49
" That's precisely what's so extraordinary about you, you enjoy giving pleasure. Offering your body as an object of pleasure, giving pleasure unselfishly: that's what Westerners don't know how to do any more. They've completely lost the sense of giving. Try as they might, they no longer feel sex as something natural. Not only are they ashamed of their own bodies, which aren't up to porn standards, but for the same reasons they no longer feel truly attracted to the body of the other. It's impossible to make love without a certain abandon, without accepting, at least temporarily, the state of being in a state of dependency, of weakness. Sentimental adulation and sexual obsession have the same roots, both proceed from some degree of selflessness; it's not a domain in which you can find fulfilment without losing yourself. We have become cold, rational, acutely conscious of our individual existence and our rights; more than anything, we want to avoid alienation and dependence; on top of that we're obsessed with health and hygiene: these are hardly ideal conditions in which to make love. "
― Michel Houellebecq , Platform
60
" And you can glance out the window for a moment, distracted by the sound of small kids playing a made-up game in a neighbor's yard, some kind of kickball maybe, and they speak in your voice, or piggyback races on the weedy lawn, and it's your voice you hear, essentially, under the glimmerglass sky, and you look at the things in the room, offscreen, unwebbed, the tissued grain of the deskwood alive in light, the thick lived tenor of things, the argument of things to be seen and eaten, the apple core going sepia in the lunch tray, and the dense measures of experience in a random glance, the monk's candle reflected in the slope of the phone, hours marked in Roman numerals, and the glaze of the wax, and the curl of the braided wick, and the chipped rim of the mug that holds your yellow pencils, skewed all crazy, and the plied lives of the simplest surface, the slabbed butter melting on the crumbled bun, and the yellow of the yellow of the pencils, and you try to imagine the word on the screen becoming a thing in the world, taking all its meanings, its sense of serenities and contentments out into the streets somehow, its whisper of reconciliation, a word extending itself ever outward, the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and farewell, a word that carries the sunlit ardor of an object deep in drenching noon, the argument of binding touch, but it's only a sequence of pulses on a dullish screen and all it can do is make you pensive--a word that spreads a longing through the raw sprawl of the city and out across the dreaming bournes and orchards to the solitary hills.
Peace. "
― Don DeLillo