7
" Copying Juvven’s gaze over the treetops at the edge of the shooting range, he saw the fields of Flanders before his inner eye. “Yes, the wide horizon…” The memory made the corners of his mouth curl slightly. “…and in the night, you lie there, snuggled into the hay, and there is this huge sky above you.” He stared into the past, ignoring Juvven swivel his head to watch him and continued, “Although you are in the middle of war, death, and destruction, you can positively feel the velvet of the dark vault above you. And in it, like falling coins or lights carried by other beings, twinkle the stars, beckoning you to lift your hand and touch them, to feel happy and safe with them.” He broke off and turned to Juvven, without seeing him, still lost in his memories. “They gave a sense of security and…hope, I think. As if the Earth and the sky cradled me, telling me I was protected by them. "
8
" Many of us draw lines which we intend never to cross.
But life tests our resolve, mercilessly at times, and a foot budges, nudged past that thinly-drawn line. So we draw another, resolving never to cross this one. Days grow dark and fog creeps in to blind our view, clouding the reason for the line’s existence from our minds. We draw another mark, ashamed that the last was crossed with less coaxing than we imagined it would require. Shadows and doubts give further need to draw a new line, and then another and another.
Lines, I think, are too slim and obscure to be dependable deterrents for behavior. Too often, too easily, people stumble into places they later regret entering. What, then, keeps some individuals from crossing those narrow lines?
It is the power of values.
For if a person possessing values were to step one foot outside their line, they would be forced to release hands with those inflexible values and consciously abandon them. But their values are persuasive, keeping a tight grip, warding off the luring temptations beckoning one to test the line. Thus values maintained keep a person safely away from areas they dare not travel, steering a life between the lines, enhancing willpower and shaping mighty strength of character. "
― Richelle E. Goodrich , Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year
10
" From the first note I knew it was different from anything I had ever heard.... It began simply, but with an arresting phrase, so simple, but eloquent as a human voice. It spoke, beckoning gently as it unwound, rising and tensing. It spiraled upward, the tension growing with each repeat of the phrasing, and yet somehow it grew more abandoned, wilder with each note. His eyes remained closed as his fingers flew over the strings, spilling forth surely more notes than were possible from a single violin. For one mad moment I actually thought there were more of them, an entire orchestra of violins spilling out of this one instrument. I had never heard anything like it--it was poetry and seduction and light and shadow and every other contradiction I could think of. It seemed impossible to breathe while listening to that music, and yet all I was doing was breathing, quite heavily. The music itself had become as palpable a presence in that room as another person would have been--and its presence was something out of myth. "
― Deanna Raybourn , Silent in the Grave (Lady Julia Grey, #1)
13
" The writer of this legend then records
Its ghostly application in these words:
The image is the Adversary old,
Whose beckoning finger points to realms of gold;
Our lusts and passions are the downward stair
That leads the soul from a diviner air;
The archer, Death; the flaming jewel, Life;
Terrestrial goods, the goblet and the knife;
The knights and ladies all whose flesh and bone
By avarice have been hardened into stone;
The clerk, the scholar whom the love of pelf
Tempts from his books and from his nobler self.
The scholar and the world! The endless strife,
The discord in the harmonies of life!
The love of learning, the sequestered nooks,
And all the sweet serenity of books;
The market-place, the eager love of gain,
Whose aim is vanity, and whose end is pain! "
― Henry Wadsworth Longfellow , The Complete Poems of Henry Wadsworth Longfellow
15
" That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me. "
― Hazel Gaynor , The Cottingley Secret
18
" The lamb, having survived the storm unharmed and no longer afraid, came up to Jesus and put its mouth to his lips, there was no sniffing, one touch was all that was needed. Jesus opened his eyes, saw the lamb, then the livid sky like a black hand blocking whatever light remained. The olive tree still burned. His bones ached when he tried to move, but at least he was in one piece, if that can be said of a body so fragile that it takes only a clap of thunder to knock it to the ground. He sat up with some effort and reassured himself, more by touch than by sight, that he was neither burned nor paralyzed, none of his bones were broken, and apart from a loud buzzing in his head as insistent as the drone of a trumpet, he was all right. He drew the lamb to him and said, Don’t be afraid, He only wanted to show you that you would have been dead by now if that was His will, and to show me that it was not I who saved your life but He. One last rumble of thunder slowly tore the air like a sigh, while below, the white patch of the flock seemed a beckoning oasis.
Struggling to overcome his weakness, Jesus descended the slope. The lamb, kept on its cord simply as a precaution, trotted at his side like a little dog. "
― José Saramago , The Gospel According to Jesus Christ
