21
" I write poems. I'm often laughed at for doing so. My friends and foes, who were born in 1980's or even later aren't savvy with this concept of the reading and writing poems. They're probably not at fault because while they were being brought up in their respective environments, they weren't really taught how to appreciate poetry. Sadly, those same indifferent souls are now raising their children in the same robotic way, keeping them away from an art form as pure as poetry. Anyway, on the path my life, my poems, written and unwritten, are spread throughout like breadcrumbs. Alas! I'm savouring these breadcrumbs alone because no one has chosen to walk by me, maybe because they're skeptic about the taste of these crumbs. They've hypothetically assumed that these crumbs, these poems are bitter. Sigh! They aren't courageous enough to gather the strength to actually taste them. Perhaps this way, the real sweetness of my crumbs, of my poems stays obscured to them. But I haven't let them crush this sweetness beneath their feet and that's why, I've chosen to walk alone instead. How can I not savour these crumbs if I already know that they're leading me to the apex of my life? How can I not write poems if a voice inside me is constantly pecking my hands to give it a form? This voice is my meditation. This voice is my shadow, a shadow which is stubborn enough to remain intact even when I'll be gone. This voice is my concrete, the concrete that I'm made up of. This voice is my power, the power that will shake your senses. This voice is my poetry. "
22
" I write poems. I'm often laughed at for doing so. My friends and foes, who were born in 1980's or even later aren't savvy with this concept of the reading and writing poems. They're probably not at fault because while they were being brought up in their respective environs, they weren't really taught how to appreciate poetry. Sadly, those same indifferent souls are now raising their children in the same robotic way, keeping them away from an art form as pure as poetry. Anyway, on the path my life, my poems, written and unwritten, are spread throughout like breadcrumbs. Alas! I'm savoring these breadcrumbs alone because no one has chosen to walk by me, maybe because they're skeptic about the taste of these crumbs. They've hypothetically assumed that these crumbs, these poems are bitter. Sigh! They aren't courageous enough to gather the strength to actually taste them. Perhaps this way, the real sweetness of my crumbs, of my poems stays obscured to them. But I haven't let them crush this sweetness beneath their feet and that's why, I've chosen to walk alone instead. How can I not savor these crumbs if I already know that they're leading me to the apex of my life? How can I not write poems if a voice inside me is constantly pecking my hands to give it a form? This voice is my meditation. This voice is my shadow, a shadow which is stubborn enough to remain intact even when I'll be gone. This voice is my concrete, the concrete that I'm made up of. This voice is my power, the power that will shake your senses. This voice is my poetry. "
23
" I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us.
This—this moment, when it was him and me and nothing between our bodies …
His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning.
His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger.
I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered "
― Sarah J. Maas , A Court of Mist and Fury (A Court of Thorns and Roses, #2)
25
" Now there is naught but a vast black triangle having the apex downwards, and in the centre of the black triangle is the face of Typhon, the Lord of the Tempest, and he crieth aloud: Despair! Despair! For thou mayest deceive the Virgin, and thou mayest cajole the Mother; but what wilt thou say unto the ancient Whore that is throned in Eternity? For if she will not, there is neither force nor cunning, nor any wit, that may prevail upon her.Thou canst not woo her with love, for she is love. And she hath all, and hath no need of thee. And thou canst not woo her with gold, for all the Kings and captains of the earth, and all the gods of heaven, have showered their gold upon her. Thus hath she all, and hath no need of thee. And thou canst not woo her with knowledge, for knowledge is the thing that she hath spurned. She hath it all, and hath no need of thee. And thou canst not woo her with wit, for her Lord is Wit. She hath it all, and hath no need of thee. Despair! Despair!Nor canst thou cling to her knees and ask for pity; nor canst thou cling to her heart and ask for love; nor canst thou put thine arms about her neck, and ask for understanding; for thou hast all these, and they avail thee not. Despair! Despair! Then I took the Flaming Sword, and I let it loose against Typhon, so that his head was cloven asunder, and the black triangle dissolved in lightnings. "