26
" All right, my hope—but I am not saying the rest of it—I have something you need to feel.”
She feigned the sound of outrage. “But we barely know each other, sir!”
He laughed softly. “But you must hold it in your hand and feel it change,” he urged, in her ear. “I insist. I can wait no longer.”
She knew they were on a serious subject, but the flutter of his breath on her skin, the low drawl of his words—heat raced along all her nerve endings. “Will I like it?”
“Well, I do have to apologize for its size. It is rather small.” And with that, he pressed something rather small into her hand. "
― Sherry Thomas , The Perilous Sea (The Elemental Trilogy, #2)
37
" Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead. "
― Nathaniel Hawthorne , The Marble Faun
