Just as I am about to enter mine, I remember I have his jacket. I can use this to have just one more moment with him tonight. I knock on his door, his lips slightly open when he sees me on the other side.
“You forgot your jacket.” It is still on my shoulders. I turn around to offer it up to him.
“Thank you Shy,” As he says this he takes both of his hands, grabbing each shoulder of the jacket and oh so slowly pulls it off of me, grazing my bare arms and back as he pulls it off. I close my eyes taking in his touch. Each caress of his fingertips feels like one thousand little sparks. How can just the faintest touch from this man set me off like this? Please kiss me. Kiss my neck. I won’t say no. I hold my position for a second more than I should, but it feels so tortuously long. There is nothing, not another touch, not a kiss. I turn to face him again and bid him goodnight. His face looks sad, almost guilty. Every word, every touch, every action tonight was an implication. This keeps us safe from one another. It keeps me safe from him.
“Goodnight Shy,” he says as if dismissing me from his presence.
“Goodnight Taylor. "
― Nina G. Jones , Strapped (Strapped, #1)
51
" Ay, that I had not done a thousand more.
Even now I curse the day—and yet, I think,
Few come within the compass of my curse,—
Wherein I did not some notorious ill,
As kill a man, or else devise his death,
Ravish a maid, or plot the way to do it,
Accuse some innocent and forswear myself,
Set deadly enmity between two friends,
Make poor men's cattle break their necks;
Set fire on barns and hay-stacks in the night,
And bid the owners quench them with their tears.
Oft have I digg'd up dead men from their graves,
And set them upright at their dear friends' doors,
Even when their sorrows almost were forgot;
And on their skins, as on the bark of trees,
Have with my knife carved in Roman letters,
'Let not your sorrow die, though I am dead.'
Tut, I have done a thousand dreadful things
As willingly as one would kill a fly,
And nothing grieves me heartily indeed
But that I cannot do ten thousand more. "
― William Shakespeare , Titus Andronicus
53
" If you cannot understand my argument, and declare " It's Greek to me" , you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare. "
60
" The first people to get the new money are the counterfeiters, which they use to buy various goods and services. The second receivers of the new money are the retailers who sell those goods to the counterfeiters. And on and on the new money ripples out through the system, going from one pocket or till to another. As it does so, there is an immediate redistribution effect. For first the counterfeiters, then the retailers, etc. have new money and monetary income they use to bid up goods and services, increasing their demand and raising the prices of the goods that they purchase. But as prices of goods begin to rise in response to the higher quantity of money, those who haven't yet received the new money find the prices of the goods they buy have gone up, while their own selling prices or incomes have not risen. In short, the early receivers of the new money in this market chain of events gain at the expense of those who receive the money toward the end of the chain, and still worse losers are the people (e.g., those on fixed incomes such as annuities, interest, or pensions) who never receive the new money at all. "
― Murray N. Rothbard