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an explosion  QUOTES

7 " I’d like to share with you a parable: the parable of Bob the Angel.
A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!”
The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her.
She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins.
There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand.
“You probably shouldn’t be walking through here this late at night,” was all he said as he turned away.
“Wait! What’s your name?” she asked, still stunned half sitting up on the ground.
All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .”

An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered.
Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that.
If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob.
Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way. "

Michael Brent Jones , Dinner Party: Part 2

11 " I’d like to share with you a parable: the parable of Bob the Angel.
A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!”
The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her.
She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins.
There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand.
“You probably shouldn’t be walking through here this late at night,” was all he said as he turned away.
“Wait! What’s your name?” she asked, still stunned half sitting up on the ground.
All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .”

An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered.
Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that.
If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. "

Michael Brent Jones , Dinner Party: Part 2

14 " Drake's whip hand spun Diana like a top.
She cried out. That sound, her cry, pierced Caine like an arrow.
Diana staggered and almost righted herself, but Drake was too quick, too ready.
His second strike yanked her through the air. She flew and then fell.
“Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow.
Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin.
Caine froze.
The fuel rod, forgotten, fell from the air with a shattering crash.
It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship.
It bent, cracked, rolled off the boulder, and crashed heavily in the dirt.
Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!”
The radiation meter in his pocket was counting clicks so fast, it became a scream.
Drake piled into Jack, and the two of them went tumbling.
Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke.
“No!” Caine cried.
“No!”
Drake was up, disentangling himself with an angry curse from Jack.
“Diana,” Caine sobbed.
Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM.
Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone.
Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat.
Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!”
Sam wobbled atop the rise. Quinn caught him as he staggered.
Now Caine snapped back to the present, seeing his brother, seeing the killing light.
“No,” Caine said. “No, Sam: He’s mine.”
He raised a hand, and Sam went flying backward along with Quinn.
“The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!”
Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough.
Caine raised his hand, and the fuel rod seemed to jump off the ground.
A javelin.
A spear. He held it poised. Pointed straight at Drake.
Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized.
Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…”
Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear.
Caine threw the fuel rod. Tons of steel and lead and uranium.
Straight at Drake. "

Michael Grant , Hunger (Gone, #2)