4
" In the years that I could not see him, I came to know my father through the medium of photography. My perceptions of him were forged on black-and-white squares that stole an instant out of history and immortalized it between the pages of a family album. When I summoned up the image of the man, it came to me frozen, black-bordered, flat. He stood pale above the creases of his uniform, framed in the foamy wake of some ship, drops of sunlight caught in the buttons on his jacket. He winked at me from the liberty ports of countless exotic places. In an atrocious hand he scrawled stilted, affectionate words to the stranger that bore his name and his features, telling of adventures far away, misbehavings under suns hotter than that which shone over the Greater German Reich. "
― Miles Watson , Shadows and Glory
7
" This river is famed in atrocious song and verse; the most prevalent motif is one which attempts to make of the river an ersatz father figure. Actually, the Mississippi River is a treacherous and sinister body of water whose eddies and currents yearly claim many lives. I have never known anyone who would even venture to stick his toe in its polluted waters, which seethe with sewage, industrial waste, and deadly insecticides. Even the fish are dying. Therefore, the Mississippi as Father-God-Moses-Daddy-Phallus-Pops is an altogether false motif began, I would imagine, by that dreary fraud, Mark Twain. This failure to make contact with reality is, however, characteristic of almost all of America’s “art.” Any connection between American art and American nature is purely coincidental, but this is only because the nation as a whole has no contact with reality. That is only one of the reasons why I have always been forced to exist on the fringes of its society, consigned to the Limbo reserved for this who do know reality when they see it. "
― John Kennedy Toole , A Confederacy of Dunces
10
" Someday, the people we know, are acquainted to become the people we knew. They leave. They leave to pursue the opportunities laid down in their paths and they leave on account of misunderstandings.Their absence causes a vacuum, a space, an incompleteness which we believe no one can fill. But someday, someone eventually does and that someone rekindles our hopes for companionship, until the circle continues and is ultimately intervened by the permanence of death.The future is alarming, as atrocious as the past. And the friendship, the love, the memories either remain in our hearts cherished or are forgotten like an undeserving dream.Everything eventually fades away, either for the better or worse.Someday, the people we know, are acquainted to become the people we knew.But then again, that someday is not today and so we must be a little more appreciative, for the moment, for the times, for the present because someday everything is going to change. "
15
" Sometime the witch hunting takes on atrocious dimensions — the Nazi persecution of Jews, the Salem witch trials, the Ku Klux Klan scapegoating of blacks. Notice, however, that in all such cases the persecutor hates the persecuted for precisely those traits that the persecutor displays with a glaringly uncivilized fury. At other times, the witch hunt appears in less terrifying proportions—the cold war fear of a " Commie under every bed," for instance. And often, it appears in comic form—the interminable gossip about everybody else that tells you much more about the gossiper than about the object of gossip. But all of these are instances of individuals desperate to prove that their own shadows belong to other people.Many men and women will launch into tirades about how disgusting homosexuals are. Despite how decent and rational they otherwise try to behave, they find themselves seized with a loathing of any homosexual, and in an emotional outrage will advocate such things as suspending gay civil rights (or worse). But why does such an individual hate homosexuals so passionately? Oddly, he doesn’t hate the homosexual because he is homosexual; he hates him because he sees in the homosexual what he secretly fears he himself might become. He is most uncomfortable with his own natural, unavoidable, but minor homosexual tendencies, and so projects them. He thus comes to hate the homosexual inclinations in other people—but only because he first hates them in himself. And so, in one form or another, the witch hunt goes. We hate people " because," we say, they are dirty, stupid, perverted, immoral.... They might be exactly what we say they are. Or they might not. That is totally irrelevent, however, because we hate them only if we ourselves unknowingly possess the despised traits ascribed to them. We hate them because they are a constant reminder of aspects of ourselves that we are loathe to admit. We are starting to see an important indicator of projection. Those items in the environment (people or things) that strongly affect us instead of just informing us are usually our own projections. Items that bother us, upset us, repulse us, or at the other extreme, attract us, compel us, obsess us—these are usually reflections of the shadow. As an old proverb has it, I looked, and looked, and this I came to see: That what I thought was you and you, Was really me and me. "
18
" The 21st century has certainly seen the rape of women in wartime, but it has long been treated as an atrocious war crime, which most armies try to prevent and the rest deny and conceal. But for the heroes of the Iliad, female flesh was a legitimate spoil of war: women were to be enjoyed, monopolized, and disposed of at their pleasure. Menelaus launches the Trojan War when his wife, Helen, is abducted. Agamemnon brings disaster to the Greeks by refusing to return a sex slave to her father, and when he relents, he appropriates one belonging to Achilles, later compensating him with twenty-eight replacements. Achilles, for his part, offers this pithy description of his career: “I have spent many sleepless nights and bloody days in battle, fighting men for their women.”11 When Odysseus returns to his wife after twenty years away, he murders the men who courted her while everyone thought he was dead, and when he discovers that the men had consorted with the concubines of his household, he has his son execute the concubines too. "
― Steven Pinker , The Better Angels of Our Nature: Why Violence Has Declined